Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Baistrocchi (2002) (1) ·
Berns and Frey (2005) (1) ·
Boyle (2008) (1) ·
Castells and Portes (1989) (1) ·
Chesbrough (2003) (1) ·
Chiou, Huang and Lee (2005) (1) ·
Collins (2002) (1) ·
Dahlander and Gann (2010) (1) ·
Elber (2006) (1) ·
Enkel, Gassmann and Chesbrough (2009) (1) ·
Evangelista (2000) (1) ·
Frydman and Rorive (2002) (1) ·
Gallagher (2011) (1) ·
Geist (2006) (1) ·
Gibson (2007) (1) ·
Graham and Mowery (2006) (1) ·
Havens (2003) (1) ·
Hennig-Thurau, Henning and Sattler (2007) (1) ·
Holznagel (2000) (1) ·
Ingram and Hinduja (2008) (1) ·
Jayasuriya et al. (2010) (1) ·
Kapferer (2000) (1) ·
Kheria (2013) (1) ·
Kretschmer and Hardwick (2007) (1) ·
Lemley (2003) (1) ·
Lichtenthaler and Ernst (2009) (1) ·
McInerney and Rose (1999) (1) ·
Nathenson (2010) (1) ·
Pfanner (2010) (1) ·
Silverstone and Hirsch (1992) (1) ·
Tanner (2004) (1) ·
Towse (2001) (1)
E26: Informal Economy • Underground Economy (1) ·
K11: Property Law (2) ·
K1: Basic Areas of Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (1) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (8) ·
None (1)
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (2) ·
Qualitative Analysis Methods (6) ·
Qualitative Coding / Sorting (e.g. of interview data) (4) ·
Quantitative Analysis Methods (1) ·
Regression Analysis (1) ·
Textual Content Analysis (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (5)
Creative, arts and entertainment (2) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (1) ·
Sound recording and music publishing (2) ·
Television programmes (2)
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