Structured Interview
From Copyright EVIDENCE
Structured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (25):
| Citation | |
|---|---|
| Al-Rafee and Cronan (2006) | Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259. |
| Altschuller and Benbunan-Fich (2009) | Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56. |
| Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
| Aufderheide, Milosevic and Bello (2015) | Aufderheide, P., Milosevic, T., & Bello, B. (March 11, 2015). The Impact of Copyright Permissions Culture on the U.S. Visual Arts Community: The Consequences of Fear of Fair Use. New Media & Society. |
| Butler, Aufderheide, Jaszi and Cox (2019) | Butler, B., Aufderheide, P., Jaszi, P., & Cox, K. (2019). Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture through Fair Use Consensus? Journal of Copyright in Education and Librarianship, 3(3), 1-23. |
| Cenite, Wang, Peiwen and Chan (2009) | Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221. |
| Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
| Favale (2020) | Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039 |
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Garcia-Bardidia, Nau and Remy (2011) | Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798. |
| Graham (2016) | Rumi Graham,'An Evidence-Informed Picture of Course-Related Copying', College & Research Libraries, Vol 77, No 3 (2016), p.335-358. Available under: https://crl.acrl.org/index.php/crl/article/view/16513. |
| IFLA (2022) | IFLA. (2022). How well did copyright law serve libraries during COVID-19? |
| Intellectual Property Office (2016a) | Intellectual Property Office (2016), Unjustified threats on intellectual property rights: Government Response |
| Karakaya (2011) | Karakaya, M. (2010). Analysis of the key reasons behind the pirated software usage of Turkish Internet users: Application of routine activities theory (Doctoral dissertation, University of Baltimore). |
| Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
| Morrison and Secker (2017) | Chris Morrison, Jane Secker, (2017) "Understanding librarians’ experiences of copyright: Findings from a phenomenographic study of UK information professionals", Library Management, Vol. 38 Issue: 6/7, pp.354-368, https://doi-org.ezproxy.lib.gla.ac.uk/10.1108/LM-01-2017-0011 |
| Mwanza and Gichure (2018) | Mwanza, J.M. and Gichure, J.M. (2018) The Influence of Copyright Laws on Digitization Projects in Public Libraries In Kenya, A Case Study of Kenya National Library Services. International Journal of Innovative Research and Advanced Studies, 5(9) |
| Rainie and Madden (2004) | Rainie, H., & Madden, M. (2004). Preliminary findings from a web survey of musicians and songwriters. Pew Internet & American Life Project. |
| Reid and Kresovich (2021) | Reid, A. and Kresovich, A. (2021) Copyright as a Barrier to Music Therapy Telehealth Interventions: Qualitative Interview Study. JMIR Form Res., 13(5) |
| Tanner (2004) | Tanner, S. (2004) Reproduction charging models & rights policy for digital images in American art museums. Mellon Foundation Study. <http://msc.mellon.org/msc-files/Reproduction%20charging%20models%20and%20rights%20policy.pdf> (accessed 6 January 2022) |
| Throsby and Petetskya (2017) | Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council. |
| Throsby and Zednik (2010) | Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010). |
| Van der Ende et al (2014) | Van der Ende, M., Poort, J., Haffner, R., de Bas, P., Yagafarova, A., Rohlfs, S., and van Til, H. (2014) Estimating displacement rates of copyrighted content in the EU. A study prepared for the European Commission. |
| Waelde and Schlesinger (2011) | Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?. |
| Wang, Chen, Yang and Farn (2009) | Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93. |
