Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
2005 or
2013
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
& Government or policy study:
Yes
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Beisner (2010) (1) ·
Froschauer (2008) (1) ·
Hargreaves (2011) (1) ·
McCarthy (2013) (1) ·
Nimmer (2013) (1) ·
None Cited (1) ·
Ogbu (2003) (1) ·
Perlmutter (1991-1992) (1) ·
Raustiala and Sprigman (2011) (1) ·
Samuelson and Wheatland (2009) (1) ·
Towse (2011) (1) ·
Tushnet (2004) (1) ·
United States Copyright Office (1992) (1)
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
Federation Against Copyright Theft (1) ·
Organised Crime Task Force (1) ·
The Patent Office (1) ·
United States Copyright Office (2)
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (3)
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (3) ·
Film and motion pictures (2) ·
Libraries, archives, museums and other cultural activities (1) ·
Publishing of books, periodicals and other publishing (1) ·
Software publishing (1) ·
Sound recording and music publishing (1) ·
Specialised design (1) ·
Television programmes (1)
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