Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
2007 or
2008
& Data analysis method:
Qualitative Coding / Sorting (e.g. of interview data)
Click on one or more items below to narrow your results.
Allen (1983) (1) ·
Appel (1999) (1) ·
Astle and Muir (2002) (1) ·
Bechtold (2006) (1) ·
Bernstein (1992) (1) ·
Corbett (2011) (1) ·
Cotropia and Gibson (2014) (1) ·
Gowers (2006) (1) ·
Kretschmer (2005) (1) ·
Pessach (2007) (1) ·
Ricketson (2006) (1) ·
Rosamond (2002) (1) ·
Stobo, Deazley and Anderson (2013) (2) ·
Strandbourg (2008) (1) ·
Sundararajan (2004) (1) ·
Sykes and Matza (1957) (1) ·
Takeyama (1994) (1) ·
Towse (2005) (1) ·
Vuopala (2010) (1) ·
Zamoon and Curley (2007) (1)
A14: Sociology of Economics (1) ·
D02: Institutions: Design; Formation; and Operations (1) ·
K00: General (1) ·
K11: Property Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (2) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (2) ·
Other (6) ·
None (1)
Case Study (1) ·
Document Research (2) ·
Qualitative Collection Methods (5) ·
Qualitative content/text mining (4) ·
Quantitative Collection Methods (4) ·
Quantitative data/text mining (3) ·
Semi-Structured Interview (3) ·
Survey Research (qualitative; e.g. consumer preferences) (5) ·
Survey Research (quantitative; e.g. sales/income reporting) (5)
European Commission (1) ·
Institute for Research in Marketing, Carlson School of Management, University of Minnesota. (1) ·
None stated (1) ·
The Social Sciences and Humanities Research Council of Canada for the doctoral fellowship and the Association of Colleges and Research Libraries for the Doctoral Dissertation Fellowship that covered the costs of data collection. (1) ·
The study was funded by the UK Authors’ Licensing & Collecting Society (ALCS) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (1)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (4) ·
Cultural education (2) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (2) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (2)
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