Structured Interview
From Copyright EVIDENCE
Structured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (34):
| Citation | |
|---|---|
| Al-Rafee and Cronan (2006) | Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259. |
| Altschuller and Benbunan-Fich (2009) | Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56. |
| Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
| Aufderheide, Milosevic and Bello (2015) | Aufderheide, P., Milosevic, T., & Bello, B. (March 11, 2015). The Impact of Copyright Permissions Culture on the U.S. Visual Arts Community: The Consequences of Fear of Fair Use. New Media & Society. |
| Butler, Aufderheide, Jaszi and Cox (2019) | Butler, B., Aufderheide, P., Jaszi, P., & Cox, K. (2019). Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture through Fair Use Consensus? Journal of Copyright in Education and Librarianship, 3(3), 1-23. |
| Cenite, Wang, Peiwen and Chan (2009) | Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221. |
| Chari (2025) | Chari, T. (2025) Performance rights organizations and copyright protection in Southern Africa: The Zimbabwe case. The International Communication Gazette. |
| Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
| Favale (2020) | Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039 |
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Garcia-Bardidia, Nau and Remy (2011) | Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798. |
| Graham (2016) | Rumi Graham,'An Evidence-Informed Picture of Course-Related Copying', College & Research Libraries, Vol 77, No 3 (2016), p.335-358. Available under: https://crl.acrl.org/index.php/crl/article/view/16513. |
| Heart and Pappalardo (2025) | Heart and Pappalardo (2025) Copyright Reuse Practices in Australian Documentary Films. |
| Heredia-Carroza, Palma and Aguado (2023) | Heredia-Carroza, J., Palma, L., Aguado, L.F. (2023) Does copyright understand intangible heritage? The case of flamenco in Spain, International Journal of Heritage Studies, 29:6, 598-614. |
| IFLA (2022) | IFLA. (2022). How well did copyright law serve libraries during COVID-19? |
| Intellectual Property Office (2016a) | Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response |
| Intellectual Property Office, Kantar Media (2016) | IPO and Kantar Media (2016) Online Copyright Infringement Tracker – Latest wave of research Mar 16 – May 16. Overview and Key Findings. A report commissioned by the UK Intellectual Property Office. |
| Karakaya (2011) | Karakaya, M. (2010). Analysis of the key reasons behind the pirated software usage of Turkish Internet users: Application of routine activities theory (Doctoral dissertation, University of Baltimore). |
| Karger and Jansova (2021) | Karger, T & Jansova, I (2021) knowing shapes the practices of media consumption, Economy and Society, 50:4, 666-685, https://doi.org/10.1080/03085147.2021.1911119. |
| Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
| Kheria (2015) | Kheria, S. (2015) Copyright and Digital Art: Through the Looking Glass. University of Edinburgh School of Law Research Paper 2012/19 (revised 2015). |
| Morrison and Secker (2017) | Chris Morrison, Jane Secker, (2017) "Understanding librarians’ experiences of copyright: Findings from a phenomenographic study of UK information professionals", Library Management, Vol. 38 Issue: 6/7, pp.354-368, https://doi-org.ezproxy.lib.gla.ac.uk/10.1108/LM-01-2017-0011 |
| Mwanza and Gichure (2018) | Mwanza, J.M. and Gichure, J.M. (2018) The Influence of Copyright Laws on Digitization Projects in Public Libraries In Kenya, A Case Study of Kenya National Library Services. International Journal of Innovative Research and Advanced Studies, 5(9) |
| Pluszynska (2020) | Pluszynska, A. (2020) Copyright Management by Contemporary Art Exhibition Institutions in Poland: Case Study of the Zacheta National Gallery of Art, MDPI Sustainability, doi:10.3390/su12114498. |
| Radomska (2022) | Radomska, E. (2022) ‘Copyright and Culture: The Case of Poland’ in Stepien, M. Klakla, J. B. (eds) Law and Culture: Reconceptualization and Case Studies, vol 5, Springer, https://doi.org/10.1007/978-3-030-81193-8_7. |
| Radomska (2024) | Radomska, E. (2024) ‘The Hegemonization and Counter-Hegemonization of Polish Copyright Discourses, Qualitative Sociology Review, https://doi.org/10.18778/1733-8077.20.3.05. |
| Rainie and Madden (2004) | Rainie, H., & Madden, M. (2004). Preliminary findings from a web survey of musicians and songwriters. Pew Internet & American Life Project. |
| Salter and Hui (2010) | Salter, B. and Hui, A. (2010) Empirical Studies of Moral Rights in Cases of Dramatic and Musical Works. Salter, Brent and Hui, Alan, Empirical Studies of Moral Rights in Cases of Dramatic and Musical Works (July 16, 2010). Available at SSRN: https://ssrn.com/abstract=1641472 or http://dx.doi.org/10.2139/ssrn.1641472 |
| Tanner (2004) | Tanner, S. (2004) Reproduction charging models & rights policy for digital images in American art museums. Mellon Foundation Study. <http://msc.mellon.org/msc-files/Reproduction%20charging%20models%20and%20rights%20policy.pdf> (accessed 6 January 2022) |
| Throsby and Petetskya (2017) | Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council. |
| Throsby and Zednik (2010) | Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010). |
| Van der Ende et al (2014) | Van der Ende, M., Poort, J., Haffner, R., de Bas, P., Yagafarova, A., Rohlfs, S., and van Til, H. (2014) Estimating displacement rates of copyrighted content in the EU. A study prepared for the European Commission. |
| Waelde and Schlesinger (2011) | Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?. |
| Wang, Chen, Yang and Farn (2009) | Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93. |
