Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Correlation and Association (6) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (8) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (4) ·
Meta-Analysis (2) ·
Multivariate Statistics (3) ·
Qualitative Analysis Methods (5) ·
Quantitative Analysis Methods (16) ·
Quantitative content analysis (e.g. text or data mining) (13) ·
Regression Analysis (7) ·
Social Network Analysis (1) ·
Textual Content Analysis (4)
1984 to 2006 (1) ·
1993-2004 (1) ·
2003-2013 (1) ·
2004 to 2014 (1) ·
2005 to 2008 (1) ·
2006 to 2011 (1) ·
2007 (1) ·
2008-2011 (1) ·
2009 (1) ·
2009 - 2012 (1) ·
2009-2011 (1) ·
2010 (1) ·
2013 (1) ·
2013-2014 (1) ·
2014 (3) ·
January 1992 – June 2012 (1) ·
July 2012 (1) ·
No data (1) ·
Not specified (1) ·
Not stated (3) ·
Prior to 2007 (1) ·
Unstated. (1) ·
Until 2012 (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
European Commision (1) ·
European Commission (1) ·
European Grouping of Societies of Authors and Composers (1) ·
None (3) ·
Not Stated (1) ·
Not stated (5) ·
Research Councils UK (1) ·
Research Innovation Grant (1) ·
The authors acknowledge the George Mason University’s Center for the Protection of Intellectual Property and its Leonardo da Vinci Research (1) ·
University of Houston Law Center’s Institute for Intellectual Property & Information Law’s 2012-2013 Sponsored Scholarship Grant for the Legal Academy (1) ·
World Intellectual Property Organization (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (16) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (4) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (5) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (18) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (12)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (6) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (15) ·
E. Fair remuneration (levies; copyright contracts) (6) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (14)
Academic article (1) ·
Album (1) ·
Articles (1) ·
Artist (1) ·
Blog posts (1) ·
Case study (1) ·
Concerts (1) ·
Copyright Law Suits (1) ·
Country (2) ·
Creative industries (1) ·
Digital Sales in 6 European Music Markets (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (1) ·
Individual data (1) ·
Industry (1) ·
Journals (1) ·
Music critics' rankings (1) ·
Music services (1) ·
News articles (1) ·
Observations (1) ·
Out-of-print books (1) ·
Price units (1) ·
Publishers (1) ·
Recording Artists (1) ·
Studies (1) ·
Work made for hire cases (1) ·
Years (1) ·
Years of sales data (1) ·
book titles (1) ·
economic models (1) ·
songs (1)
Advertising (1) ·
Architectural (1) ·
Creative, arts and entertainment (6) ·
Cultural education (1) ·
Film and motion pictures (7) ·
Photographic activities (1) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (8) ·
Software publishing (7) ·
Sound recording and music publishing (19) ·
Specialised design (1) ·
Television programmes (4)
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