Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Baldia (2013) (1) ·
Borghi, Erickson and Favale (2016) (1) ·
Chamberlin, Clayton and Farooqui (2007) (1) ·
Garcia and McCrary (2019) (1) ·
Goodridge and Haskel (2011) (1) ·
Gowers (2006) (2) ·
Hargreaves (2011) (3) ·
Hooper and Lynch (2012) (1) ·
Intellectual Property Office (2017) (1) ·
Kantar Public (2017) (1) ·
Kretschmer, Bently, Singh and Cooper (2011) (1) ·
None (1) ·
OECD (2015) (1) ·
Stobo, Patterson, Erickson and Deazley (2018) (1)
A10: General (1) ·
K42: Illegal Behavior and the Enforcement of Law (1) ·
K4: Legal Procedure; the Legal System; and Illegal Behavior (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (2) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (1) ·
Other (6) ·
None (1)
Annual Survey of Hours and Earnings (1) ·
Author's Licensing & Collecting Society (1) ·
British Film Institute (1) ·
Copyright Licensing Society (1) ·
European Parliament Committees (1) ·
OFCOM (1) ·
PRS for Music (1) ·
Phonographic Performance Limited (1) ·
Publishers Association (1) ·
UK Film Council (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (1) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (3) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (2)
Creative, arts and entertainment (1) ·
Cultural education (3) ·
Film and motion pictures (5) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (2) ·
Programming and broadcasting (1) ·
Publishing of books, periodicals and other publishing (5) ·
Software publishing (2) ·
Sound recording and music publishing (6) ·
Television programmes (5)
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