Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Bainbridge (2009) (1) ·
Boyle (2008) (1) ·
Crews (2008) (1) ·
Dusollier (2010) (1) ·
EIFL (2013) (1) ·
Ellickson (1991) (1) ·
Gallagher (2011) (1) ·
Garnett (2006) (1) ·
Geist (2006) (1) ·
Gibson (2007) (1) ·
Glakas (2003) (1) ·
Guibault et al (2007) (1) ·
Hargreaves (2011) (1) ·
Houston and Gassenheimer (1987) (1) ·
Huang (2005) (1) ·
Kheria (2013) (1) ·
Kretschmer and Hardwick (2007) (1) ·
MacQueen, Waelde and Laurie (2011) (1) ·
Madden and Lenhart (2003) (1) ·
Nathenson (2010) (1) ·
Posner (2000) (1) ·
Ricketson (2003) (1) ·
Ricketson and Ginsburg (2006) (1) ·
Spoor, Verkade and Visser (2005) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Towse (2001) (1) ·
Van Eechoud (2009) (1) ·
Vuopala (2010) (1) ·
Xalabarder (2007) (1)
D83: Search • Learning • Information and Knowledge • Communication • Belief (1) ·
K11: Property Law (1) ·
K1: Basic Areas of Law (1) ·
K42: Illegal Behavior and the Enforcement of Law (3) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
K: Law and Economics (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (4) ·
O34: Intellectual Property and Intellectual Capital (8) ·
O38: Government Policy (5) ·
Z11: Economics of the Arts and Literature (1) ·
Other (9)
Case Study (1) ·
Document Research (1) ·
Qualitative Collection Methods (7) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (2) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (5) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (8) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (2) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (2) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (3) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (3) ·
Cultural education (3) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (4) ·
Software publishing (1) ·
Sound recording and music publishing (2)
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