Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
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Annual Survey of Hours and Earnings (1) ·
Author's Licensing & Collecting Society (1) ·
BigChampagne (1) ·
Billboard Chart (2) ·
British Film Institute (1) ·
Bundesverband der Phonographischen Wirtschaft (1) ·
C80 Cover Song Data (1) ·
Copyright Licensing Society (1) ·
Decima Research survey commissioned by Industry Canada (2) ·
Digital Music News (1) ·
Fortune Global 500 (1) ·
Google (1) ·
Google Trends (2) ·
IFPI (1) ·
IMDb (1) ·
International Game Developers Association (1) ·
LexisNexis (1) ·
Major Record Company Sales Data (1) ·
Martindale-Hubbell Directory (1) ·
Motion Picture Association (1) ·
MusicBrainz (1) ·
Music Copyright Infringement Resource (1) ·
Nielsen (1) ·
Nielsen SoundScan (4) ·
None (1) ·
OFCOM (1) ·
OMeBa (1) ·
Online Copyright Infringement Tracker surveys (1) ·
Operabase (1) ·
PRS for Music (1) ·
Pollstar (1) ·
Publishers Association (1) ·
RIAA (1) ·
Review of Existing Academic and Industries Literature (2) ·
UK Film Council (1) ·
USCO (2014-2018) annual reports (1) ·
US Copyright Records (1) ·
Various music magazines and websites (1)
Case Study (3) ·
Experimental (Field) (1) ·
Experimental (Laboratory) (3) ·
Experimental (Natural) (1) ·
Focus Groups (2) ·
Longitudinal Study (4) ·
Qualitative Collection Methods (12) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (19) ·
Quantitative data/text mining (7) ·
Semi-Structured Interview (6) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (13) ·
Survey Research (quantitative; e.g. sales/income reporting) (16) ·
Unstructured Interview (2) ·
Web analytic (online user trace data) (9)
Calibration (1) ·
Cluster analysis (2) ·
Confirmatory Factor Analysis (CFA) (3) ·
Correlation and Association (14) ·
Decision Tree Method (2) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (20) ·
Discourse Analysis (1) ·
Factor Analysis (1) ·
Grounded Theory (1) ·
Multivariate Statistics (9) ·
Qualitative Analysis Methods (5) ·
Qualitative Coding / Sorting (e.g. of interview data) (5) ·
Quantitative Analysis Methods (19) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (26) ·
Structural Equation Modeling (6) ·
Textual Content Analysis (3)
Australia (1) ·
Belgium (1) ·
Brazil (1) ·
Canada (5) ·
China (1) ·
England (1) ·
European Union (1) ·
France (2) ·
Germany (3) ·
Global (7) ·
India (1) ·
Ireland (1) ·
Italy (1) ·
Japan (1) ·
Kuwait (1) ·
Multiple (1) ·
New Zealand (1) ·
Nigeria (1) ·
Norway (1) ·
Poland (1) ·
South Korea (1) ·
Spain (1) ·
Sweden (1) ·
Switzerland (1) ·
Thailand (1) ·
The Netherlands (2) ·
UK (1) ·
United Kingdom (9) ·
United States (25) ·
Unknown (1) ·
Worldwide (1)
1913 to 1932 (1) ·
1984 to 2006 (1) ·
1990-2010 (1) ·
1991-2012 (1) ·
1993-2004 (1) ·
2001-2006 (1) ·
2004 - 2019 (1) ·
2006 (2) ·
2007 (1) ·
2008 (1) ·
2008-2011 (1) ·
2008-2017 (1) ·
2009 (1) ·
2010 (1) ·
2010-2011 (1) ·
2011 (2) ·
2011-2012 (4) ·
2012 (3) ·
2012 – 2013 (1) ·
2013-2018 (1) ·
2014 - 2017 (1) ·
2017 – 2018 (1) ·
2018 - 2019 (1) ·
2019 (1) ·
April - October 2006 (1) ·
April and May 2018 (1) ·
Data was collected over two weeks in 2012. (1) ·
February 2019 (1) ·
January 1992 – June 2012 (1) ·
January 2009, June 2009, March 2010 and December 2010. (1) ·
January to February 2009 and October 2009. (1) ·
May 19 - May 26, 2011 (1) ·
No data (1) ·
Not stated (7) ·
September 20 - October 2, 2011 (1) ·
Spring semester 2010 (1)
