Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
2005 or
2010
& Government or policy study:
Yes
& Data industry :
Creative, arts and entertainment or
Cultural education
Click on one or more items below to narrow your results.
Author:
Bolye (2008) (1) ·
CLIR (2001) (1) ·
CLRA (2006) (1) ·
Deazley (2006) (1) ·
Econlaw (2007) (1) ·
Ginsburg (2010) (1) ·
Gowers (2006) (3) ·
Hess and Ostrom (2003) (1) ·
IFLA (2003) (1) ·
IFRRO (2010) (1) ·
Lessig (2008) (1) ·
Nathan Associates (2006) (1) ·
Ogbu (2003) (1) ·
Ricketson (2003) (1) ·
Strategic Content Alliance (2009) (1) ·
Throsby (1982) (1) ·
Throsby (1983) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Miller (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Tushnet (2004) (1) ·
Vetulani (2008) (1) ·
Weatherall, Webster and Bently (2009) (1)
A13: Relation of Economics to Social Values (1) ·
A1: General Economics (1) ·
K: Law and Economics (1) ·
L80: General (1) ·
L82: Entertainment • Media (1) ·
L8: Industry Studies: Services (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (3) ·
Other (7) ·
None (1)
Case Study (1) ·
Document Research (2) ·
Focus Groups (1) ·
Qualitative Collection Methods (3) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (3) ·
Semi-Structured Interview (5) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (2)
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (3) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (1) ·
Textual Content Analysis (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (1)
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