Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
2000 or
2005 or
2008 or
2011 or
2015
& Data collection method :
Experimental (Laboratory) or
Qualitative Collection Methods or
Quantitative data/text mining
& Data industry:
Creative, arts and entertainment
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Secondary Data Source:
Cluster analysis (1) ·
Correlation and Association (3) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (8) ·
Discourse Analysis (2) ·
Ethnographic/narrative analysis (3) ·
Grounded Theory (1) ·
Legal Analysis (9) ·
Multivariate Statistics (2) ·
Qualitative Analysis Methods (24) ·
Qualitative Coding / Sorting (e.g. of interview data) (5) ·
Quantitative Analysis Methods (21) ·
Quantitative content analysis (e.g. text or data mining) (11) ·
Regression Analysis (3) ·
Social Network Analysis (1) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (10) ·
Visual / Other Content Analysis (2)
1/03/2013-13/04/2013 (1) ·
1667 (1) ·
1975–2000 (1) ·
1978 to 2005 (1) ·
1984 to 1999 (1) ·
1989 (1) ·
1994-2014 (1) ·
1996-2006 (1) ·
2001-2011 (1) ·
2006 (1) ·
2006 to 2010 (1) ·
2006-2013 (1) ·
2007-2010 (1) ·
2008 (1) ·
2009 (1) ·
2010 (1) ·
2010-2011 (1) ·
2010-2011
Pre-2011 (1) ·
2014 (2) ·
2015 (2) ·
2015-2016 (1) ·
A semester in 2013 (1) ·
Between May and July 2014. (1) ·
Not stated (5) ·
Spring 2013 (1)
Arts and Humanities Research Council (2) ·
Economic and Social Research Council (ESRC) (grant RES-173-27-0220) (1) ·
European Commission (1) ·
German Institute for Economic Research (1) ·
HM Government (1) ·
HM Treasury (1) ·
IPO (2) ·
Intellectual Property Office (2) ·
National Science Foundation (1) ·
None stated (1) ·
Not stated (4) ·
The National Academies of the Sciences (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (20) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (12) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (13) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (13)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (13) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (11) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (9) ·
E. Fair remuneration (levies; copyright contracts) (7) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (15)
Artists (1) ·
Case study (2) ·
Chefs (1) ·
Company (1) ·
Country (1) ·
Economic theory-based academic papers related to copyright (1) ·
Federal Judgement Opinions (1) ·
Forum posts (1) ·
Individual (4) ·
Individual Copyright Offences (1) ·
Individual data (1) ·
Interview (1) ·
Kickstarter projects (1) ·
Organisations (1) ·
Pages of Discussion (1) ·
Projects (1) ·
Respondent (1) ·
Stakeholders (2) ·
Takedown requests (1) ·
Videos (1) ·
Wikipedia pages (1) ·
Wikipedia webpages (1) ·
Workers (1) ·
Years of iTunes selling digital songs and videos (1) ·
authors (1) ·
case study (1) ·
composers and lyricists (1) ·
court records (1) ·
first performances (1) ·
year (1)
1/03/2013-13/04/2013 (1) ·
1667 (1) ·
1770-1900 (1) ·
1975 to 2000 (1) ·
1978 to 2005 (1) ·
1984 to 1999 (1) ·
1984-2011 (1) ·
1988 (1) ·
1994-2014 (1) ·
2006 (2) ·
2006-2013 (1) ·
2008 (1) ·
2009 (1) ·
2010 (2) ·
2013 (1) ·
2014 (3) ·
2015 (3) ·
January - April 2014 (1) ·
Not stated (4) ·
Not-stated (1)
Showing below up to 31 results in range #1 to #31.
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