Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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A11: Role of Economics • Role of Economists • Market for Economists (1) ·
A1: General Economics (1) ·
A21: Pre-college (1) ·
D03: Behavioral Microeconomics • Underlying Principles (1) ·
E26: Informal Economy • Underground Economy (1) ·
K11: Property Law (3) ·
K1: Basic Areas of Law (1) ·
K29: Other (1) ·
K42: Illegal Behavior and the Enforcement of Law (5) ·
L1: Market Structure; Firm Strategy; and Market Performance (3) ·
L82: Entertainment • Media (4) ·
L86: Information and Internet Services • Computer Software (2) ·
L8: Industry Studies: Services (1) ·
M2: Business Economics (1) ·
M31: Marketing (1) ·
M37: Advertising (1) ·
O30: General (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (3) ·
O34: Intellectual Property and Intellectual Capital (24) ·
O38: Government Policy (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (3) ·
O: Economic Development; Technological Change; and Growth (1) ·
Z11: Economics of the Arts and Literature (1) ·
Other (28) ·
None (3)
Secondary Data Source:
Case Study (5) ·
Document Research (1) ·
Ethnography (1) ·
Experimental (Natural) (2) ·
Focus Groups (2) ·
Longitudinal Study (2) ·
Participant Observation (1) ·
Qualitative Collection Methods (9) ·
Qualitative content/text mining (4) ·
Quantitative Collection Methods (11) ·
Quantitative data/text mining (11) ·
Semi-Structured Interview (8) ·
Survey Research (qualitative; e.g. consumer preferences) (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (11) ·
Web analytic (online user trace data) (4)
Cluster analysis (1) ·
Correlation and Association (5) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (7) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (1) ·
Legal Analysis (5) ·
Qualitative Analysis Methods (9) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (13) ·
Quantitative content analysis (e.g. text or data mining) (10) ·
Regression Analysis (10) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (4) ·
Visual / Other Content Analysis (1)
Country:
10 day period (1) ·
2002 - 2014 (1) ·
2003-2009 (1) ·
2003-2016 (1) ·
2007 to 2008 (1) ·
2008-2009 (1) ·
2008-2011 (1) ·
2009 to 2011 (1) ·
2009-2011 (2) ·
2011-2013 (1) ·
2012-2016 (1) ·
2014-2015 (1) ·
2014-2016 (1) ·
2015 (1) ·
2015-2016 (1) ·
21-28 October 2016 (1) ·
24 April 2015 - 21 June 2015 (1) ·
Data was collected over two weeks in 2012. (1) ·
July 2003 to July 2006 (1) ·
No data (1) ·
Not stated (1) ·
Prior to 2007 (1) ·
September 2014 - October 2014 (1) ·
Six weeks from 29 May to 10 July 2015 (1) ·
Until 2012 (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Arts and Humanities Research Council (1) ·
Australian Research Council (1) ·
Deloitte (1) ·
ESRC (UK) Grant No. RES–186–27–0012 (1) ·
EU Commission’s Directorate General for Communications Networks, Content and Technology (1) ·
EUIPO (1) ·
European Commission (2) ·
Google (1) ·
Motion Picture Association of America (1) ·
None (1) ·
Not Stated (2) ·
Not stated (1) ·
RCUK/CREATe (1) ·
The Office for Harmonization in the Internal market (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1) ·
University of Queensland (1) ·
World Intellectual Property Organization (1) ·
de Thuiskopie (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (18) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (5) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (4) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (13) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (18)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (9) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (5) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (6) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (13) ·
E. Fair remuneration (levies; copyright contracts) (8) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (14)
Advertisements (1) ·
Case study (1) ·
Copyright cases (1) ·
Country (4) ·
Digital Sales in 6 European Music Markets (1) ·
Domains (1) ·
Film (1) ·
Focus Groups (1) ·
Images (1) ·
Individual (6) ·
Museums (1) ·
Music critics' rankings (1) ·
Newspaper Publishers (1) ·
Observations (1) ·
Qualitative interviews (1) ·
Systems of fair use in copyright (1) ·
Views (1) ·
Websites (1) ·
Years (1) ·
movie-by-weekend-by-country revenue observations (1)
10 days (1) ·
1960-2010 (1) ·
2003-2007 (1) ·
2003-2009 (1) ·
2003-2013 (1) ·
2008-2009 (1) ·
2008-2011 (1) ·
2009 to 2011 (1) ·
2011 to 2015 (1) ·
2011-2013 (1) ·
2012 (2) ·
2014-2016 (1) ·
2015 (2) ·
2015-2016 (1) ·
2016 (1) ·
July 2003 to 2006 (1) ·
July 2003 to July 2006 (1) ·
June 2014-May 2015 (1) ·
Not stated (1) ·
Six weeks from 29 May to 10 July 2015 (1)
Creative, arts and entertainment (9) ·
Film and motion pictures (10) ·
Libraries, archives, museums and other cultural activities (2) ·
Photographic activities (2) ·
Programming and broadcasting (4) ·
Publishing of books, periodicals and other publishing (8) ·
Software publishing (5) ·
Sound recording and music publishing (8) ·
Television programmes (4)
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