Web analytic (online user trace data)

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Web analytic (online user trace data) is a quantitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (91):

 Citation
Aguiar and Martens (2013)Aguiar, L., & Martens, B. (2013). Digital music consumption on the internet: Evidence from clickstream data. Working Paper No. JRC79605. Available at SSRN 2265299
Antelman (2004)Antelman, K. (2004) Do Open Access Articles Have a Greater Research Impact? College & Research Libraries News, vol. 65, n. 5, pp. 372-382.
Baghestan et al. (2019)Abbas Ghanbari Baghestan, Hadi Khaniki, Abdolhosein Kalantari, Mehrnoosh Akhtari-Zavare, Elaheh Farahmand, Ezhar Tamam, Nader Ale Ebrahim, Havva Sabani and Mahmoud Danaee (2019) A Crisis in “Open Access”: Should Communication Scholarly Outputs Take 77 Years to Become Open Access? SAGE Open 9(3)
Bar-Ziv and Elkin-Koren (2018)Bar-Ziv, S. and Elkin-Koren, N. (2018) Behind the Scenes of Online Copyright Enforcement: Empirical Evidence on Notice & Takedown. Connecticut Law Review, Vol. 50(2).
Batikas, Claussen and Peukert (2019)Batikas, M., Claussen, J., & Peukert, C. (2019). Follow the money: Online piracy and self-regulation in the advertising industry. International Journal of Industrial Organization, 65, 121-151.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006a)Bhattacharjee, S., Gopal, R., Lertwachara, K. and Marsden, J. R. 2006a. Whatever Happened to payola? An Empirical Analysis of Online Music Sharing. Decision Support Systems, 42, 104-120.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Bhattacharjee, Gopal, Lertwachara, Marsden and Telang (2007)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., Marsden, J. R., & Telang, R. (2007). The effect of digital sharing technologies on music markets: A survival analysis of albums on ranking charts. Management Science, 53(9), 1359-1374.
Blackburn (2004)Blackburn, D . (2004). A study of online piracy and recorded music sales. Harvard University, Working Paper.
Bodo (2015)
Bodo, Antal and Puha (2020)Bodo, B., Antal, D. and Puha, Z. (2020) Open access is not a panacea, even if it’s radical – an empirical study on the role of shadow libraries in closing the inequality of knowledge access. Amsterdam Law School Research Paper No. 2020-39
Borghi, Maggiolino, Montagnani and Nuccio (2012)Borghi, M., Maggiolino, M., Montagnani, M.L. & Nuccio, M. (2012). Determinants in the online distribution of digital content: An exploratory analysis. European Journal for Law and Technology, 3(2), 1-29.
Buccafusco and Heald (2012)Buccafusco, C., & Heald, P. J. (2012). Do Bad Things Happen When Works Enter the Public Domain: Empirical Tests of Copyright Term Extension. Berkeley Tech. LJ, 28, 1.
Calzada and Gil (2016)Calzada, J., & Gil, R. (2016). What Do News Aggregators Do? Evidence from Google News in Spain and Germany.
Danaher and Smith (2013)Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8.
Danaher et al. (2019)Danaher, Brett and Hersh, Jonathan Samuel and Smith, Michael D. and Telang, Rahul, The Effect of Piracy Website Blocking on Consumer Behavior (August 13, 2019). Available at SSRN: https://ssrn.com/abstract=2612063 or http://dx.doi.org/10.2139/ssrn.2612063
Danaher, Smith and Telang (2016)Danaher, B., Smith, M.D. and Telang, R. (2016) Website Blocking Revisited: The Effect of the UK November 2014 Blocks on Consumer Behavior. Report conducted as part of the Carnegie Mellon University’s Initiative for Digital Entertainment Analytics.
De Souza-Leão et al. (2019)de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36
DeVany and Walls (2007)De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301.
Deloitte (2016)Deloitte (2016) The impact of web traffic on revenues of traditional newspaper publishers A study for France, Germany, Spain, and the UK.
Depken and Simmons (2004)C. A. Depken II & L. C. Simmons (2004) Social construct and the propensity for software piracy, Applied Economics Letters, 11:2, 97-100.
DiCola and Touve (2014)DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright.
Envisional (2011)Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
Erickson, Kretschmer and Mendis (2013)Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24).
Erickson, Kretschmer and Mendis (2019)Erickson, K., Kretschmer, M. and Mendis, D. (2019) “An Empirical Approach to the Public Domain” in Drexl, J. and Kamperman, J. Sanders (Eds.) The Innovation Society and Intellectual Property, Cheltenham: Edward Elgar
Erickson, Perez and Sinha (2017)Erickson, K., Perez, J.R. and Sinha, S. (2017) How Much Do Consumers Value Interoperability? Evidence from the Price of DVD Players. Available: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2998767 (last accessed 12/03/2023)
Erickson, Rodriguez Perez and Rodriguez Perez (2018)Erickson, K, Rodriguez Perez, F and Rodriguez Perez, J (2018) What is the Commons Worth? Estimating the Value of Wikimedia Imagery by Observing Downstream Use. In: Proceedings of the International Symposium on Open Collaboration. OpenSym ’18: The 14th International Symposium on Open Collaboration, 22-24 Aug 2018, Paris, France. ACM (Association for Computing Machinery). ISBN 978-1-4503-59 36-8
Fetscherin (2005)Fetscherin, M. (2005). Movie piracy on peer-to-peer networks—the case of KaZaA. Telematics and Informatics, 22(1), 57-70.
