Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
2010 or
2012
& Data collection method:
Survey Research (quantitative; e.g. sales/income reporting)
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Amazon.com (1) ·
Annual Survey of Hours and Earnings (1) ·
Australian Bureau of Statistics Census 2001, 2006 (1) ·
Author's Licensing & Collecting Society (1) ·
BigChampagne (2) ·
Boxofficemojo.com (1) ·
British Film Institute (1) ·
Bundesverband der Phonographischen Wirtschaft (1) ·
Center for Research in Security Prices (1) ·
Copyright Licensing Society (1) ·
Decima Research survey commissioned by Industry Canada (1) ·
Google Trends (1) ·
HITT (1) ·
IMDb (1) ·
Major Record Company Sales Data (1) ·
Mininova (1) ·
MusicBrainz (1) ·
Nielsen SoundScan (2) ·
Not stated (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Pollstar (2) ·
Publishers Association (1) ·
RIAA (2) ·
Review of Existing Academic and Industries Literature (1) ·
ScreenDaily.com (1) ·
UK Film Council (1)
Cluster analysis (2) ·
Confirmatory Factor Analysis (CFA) (2) ·
Correlation and Association (11) ·
Decision Tree Method (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (11) ·
Factor Analysis (2) ·
Legal Analysis (3) ·
Multivariate Statistics (9) ·
Qualitative Analysis Methods (5) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (15) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (17) ·
Structural Equation Modeling (4) ·
Textual Content Analysis (4)
Arabic countries (1) ·
Argentina (1) ·
Australia (3) ·
Belgium (1) ·
Brazil (1) ·
Canada (4) ·
Denmark (1) ·
European Union (2) ·
Finland (2) ·
France (2) ·
Germany (4) ·
Hong Kong (1) ·
Iceland (1) ·
Ireland (1) ·
Italy (2) ·
New Zealand (2) ·
Norway (1) ·
Poland (1) ·
Spain (2) ·
Switzerland (2) ·
Thailand (1) ·
The Netherlands (2) ·
Turkey (1) ·
United Kingdom (4) ·
United States (16) ·
Unknown (1)
1913 to 1932 (1) ·
1984 to 2006 (1) ·
1993-2004 (1) ·
1997-2009 (1) ·
2006 (3) ·
2007 (3) ·
2007-2008 (1) ·
2008 (1) ·
2008-2011 (1) ·
2009 (5) ·
2009-2010 (1) ·
2010 (1) ·
2011 (2) ·
April - October 2006 (1) ·
Data was collected over two weeks in 2012. (1) ·
July 2003 to July 2006 (1) ·
Not stated (5) ·
November 2009 (2) ·
Spring semester 2010 (1) ·
Various (1)
Alfred P. Sloan Foundation (1) ·
Australia Council for the Arts (1) ·
European Commission (1) ·
Funded by the Ford Foundation, through a Future of Public Media grant to the Center for Social Media (1) ·
IPO (1) ·
Industry Canada (1) ·
National Science Foundation (1) ·
None (5) ·
Not Stated (1) ·
Not stated (4)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (13) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (10) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (28)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (3) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (11) ·
E. Fair remuneration (levies; copyright contracts) (8) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (25)
Artists (1) ·
Books (2) ·
Company (2) ·
Concerts (1) ·
Country (1) ·
Cultural Institutions (1) ·
Digital Sales in 6 European Music Markets (1) ·
Film (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (10) ·
Industries (1) ·
Industry (1) ·
Recording Artists (1) ·
Scholars (1) ·
TV Episodes (1) ·
University students (7) ·
Years of sales data (1) ·
applications (1) ·
events (1) ·
firm-events (1) ·
movie-by-weekend-by-country revenue observations (1) ·
orphan works (1) ·
publicly traded firms (1)
1913-1932 (1) ·
1991-2006 (1) ·
1993-2004 (1) ·
1994 to 2006 (1) ·
2006 (4) ·
2007 (1) ·
2007-2008 (1) ·
2008-2011 (1) ·
2009 (6) ·
2009-2010 (1) ·
2010 (3) ·
2011 (2) ·
2012 (1) ·
July 2003 to 2006 (1) ·
July 2003 to July 2006 (1) ·
Not stated (6) ·
The cut-off date for analysis is the end of the 2008 calendar year, although some 2009 data has been included where available and appropriate. (1)
Architectural (1) ·
Computer consultancy (1) ·
Computer programming (2) ·
Creative, arts and entertainment (4) ·
Cultural education (2) ·
Film and motion pictures (11) ·
Libraries, archives, museums and other cultural activities (1) ·
PR and communication (1) ·
Photographic activities (1) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (6) ·
Software publishing (8) ·
Sound recording and music publishing (22) ·
Television programmes (4) ·
Video game publishing (1)
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