Television programmes
From Copyright EVIDENCE
This industry category includes the following:
59.11/3 Television programme production activities
- This subclass includes:
- - production of television programmes (televisions series, documentaries etc.), or television advertisements
Click Here for more details on this classification: Industry Appendix
| Industry Sectors | |
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Television programmes is an industry sector defined within the Copyright Evidence wiki.
The following studies involve this industry sector (178):
| Citation | |
|---|---|
| Aguiar, Claussen and Peukert (2018) | Aguiar, L., Claussen, J. And Peukert, C. (2018) Catch Me if You Can: Effectiveness and Consequences of Online Copyright Enforcement. Information Systems Research, 29(3), pp 656-678 |
| Albrecht (2023) | Albrecht, N.F.M. (2023) Disputes over intellectual rights in Brazil: interest organisations and their impacts on copyright laws SN Soc Sci 3:82, https://doi.org/10.1007/s43545-023-00662-2. |
| Arnold, Darmon, Dejean and Penard (2014) | Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014) |
| Asser Institute and IViR (2014) | T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012 |
| Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
| BOP Consulting and DotEcon (2015) | BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office. |
| Bair (2020) | Bair, S.P. (2020) Impoverished IP, Ohio St. L. J. 523 BYU Law Research Paper No. 19-15, http://dx.doi.org/10.2139/ssrn.3365290. |
| Banks and Li (2025) | Banks, J. & Li, J. (2025) Wherefore Art Thou: Mapping Public Debates about Image-Generative AI Proceedings of the 58th Hawaii International Conference on System Sciences 556-575, https://hdl.handle.net/10125/108904 |
| Batikas, Claussen and Peukert (2019) | Batikas, M., Claussen, J., & Peukert, C. (2019). Follow the money: Online piracy and self-regulation in the advertising industry. International Journal of Industrial Organization, 65, 121-151. |
| Beard, Ford and Stern (2018) | Beard, T.R., Ford, G.S., and Stern, M. (2018) Safe Harbours and the Evolution of Online Platform Markets: An Economic Analysis. 36 Cardozo Arts & Ent. L.J. 309 |
| Bechtold (2013) | Bechtold, S., 2013. The fashion of TV show formats. |
| Bechtold, Buccafusco and Sprigman (2016) | Bechtold, S., Buccafusco, C. And Sprigman, J.C. (2016) Innovation Heuristics: Experiments on Sequential Creativity in Intellectual Property. Indiana Law Journal, 2016, Forthcoming. |
| Blockx (2020) | Blockx, F (2020) Reading Tea Leaves Differently? A Comparison of the Interpretive Finger-Print of the European Court of Justice and the US Supreme Court in Copyright Law in Eleonora Rosati (ed), Handbook of EU Copyright Law (Routledge 2021). |
| Borghi, Maggiolino, Montagnani and Nuccio (2012) | Borghi, M., Maggiolino, M., Montagnani, M.L. & Nuccio, M. (2012). Determinants in the online distribution of digital content: An exploratory analysis. European Journal for Law and Technology, 3(2), 1-29. |
| Brady, Germano and Sprigman (2024) | Brady, B. K., Germano, R. and Sprigman, C. J. (2024) ‘Statutory Damages Under the Copyright Act: An Empirical Study’ Law and Economics Research Paper Series Working Paper no. 24-11. |
| Brassell and Goodyer (2015) | Brassell, M. & Goodyer, I. (2015) Penalty Fair? Study of criminal sanctions for copyright infringement available under the CDPA 1988. IPO, 2015 |
| Bryce and Rutter (2005) | Bryce, J., & Rutter, J. (2005). Fake Nation? A study into an everyday crime. The Intellectual Property Theft and Organised Crime research project, UK. |
| Burgmer, Forstmann and Stavrova (2018) | Burgmer, P., Forstmann, M. & Stavrova, O. (2018) Ideas are cheaar: When and why adults value labor over ideas, Journal of Experimental Psychology, doi:10.1037/xge0000473. |
| CIPPM (2019) | CIPPM (2019) Illegal IPTV in the European Union: Research on Online Business Models Infringing Intellectual Property Rights – Phase 3. EUIPO. |
| Carpou (2016) | Carpou, Z. (2016) Robots, Pirates and the Rise of the Automated Takedown Regime: Using the DMCA to Fight Piracy and Protect End-Users. 39 Colum J.L. & Arts 551. |
| Charles River Associates (2013) | Assessing the Economic Impacts of Adapting Certain Limitations and Exceptions to Copyright and Related Rights in the EU, Charles River Assoc., (2013), available at |
| Chelberg (2021) | Chelberg, K (2021) ‘Sharing is Caring’: Copyright Metaphors and Online Sharing Norms Law Technology and Humans 3 (2):61-75 https://doi.org/10.5204/thj.1271. |
