Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1998 or
2013
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
Click on one or more items below to narrow your results.
Allen (2009) (1) ·
Ballon and Westermann (2006) (1) ·
Beisner (2010) (1) ·
Benkler (2013) (1) ·
Besek (2004) (1) ·
Copyright Law Review Committee (2000) (1) ·
Crowston et al. (2012) (1) ·
Dryden (2008) (1) ·
Froschauer (2008) (1) ·
Geist (2006) (1) ·
HEDS (2002) (1) ·
Hargreaves (2011) (1) ·
Hargreaves (2012) (1) ·
McCarthy (2013) (1) ·
Newman (2008) (1) ·
Nimmer (2013) (1) ·
Party (2009) (1) ·
Perlmutter (1991-1992) (1) ·
Raustiala and Sprigman (2011) (1) ·
Samuelson (1999) (1) ·
Samuelson and Wheatland (2009) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Tanner (2004) (1) ·
Towse (2011) (1) ·
United States Copyright Office (1992) (1) ·
Zittrain (2008) (1)
K40: General (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
L82: Entertainment • Media (1) ·
O1: Economic Development (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (3) ·
O34: Intellectual Property and Intellectual Capital (9) ·
O38: Government Policy (7) ·
Z11: Economics of the Arts and Literature (3) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (10)
Archival Research (1) ·
Case Study (1) ·
Document Research (3) ·
Focus Groups (2) ·
Qualitative Collection Methods (4) ·
Quantitative Collection Methods (1) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (3) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (7) ·
Survey Research (quantitative; e.g. sales/income reporting) (4) ·
Web analytic (online user trace data) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (6)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Computer programming (1) ·
Creative, arts and entertainment (6) ·
Cultural education (2) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (3) ·
Photographic activities (1) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (2) ·
Sound recording and music publishing (2) ·
Television programmes (2)
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