Fiesler (2020)Fiesler, C. (2020) Lawful Users: Copyright Circumvention and Legal Constraints on Technology Use. Available: https://cmci.colorado.edu/~cafi5706/CHI2020_DMCA_Fiesler.pdf (last accessed: 17 February 2020)
Flynn, Giblin and Petitjean (2019)Flynn, J., Giblin, R. And Petitjean, F. (2019) What Happens When Books Enter the Public Domain? Testing Copyright’s Underuse Hypothesis Across Australia, New Zealand, the United States and Canada. University of New South Wales Law Journal, 42 (4)
Garcia and McCrary (2019)Garcia, K. and McCrary, J. (2019) A Reconsideration of Copyright’s Term. Alabama Law Review, 71(2)
Garcia, Hicks and McCrary (2020)Garcia, K., Hicks, J. and McCrary, J. (2020) Copyright and Economic Viability: Evidence from the Music Industry. Journal of Empirical Legal Studies (forthcoming 2020)
GfK Belgium (2015)GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most
Giblin et al. (2019b)Giblin, R., Kennedy, J., Pelletier, C., Thomas, J., Weatherall, K.G., and Petitjean, F. (2019) What Can 100,000 Books Tell Us about the International Public Library e-lending Landscape? Sydney Law School Research Paper No. 19/21
Ginarte and Park (1997)Ginarte, J. C., & Park, W. G. (1997). Determinants of patent rights: A cross-national study. Research policy, 26(3), 283-301.
Gomez and Martens (2015)Gómez, Estrella and Martens, Bertin, Language, Copyright and Geographic Segmentation in the EU Digital Single Market for Music and Film (May 6, 2015). JRC/IPTS Digital Economy working paper 2015-04.
Graf-Vlachy, Goyal, Ouardi and König (2021)Graf-Vlachy, L., Goyal, T., Ouardi, Y., König, A. (2022). The politics of piracy: political ideology and the usage of pirated online media. Inf Technol Manag 23, 51–63.
Graham (2016)Rumi Graham,'An Evidence-Informed Picture of Course-Related Copying', College & Research Libraries, Vol 77, No 3 (2016), p.335-358. Available under: https://crl.acrl.org/index.php/crl/article/view/16513.
Gray and Suzor (2020)Gray, J. E., & Suzor, N. P. (2020). Playing with machines: Using machine learning to understand automated copyright enforcement at scale. Big Data & Society, 7(1).
Gupta, Gould and Pola (2004)Gupta, P. B., Gould, S. J., & Pola, B. (2004). “To pirate or not to pirate”: A comparative study of the ethical versus other influences on the consumer’s software acquisition-mode decision. Journal of Business Ethics, 55(3), 255-274.
Hammond (2012)Hammond, R. G. (2012). Profit leak? pre-release file sharing and the music industry supplementary appendix.
Handke, Guibault and Vallbe (2015)Handke, C., Guibault, L., & Vallbé, J. J. (2015). Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research. Copyright's Impact on Data Mining in Academic Research (May 20, 2015).
Heald (2014b)Heald, P. J. (2014). The Demand for Out-of-Print Works and Their (Un) Availability in Alternative Markets. Illinois Public Law Research Paper, (14-31).
Heald (2015)Heald, P. J. (2015). How notice-and-takedown regimes create markets for music on YouTube: An empirical study. In Concepts of Music and Copyright: How Music Perceives Itself and How Copyright Perceives Music (pp. 195-209). Edward Elgar Publishing Ltd.. https://doi.org/10.4337/9781783478194.00013
Heald (2020a)Heald, P. J. (2020) The Impact of Implementing a 25-Year Reversion/Termination Right in Canada. Journal of Law, Technology & Policy, Forthcoming
Heald (2020b)Heald, P. J. (2020) The Effect of Copyright Term Length on South African Book Markets (With Reference to the Google Book Project). South African Journal of Intellectual Property Law, Forthcoming
Heald, Shi, Stoiber and Zheng (2012a)Heald, Paul J. and Shi, Peibei and Stoiber, Jeffrey and Zheng, Qingyao, More Music in Movies: What Box Office Data Reveals About the Availability of Public Domain Songs in Movies from 1968-2008 (December 12, 2012). Review of Economic Research on Copyright Issues, Vol. 9, No. 2, pp. 31-54, 2012; Illinois Public Law Research Paper No. 11-23.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Ibosiola et al. (2018)Ibosiola, D., Steer, B., Garcia-Recuero, A., Stringhini, G., Uhlig, S., and Tyson, G. (2018) Movie Pirates of the Caribbean: Exploring Illegal Streaming Cyberlockers. Available: http://www.eecs.qmul.ac.uk/~tysong/files/ICWSM18.pdf (last accessed: 11 June 2019)
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