Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
2012 or
2013
& Data collection method:
Survey Research (quantitative; e.g. sales/income reporting)
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3 Major Film Studios (1) ·
ALCS survey 2007 (1) ·
ALCS survey 2015 (1) ·
Annual Survey of Hours and Earnings (1) ·
Author's Licensing & Collecting Society (1) ·
BigChampagne (1) ·
Boxofficemojo.com (1) ·
British Film Institute (1) ·
Bundesverband der Phonographischen Wirtschaft (1) ·
CitiGroup (1) ·
Copyright Licensing Society (1) ·
Decima Research survey commissioned by Industry Canada (1) ·
Digital Music Times (1) ·
Google AdWords (1) ·
Google Trends (1) ·
International Telecommunication Union (1) ·
LexisNexis (1) ·
Major Record Company Sales Data (1) ·
MusicBrainz (1) ·
Nielsen SoundScan (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Pollstar (1) ·
Publishers Association (1) ·
Quora (1) ·
RIAA (1) ·
Recording Industry Association of America website (1) ·
Review of Existing Academic and Industries Literature (1) ·
ScreenDaily.com (1) ·
Swedish Performing Right Society (STIM) Annual Reports (1) ·
UK Film Council (1) ·
Wired Magazine (1)
Cluster analysis (3) ·
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (9) ·
Decision Tree Method (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (19) ·
Factor Analysis (1) ·
Legal Analysis (1) ·
Multivariate Statistics (5) ·
Qualitative Analysis Methods (4) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (13) ·
Quantitative content analysis (e.g. text or data mining) (6) ·
Regression Analysis (14) ·
Structural Equation Modeling (4) ·
Textual Content Analysis (4)
Argentina (1) ·
Australia (4) ·
Austria (1) ·
Belgium (2) ·
Brazil (1) ·
Canada (6) ·
Denmark (1) ·
European Union (2) ·
Finland (1) ·
France (4) ·
Germany (6) ·
Hong Kong (1) ·
Iceland (1) ·
Ireland (1) ·
Italy (2) ·
Mexico (1) ·
New Zealand (3) ·
Norway (1) ·
Poland (1) ·
Spain (3) ·
Sweden (1) ·
Switzerland (2) ·
Thailand (1) ·
The Netherlands (3) ·
Turkey (1) ·
United Kingdom (12) ·
United States (17) ·
Unknown (1)
1913 to 1932 (1) ·
1929-2010 (1) ·
1980 - 2009 (1) ·
1984 to 2006 (1) ·
1993-2004 (1) ·
1997-1998 (1) ·
2000,2005, and 2013 (1) ·
2006 (2) ·
2007 (1) ·
2007-2008 (1) ·
2008-2011 (1) ·
2009 (1) ·
2010-2013 (1) ·
2011 (3) ·
2011 September and October. (1) ·
2011-2013 (1) ·
2012 to 2013 (1) ·
2012-2013 (1) ·
2013 (1) ·
30 April 2013 - 10 May 2013 (1) ·
April - October 2006 (1) ·
Data was collected over two weeks in 2012. (1) ·
July 2003 to July 2006 (1) ·
Not stated (4) ·
November 2011 – May 2012 (1) ·
September 2012 - August 2013 (1) ·
Spring semester 2010 (1) ·
The data cover the period May-October 2012, mainly by combining two waves of data: May-July and August-October 2012. (1)
Authors’ Licensing & Collecting Society (ALCS) (1) ·
Commonwealth of Australia (1) ·
European Commission (1) ·
IPO (3) ·
Industry Canada (1) ·
Mellon Foundation (1) ·
National Science Foundation EAGER (1) ·
None (3) ·
Not Stated (1) ·
Not stated (2) ·
Ofcom (1) ·
RCUK Funded Centre for Copyright and New Business Models in the Creative Economy (CREATe) (1) ·
University of Minnesota (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (19) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (12) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (22)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (7) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (7) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (12) ·
E. Fair remuneration (levies; copyright contracts) (12) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (19)
Books (2) ·
Case Study (1) ·
Company (1) ·
Concerts (1) ·
Country (1) ·
Digital Sales in 6 European Music Markets (1) ·
Film (2) ·
Focus group (1) ·
Individual (10) ·
Individual Responses (1) ·
Industries (1) ·
Industry (1) ·
Motion Picture Markets (1) ·
Museums (1) ·
Music (1) ·
Recording Artists (1) ·
Reports (1) ·
Software (1) ·
Stakeholders (1) ·
University students (5) ·
Years of sales data (1) ·
movie-by-weekend-by-country revenue observations (1) ·
user-generated music video parodies (1)
1913-1932 (1) ·
1980 - 2009 (1) ·
1993-2004 (1) ·
1994 to 2006 (1) ·
2006 (3) ·
2007-2008 (1) ·
2008-2011 (1) ·
2009 (1) ·
2010 (1) ·
2010-2013 (1) ·
2011 (3) ·
2011 September and October. (1) ·
2011-2013 (1) ·
2012 (3) ·
2012 to 2013 (1) ·
2013 (3) ·
July 2003 to 2006 (1) ·
July 2003 to July 2006 (1) ·
Not Stated (1) ·
Not stated (4) ·
November 2011 – May 2012 (1)
Creative, arts and entertainment (6) ·
Cultural education (1) ·
Film and motion pictures (9) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (1) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (7) ·
Software publishing (7) ·
Sound recording and music publishing (21) ·
Television programmes (4) ·
Video game publishing (1)
Showing below up to 35 results in range #1 to #35.
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- Danaher and Smith (2013)
- Danaher and Waldfogel (2012)
- Danaher, Smith, Telang and Chen (2012)
- DiCola (2013)
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