Z1: Cultural Economics • Economic Sociology • Economic Anthropology

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Disciplines
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Z1: Cultural Economics • Economic Sociology • Economic Anthropology is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.

The following studies are coded as being associated with this discipline (30):

 Citation
Aguiar and Martens (2013)Aguiar, L., & Martens, B. (2013). Digital music consumption on the internet: Evidence from clickstream data. Working Paper No. JRC79605. Available at SSRN 2265299
Al-Rafee and Rouibah (2010)Al-Rafee, S., & Rouibah, K. (2010). The fight against digital piracy: An experiment. Telematics and Informatics, 27(3), 283-292.
Bahanovich and Collopy (2009)Bahanovich, D., & Colloy, D. (2009). Music experience and behaviour in young people: 2009 National Survey. UK Music.
Bockstedt, Kauffman and Riggins (2004)Bockstedt, J., Kauffman, R. J., & Riggins, F. J. (2004). The move to artist-led online music distribution: Explaining structural changes in the digital music market. Paper accepted at the 38th Annual Hawaii International Conference on System Sciences.
Cameron and Bazelon (2013)Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at: http://sites.nationalacademies.org/cs/groups/pgasite/documents/webpage/pga_063398.pdf.
Cenite, Wang, Peiwen and Chan (2009)Cenite, M., Wang, M. W., Peiwen, C., & Chan, G. S. (2009). More Than Just Free Content Motivations of Peer-to-Peer File Sharers. Journal of Communication Inquiry, 33(3), 206-221.
Chiou, Huang and Lee (2005)Chiou, J. S., Huang, C. Y., & Lee, H. H. (2005). The antecedents of music piracy attitudes and intentions. Journal of Business Ethics, 57(2), 161-174.
Edwards, Klein, Lee, Moss and Philip (2015)Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77.
Fiesler, Feuston and Bruckman (2015)Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM.
Gopal, Bhattacharjee and Sanders (2006)Gopal, R. D., Bhattacharjee, S., & Sanders, G. L. (2006). Do Artists Benefit from Online Music Sharing?*. The Journal of Business, 79(3), 1503-1533.
Hashim, Kannan, Maximiano and Rees (2012)Hashim, M., Kannan, K., Maximiano, S., & Rees, J. (2012). Digital piracy, teens, and the source of advice: An experimental study. Journal of Mananagement Information Studies, 31(2), 211-244.
Haveman and Kluttz (2014)Daniel N. Kluttz, Heather A. Haveman, 'Copyright Law and the American Magazine Industry' (February 1, 2014). Available at: http://irle.berkeley.edu/property-in-print-copyright-law-and-the-american-magazine-industry/
Kheria (2013)Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4).
Ki, Chang and Khang (2006)Ki, E. J., Chang, B. H., & Khang, H. (2006). Exploring influential factors on music piracy across countries. Journal of Communication, 56(2), 406-426.
Kretschmer, Deazley, Edwards, Erickson, Schafer and Zizzo (2014)Kretschmer, M., Deazley, R., Edwards, L., Erickson, K., Schafer, B., & Zizzo, D. J. (2014). The European Commission's Public Consultation on the Review of EU Copyright Rules: A Response by the CREATe Centre. European Intellectual Property Review, 36(9), 547-553.
Kretschmer, Klimis, and Choi (1999)Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72.
Leung (2009)Leung, T. C. (2008). Should the music industry sue its own customers? Impacts of music piracy and policy suggestions. University of Minnesota, retrieved Nov, 28, 2012.
Liebowitz (2005)Liebowitz, S. J. (2005). Testing file-sharing's impact by examining record sales in cities. School of Management University of Texas Paper, September, 1-31.
Liebowitz (2006a)Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174.
Liebowitz and Margolis (2005)Liebowitz, S. J., & Margolis, S. E. (2005). Seventeen famous economists weigh in on copyright: The role of theory, empirics, and network effects. Harvard Journal of Law and Technology, 18(2).
Morris and Higgins (2010)Morris, R. G., & Higgins, G. E. (2010). Criminological theory in the digital age: The case of social learning theory and digital piracy. Journal of Criminal Justice, 38(4), 470-480.
Perzanowski (2013)Perzanowski, A. (2013). Tattoos & IP norms.Case Western Reserve University School of Law 511. Available at SSRN 2145048.
Scotchmer (2011)Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091.
Shaheed (2014)Shaheed, F., Copyright Policy and the Right to Science and Culture, Human Rights Council, U.N. General Assembly (A/HRC/28/57(2014)).
Siwek (2009)Siwek, S. E. (2009). Copyright Industries in the U.S. Economy: 2003-2007 Report. Economists Incorporated.
Van Eijk, Poort and Rutten (2010)Van Eijk, N., Rutten, P., & Poort, J. (2010). Legal, economic and cultural aspects of file sharing. Communications & Strategies, (77), 35-54.
Waelde and Schlesinger (2011)Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?.
Waldfogel (2009)Waldfogel, J. (2009). Lost on the web: Does web distribution stimulate or depress television viewing? Information Economics and Policy, 21(2), 158-168.
Yang, Sonmez, Bosworth and Fryxell (2009)Yang, D., Sonmez, M., Bosworth, D., & Fryxell, G. (2009). Global software piracy: Searching for further explanations. Journal of Business Ethics, 87(2), 269-283.
Yu (2010)Yu, S. (2010). Product placement and digital piracy: How young Chinese viewers react to the unconventional method of corporate cultural globalization. Communication, Culture & Critique, 3(3), 435-463.