Browse data: Studies
From Copyright EVIDENCE
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Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Apple iTunes country stores in 27 EU Member States (1) ·
Artists’ Collecting Society (1) ·
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
Big Innovation Centre (1) ·
Boxofficemojo.com (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Bureau of Labor Statistics (1) ·
Chilling Effects (Lumen) (1) ·
Copyright Licensing Agency (1) ·
Copyright laws (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Google Transparent Report (1) ·
Literature review (3) ·
Lumen (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Movie2k.to (1) ·
Newspaper Licensing Association (1) ·
OFCOM (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Statutory exceptions (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
WIPO (2014) (1)
Case Study (5) ·
Document Research (8) ·
Experimental (Laboratory) (1) ·
Focus Groups (2) ·
Longitudinal Study (2) ·
Participant Observation (1) ·
Qualitative Collection Methods (14) ·
Qualitative content/text mining (3) ·
Quantitative Collection Methods (17) ·
Quantitative data/text mining (9) ·
Semi-Structured Interview (6) ·
Survey Research (qualitative; e.g. consumer preferences) (8) ·
Survey Research (quantitative; e.g. sales/income reporting) (9) ·
Unstructured Interview (1) ·
Web analytic (online user trace data) (5)
Cluster analysis (1) ·
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (6) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (10) ·
Legal Analysis (9) ·
Meta-Analysis (1) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (11) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (17) ·
Quantitative content analysis (e.g. text or data mining) (8) ·
Regression Analysis (3) ·
Textual Content Analysis (10) ·
Visual / Other Content Analysis (1)
Australia (2) ·
Austria (1) ·
Belgium (1) ·
Bulgaria (2) ·
Canada (1) ·
China (1) ·
Croatia (1) ·
Cyprus (1) ·
Czech Republic (1) ·
Denmark (1) ·
Estonia (1) ·
European Union (10) ·
Finland (1) ·
France (1) ·
Germany (2) ·
Global (5) ·
Greece (1) ·
Hong Kong (1) ·
Hungary (1) ·
Italy (1) ·
Japan (1) ·
Korea (1) ·
Latvia (1) ·
Lithuania (1) ·
Luxembourg (1) ·
Malta (1) ·
Poland (1) ·
Portugal (1) ·
Romania (1) ·
Singapore (1) ·
Slovakia (1) ·
Slovenia (1) ·
Spain (1) ·
Switzerland (1) ·
The Netherlands (1) ·
Turkey (1) ·
United Kingdom (9) ·
United States (12)
1994-2014 (1) ·
1998 (1) ·
1999 to 2015 (1) ·
2000-2007 (1) ·
2005-2007 (1) ·
2006-2013 (1) ·
2008 to 2014 (1) ·
2009-2014 (1) ·
2010 (1) ·
2011 to 2012 (1) ·
2011-2012 (1) ·
2011-2014 (1) ·
2012 (2) ·
2012-2013 (1) ·
2013 (2) ·
2014 (6) ·
2014-2015 (4) ·
2015 (1) ·
A semester in 2013 (1) ·
Between May and July 2014. (1)
Arts and Humanities Research Council (1) ·
Australian Copyright Council (1) ·
Centre for Copyright and New Business Model in the Creative Economy (CREATe) (1) ·
European Commission (1) ·
European Parliament (1) ·
IPO (2) ·
Intellectual Property Office (1) ·
None (2) ·
Not stated (1) ·
OHIM (1) ·
Office of the United States Trade Representative (1) ·
RCUK (1) ·
United States Copyright Office (2) ·
University of East Anglia (1) ·
WIPO (2) ·
World Intellectual Property Organization (3) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (19) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (15) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (14)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (8) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (6) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (11) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (14)
Australian copyright industries (1) ·
Case Studies (1) ·
Company (2) ·
Consumer (1) ·
Country (7) ·
Cultural Institution Staff (1) ·
Files (1) ·
Film (1) ·
Individual (4) ·
Individual Copyright Offences (1) ·
Interview (1) ·
Kickstarter projects (1) ·
Projects (1) ·
School curriculum (1) ·
Stakeholders (3) ·
Studies (2) ·
Takedown Notices (1) ·
Takedown Rquests (1) ·
Takedown requests (1) ·
Videogames (1) ·
Websites (1) ·
Wikipedia pages (1) ·
court records (1) ·
takedown requests (1)
Advertising (1) ·
Creative, arts and entertainment (8) ·
Cultural education (6) ·
Film and motion pictures (11) ·
Libraries, archives, museums and other cultural activities (4) ·
Photographic activities (2) ·
Programming and broadcasting (3) ·
Publishing of books, periodicals and other publishing (11) ·
Software publishing (10) ·
Sound recording and music publishing (12) ·
Specialised design (2) ·
Television programmes (7) ·
Video game publishing (1)
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