| Chepurna and Criado (2021) | Chepurna, M. & Criado, J. R. (2021) What motivates and deters users’ online co-creation? The role of cultural and socio-demographic factors, Emerald Insight, https://dx.doi.org/10.1108/SJME-10-2020-0176. |
| Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
| Corporate Europe Observatory (2018) | Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: https://corporateeurope.org/en/2018/12/copyright-directive-how-competing-big-business-lobbies-drowned-out-critical-voices (last accessed: 7 June 2019) |
| Cotropia and Gibson (2014) | Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7). |
| Cox, Collins and Drinkwater (2010) | Cox, J., Collins, A. and Drinkwater, S. 2010. Seeders, Leechers and Social Norms: Evidence From the Market for Illicit Digital Downloading. Information Economics and Policy, 22, 299-305. |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Cronan and Al-Rafee (2008) | Cronan, T. P., & Al-Rafee, S. (2008). Factors that influence the intention to pirate software and media. Journal of Business Ethics, 78(4), 527-545. |
| Cuntz and Bergquist (2020) | |
| Danahar, Smith and Teland (2015) | Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015 |
| Danaher et al (2024) | Danaher, B., Sivan, L., Smith, M.D., and Telang, R. (2024) The Impact of Online Piracy Website Blocking on Legal Media Consumption <https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4723522> accessed 3 June 2025. |
| Danaher et al. (2019) | Danaher, Brett and Hersh, Jonathan Samuel and Smith, Michael D. and Telang, Rahul, The Effect of Piracy Website Blocking on Consumer Behavior (August 13, 2019). Available at SSRN: https://ssrn.com/abstract=2612063 or http://dx.doi.org/10.2139/ssrn.2612063 |
| Danaher, Dhanasobhon, Smith and Telang (2010) | Danaher, B., Dhanasobhon, S., Smith, M. D., & Telang, R. (2010). Converting pirates without cannibalizing purchasers: the impact of digital distribution on physical sales and internet piracy. Marketing science, 29(6), 1138-1151. |
| Danaher, Hersh, Smith and Telang (2019) | Danaher, B, Hersh J, Smith, M. D. & Telang, R. (2019) The Effect of Piracy Website Blocking on Consumer Behaviour http://dx.doi.org/10.2139/ssrn.2612063 |
| Danaher, Smith and Telang (2016) | Danaher, B., Smith, M.D. and Telang, R. (2016) Website Blocking Revisited: The Effect of the UK November 2014 Blocks on Consumer Behavior. Report conducted as part of the Carnegie Mellon University’s Initiative for Digital Entertainment Analytics. |
| Danaher, Smith and Telang (2017) | Danaher B. et al. (2017) Copyright Enforcement in the Digital Age: Empirical Evidence and Policy Implications Communications of the ACM Vol. 60 No. 2, doi:10.1145/2979673. |
| Danna, Martinelli and Nuvolari (2021) | Danna, R.; Martinelli, A. and Nuvolari, A. (2021) D4.6. Interim report on negative space of EU creative industries <https://doi.org/10.5281/zenodo.5069616> (Zenodo 5 July 2021) last accessed 7 December 2021 |
| De Souza-Leão et al. (2019) | de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36 |
| De Wolf and Partners (2013) | Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive. |
| De Wolf and Partners (2014b) | Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014). |
| Depoorter (2019) | Depoorter, B. (2019) Copyright Enforcement in the Digital Age: When the Remedy is the Wrong. 66 UCLA L. Rev. 400 |
| Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
| Dholakiya et al. (2014) | Dholakiya, K., Mustapha, N., Niu, B. And Yang, A. (2014) A Micro-Level Examination of Content Takedown’s Consequences. CSCW 14 February 15-19, Baltimore, Maryland, USA. |
| Dootson and Suzor (2015) | Dootson, P. and Suzor, N. (2015) The Game of Clones and the Australia Tax: Divergent Views about Copyright Business Models and the Willingness of Australian Consumers to Infringe. University of New South Wales Law Journal 38. |
| Doseva, Schmid-Petri, Schillmöller, Heckmann (2022) | Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4). |
| EUIPO (2017) | EUIPO (2017) European Citizens and intellectual Property: Perception, awareness and behaviour. A survey commissioned to Deloitte. |
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| Edwards, Klein, Lee, Moss and Philip (2015) | Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77. |
| Ehlinger et al. (2024a) | Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., and Saenz de Juano Ribes, H. (2024) UK Audiovisual Performers’ earnings and contracts. CREATe Report. |
| ... further results | |