AHRC Creative Industries Policy and Evidence Centre (grant: AH/S001298/1) (1) ·
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
CAIW (1) ·
Delta (1) ·
Fulbright Senior Research grant (1) ·
IPO (3) ·
Intellectual Property Office (1) ·
Japan Society for the Promotion of Science (#19KK0064) (1) ·
KPN (1) ·
Keio University (Keio Global Research Institute, Keio Research Institute at SFC, and Keio Gijuku Academic Development Fund) (1) ·
Motion Picture Association of America (1) ·
National Audiovisual Institute (NINA) (1) ·
Netherlands Ministry of Education, Culture and Science (1) ·
None (6) ·
None Stated (1) ·
None stated (1) ·
Not Stated (1) ·
Not stated (4) ·
Polish National Center for Culture (NCK) (1) ·
Prepared at the request of Canadian Heritage/Canadian Government (1) ·
Research Innovation Grant (1) ·
Royal Dutch Book Trade Association (1) ·
SMG KRC Millward Brown (1) ·
The Swedish Knowledge Foundation (1) ·
XS4ALL (1) ·
Ziggo (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (20) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (10) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (14) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (34)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (11) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (20) ·
E. Fair remuneration (levies; copyright contracts) (9) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (31)
Album (1) ·
Albums (1) ·
Artist (1) ·
Books (1) ·
CD Demand (1) ·
Company (2) ·
Concerts (1) ·
Country (1) ·
Court cases (1) ·
Digital Sales in 6 European Music Markets (1) ·
Focus of the study is the domestic market for recorded music in the USA. (1) ·
Individual (16) ·
Individual data (1) ·
Individuals (1) ·
Industries (1) ·
Industry (1) ·
Music critics' rankings (1) ·
Music professionals (1) ·
Performances (1) ·
Qualitative interviews (1) ·
Recording Artists (1) ·
Responses to Calls for Evidence (1) ·
Responses to calls for evidence (1) ·
Song (1) ·
Songs (3) ·
US District Court Cases (1) ·
University students (7) ·
Websites (1) ·
Years of sales data (1)
1913-1932 (1) ·
1923-1932 (1) ·
1960-2010 (1) ·
1968-2007 (1) ·
1978-2011 (1) ·
1990-2010 (1) ·
1992-2012 (1) ·
1993-2004 (1) ·
1994 to 2006 (1) ·
2001-2006 (1) ·
2006 (3) ·
2008 (1) ·
2008-2011 (1) ·
2008-2017 (1) ·
2009 (1) ·
2010 (2) ·
2010-2011 (1) ·
2011 (2) ·
2011-12 (2) ·
2011-2012 (2) ·
2012 (5) ·
2012 – 2013 (1) ·
2017 – 2018 (1) ·
2019 (1) ·
December 2010 (1) ·
January 2009 (1) ·
January-February 2009 (1) ·
June 2009 (1) ·
March 2010 (1) ·
May 19 - May 26 2011 (1) ·
Not stated (6) ·
October 2009 (1) ·
September 20 - October 2, 2011 (1)
Showing below up to 53 results in range #1 to #53.
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A
B
- Barker (2012a)
- Barker and Maloney (2012)
- Borghi, Maggiolino, Montagnani and Nuccio (2012)
- Buccafusco and Heald (2012)
C
D
F
G
- Gani (2020)
- Garcia (2020)
- Garcia, Hicks and McCrary (2020)
- Giletti (2012)
- Goodridge, Haskel and Mitra-Kahn (2012)
H
H cont.
- Hansen and Walden (2012)
- Hashim, Kannan, Maximiano and Rees (2012)
- Heald (2020a)
- Heald, Shi, Stoiber and Zheng (2012a)
- Higgins, Marcum, Freiburger and Ricketts (2012)
- Holt, Bossler and May (2012)
- Hooper and Lynch (2012a)
- Hooper and Lynch (2012b)
J
L
M
N
O
P
P cont.
R
S
- Sag (2012)
- Sheehan, Tsao and Pokrywczynski (2012)
- Shmatkov (2020)
- Sinnreich et al. (2020)
- Smith and Telang (2012)
- Svensson and Larsson (2012)
T
W
X
Y
Z