Structured Interview
From Copyright EVIDENCE
Structured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (18):
Citation | |
---|---|
Al-Rafee and Cronan (2006) | Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259. |
Altschuller and Benbunan-Fich (2009) | Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56. |
Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
Cenite, Wang, Peiwen and Chan (2009) | Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221. |
Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
Garcia-Bardidia, Nau and Remy (2011) | Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798. |
Graham (2016) | Rumi Graham,'An Evidence-Informed Picture of Course-Related Copying', College & Research Libraries, Vol 77, No 3 (2016), p.335-358. Available under: https://crl.acrl.org/index.php/crl/article/view/16513. |
Intellectual Property Office (2016a) | Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response |
Karakaya (2011) | Karakaya, M. (2010). Analysis of the key reasons behind the pirated software usage of Turkish Internet users: Application of routine activities theory (Doctoral dissertation, University of Baltimore). |
Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
Morrison and Secker (2017) | Chris Morrison, Jane Secker, (2017) "Understanding librarians’ experiences of copyright: Findings from a phenomenographic study of UK information professionals", Library Management, Vol. 38 Issue: 6/7, pp.354-368, https://doi-org.ezproxy.lib.gla.ac.uk/10.1108/LM-01-2017-0011 |
Mwanza and Gichure (2018) | Mwanza, J.M. and Gichure, J.M. (2018) The Influence of Copyright Laws on Digitization Projects in Public Libraries In Kenya, A Case Study of Kenya National Library Services. International Journal of Innovative Research and Advanced Studies, 5(9) |
Rainie and Madden (2004) | Rainie, H., & Madden, M. (2004). Preliminary findings from a web survey of musicians and songwriters. Pew Internet & American Life Project. |
Throsby and Petetskya (2017) | Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council. |
Throsby and Zednik (2010) | Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010). |
Van der Ende et al (2014) | Van der Ende, M., Poort, J., Haffner, R., de Bas, P., Yagafarova, A., Rohlfs, S., and van Til, H. (2014) Estimating displacement rates of copyrighted content in the EU. A study prepared for the European Commission. |
Waelde and Schlesinger (2011) | Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?. |
Wang, Chen, Yang and Farn (2009) | Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93. |