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From Copyright EVIDENCE
| Citation | |
|---|---|
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Ghose, Smith and Telang (2006) | Ghose, A., Smith, M.D. and Telang, R., 2006. Internet exchanges for used books: An empirical analysis of product cannibalization and welfare impact. Information Systems Research, 17(1), pp.3-19. |
| Gibson, Johnson and Dimita (2015) | Gibson, J., Johnson, P. And Dimita, G. (2015) The Business of Being an Author: A Survey of Author’s Earnings and Contracts. Available: https://orca.cf.ac.uk/72431/1/Final%20Report%20-%20For%20Web%20Publication.pdf (last accessed: 23 May 2019) |
| Giletti (2012) | Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012) |
| Giorcelli and Moser (2015) | Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776. |
| Guibault and Salamanca (2016) | Guibault, L. And Salamanca, O. (2016) Remuneration of authors of books and scientific journals, translators, journalists and visual artists for the use of their works. A study prepared for the European Commission DG Communications Networks, Content & Technology, Final Report. IViR. |
| Guibault, Salamanca and van Gompel (2015) | Guibault, L., Salamanca, O. and van Gompel, S. (2015) Remuneration of authors and performers for the use of their works and the fixations of their performances. A study prepared for the European Commission DG Communications Networks, Content & Technology by Europe Economics and IVIR. |
| Hagedoorn and Ridder (2012) | Hagedoorn, J., & Ridder, A. K. (2012). Open innovation, contracts, and intellectual property rights: an exploratory empirical study. |
| Heald (2020a) | Heald, P. J. (2020) The Impact of Implementing a 25-Year Reversion/Termination Right in Canada. Journal of Law, Technology & Policy, Forthcoming |
| Herz and Kiljański (2016) | Herz, B. and Kiljański, K. (2016) Movie Piracy and Displaced Sales in Europe: Evidence from Six Countries. Available at SSRN: https://ssrn.com/abstract=2844167 or http://dx.doi.org/10.2139/ssrn.2844167 |
| Hong (2007) | Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318. |
| Humphreys, Fitzgerald, Banks, Suzor (2008) | Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29. |
| