D42: Monopoly
From Copyright EVIDENCE
Disciplines |
A full list of disciplines is available here |
D42: Monopoly is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.
The following studies are coded as being associated with this discipline (8):
Citation | |
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Handke and Towse (2007) | Handke, Christian, and Ruth Towse. Economics of copyright collecting societies. International Review of Intellectual Property and Competition Law 38.8 (2007): 937-957. |
Heald (2014a) | Heald, P. J. (2014). How Copyright Keeps Works Disappeared. Journal of Empirical Legal Studies, 11(4), 829-866. |
Libson and Parchomovsky (2019) | Lisbon, A. and Parchomovsky, G. (2019), Toward the Personalization of Copyright Law, University of Chicago Law Review, Vol. 86 No. 2. |
Liebowitz (2008a) | Liebowitz, S.J. (2008) Is the Copyright Monopoly a Best-Selling Fiction? Technology Policy Working Paper, September 2008 |
Oestreicher-Singer and Sundararajan (2010) | Oestreicher-Singer, G., & Sundararajan, A. (2010). Are digital rights valuable? Theory and evidence from ebook pricing. |
Thomes (2013) | Thomes, Tim Paul. An economic analysis of online streaming music services. Information Economics and Policy 25.2 (2013): 81-91. |
Towse (2013) | Towse, Ruth. The economic effects of digitization on the administration of musical copyrights. Review of Economic Research on Copyright Issues 10.2 (2013): 55-67. |
Yoon (2002) | Yoon, K. The optimal level of copyright protection. Information Economics and Policy 14.3 (2002): 327-348. |