Textual Content Analysis

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Textual Content Analysis is a qualitative method defined within the Copyright Evidence wiki.


The following studies use this method for data analysis (140):

 Citation
Adu and van der Walt (2021)Adu, T.L. and van der Walt, T.B. (2021) Effects of awareness of user rights on compliance with copyright laws and policies in academic libraries. The Journal of Academic Librarianship, 47(4)
Al-Rafee and Cronan (2006)Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259.
Armstrong, De Beer, Kawooya, Prabhala, Schonwetter (2010)C. Armstrong, J De Beer, D Kawooya, A Prabhala, T Schonwetter. (2010). Access to knowledge in Africa. The role of copyright. UCT Press, South Africa
Arnold, Darmon, Dejean and Penard (2014)Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014)
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Astle and Muir (2002)Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79.
Aufderheide and Jaszi (2004)Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers.
Australian Law Reform Commission (2013)ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf.
BOP Consulting and DotEcon (2015)BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Balducci (2009)Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0.
Bar-Ziv (2021)Bar-Ziv, S. (2021). A content analysis approach to intellectual property research. In I. Calboli & M. L. Montagnani (Eds.), Handbook on Intellectual Property Research (pp. 31-46). Oxford University Press.
Belleflamme and Peitz (2010)Belleflamme, P., & Peitz, M. (2010). Digital piracy: Theory. CESifo Working Paper Series No. 3222. Available at SSRN 1698618.
Benkler (1999)Benkler, Y. (1999). Free as the air to common use: First amendment constraints on enclosure of the public domain. NyuL Rev., 74, 354.
Bently (2002)Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada.
Bently et al. (2017)Bently, L., Kretschmer, M., Dudenbostel, T., Moreno, M. and Radauer, A. (2017) Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive. Project Report. European Parliament, Brussels.
Bjork (2012)Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?.
Buccafusco and Masur (2013)Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275.
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at: http://sites.nationalacademies.org/cs/groups/pgasite/documents/webpage/pga_063398.pdf.
Canat, Guibault and Logeais (2015)Canat, J., Guibault, L. and Logeais, E., Study on Copyright Limitations and Exceptions for Museums, World Intellectual Property Organization (2015) SCCR/30/2.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Castañer and Campos (2002)Castañer, X. and Campos, L., 2002. The determinants of artistic innovation: Bringing in the role of organizations. Journal of Cultural Economics, 26(1), pp.29-52.
Cave, Deegan and Heinink (2000)Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5).
Center for Social Media (2010)Center for Social Media. (2010). Clipping Our Own Wings: Copyright and Creativity in Communication Research. American University.
Commission of the European Communities (2005a)DG Internal Market and Services Working Paper, Commission of the European Communities (2005)
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Cooper and Burrow (2018)Cooper, E. and Burrow, S. (2018) Photographic Copyright and the Intellectual Property Enterprise Court in Historical Perspective. CREATe Working Paper Series DOI: 10.5281/zenodo.1246559.
Corbett (2011)Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report.
Coyle, Gould, Gupta and Gupta (2009)Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037.
Creative Content Australia (2015)Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults.
Crews (2015)Crews, K., Study on Copyright Limitations and Related Rights, Standing Committee on Copyright and Related Rights, Thirtieth Session, SCCR/30/3 (2015).
De Beer and Bouchard (2010)De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215.
De Souza-Leão et al. (2019)de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36
De Wolf and Partners (2014a)De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014).
De Wolf and Partners (2014b)Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014).
Deazley (2008)Deazley, R. (2008) ‘Commentary on Milton's Contract 1667', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
Denegri-Knott (2004)Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00.
Denoyelle et al (2018)Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022)
Depoorter and Vanneste (2006)Depoorter, B. and Vanneste, S., 2006. Norms and enforcement: The case against copyright litigation. Oregon Law Review, 84(4), p.1127.
Depoorter and Walker (2013)Depoorter, B. and Walker, R.K., 2013. Copyright false positives.
Dickson (2010)Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636.
Djekic and Loebbecke (2005)DJEKIC, P. and LOEBBECKE, C. 2005. Software piracy prevention through digital rights management systems. In: MULLER, G. and LIN, K. J. (eds.) CEC 2005: Seventh IEEE International Conference on E-Commerce Technology, Proceedings. Munich, Germany.
Doseva, Schmid-Petri, Schillmöller, Heckmann (2022)Doseva, S. & Schmid-Petri, H. & Schillmöller, J. & Heckmann, D. (2022). Uploaders' perceptions of the German implementation of the EU copyright reform and their preferences for copyright regulation. Internet Policy Review, 11(4).
Dowthwaite et al (2016)
Dryden (2008)Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto).
Dusollier (2010)Dusollier, S., WIPO (2010) CDIP/4/3/REV./STUDY/INF/1.
EIFL (2013)Electronic Information For Libraries - The European Orphan Works Directive An EIFL Guide (2013)
EY (2014)EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU,
Edwards, Klein, Lee, Moss and Philip (2015)Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77.
European Commission (2011a)Report on the Implementation and Effect of the Resale Right Directive (2001/84/EC), European Commission (2011), available at
European Commission (2013)European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures
... further results