Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
2010 or
2012
& Evidence Based Policies:
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
& Data material year:
2007-2009
& Data industry :
Creative, arts and entertainment or
Cultural education
Click on one or more items below to narrow your results.
Berns and Frey (2005) (1) ·
Chamberlin, Clayton and Farooqui (2007) (1) ·
Dryden (2008) (1) ·
Goodridge and Haskel (2011) (1) ·
Gowers (2006) (1) ·
Hirtle (2006) (1) ·
Hughes (2004) (1) ·
Kretschmer, Bently, Singh and Cooper (2011) (1) ·
Lee (2001) (1) ·
Shah and Tripsas (2007) (1) ·
Sitts (2000) (1) ·
Stanford University Libraries (2007) (1) ·
Tanner (2004) (1) ·
Throsby (1982) (1) ·
Throsby (1983) (1) ·
Throsby and Hollister (2003) (1) ·
Throsby and Miller (1989) (1) ·
Throsby and Thompson (1994) (1) ·
Vetulani (2008) (1)
Annual Survey of Hours and Earnings (1) ·
Australian Bureau of Statistics Census 2001, 2006 (1) ·
Author's Licensing & Collecting Society (1) ·
British Film Institute (1) ·
Copyright Licensing Society (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (2) ·
UK Film Council (1)
Case Study (2) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (4) ·
Quantitative data/text mining (2) ·
Semi-Structured Interview (4) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
Descriptive statistics (counting; means reporting; cross-tabulation) (2) ·
Legal Analysis (1) ·
Qualitative Analysis Methods (3) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Textual Content Analysis (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
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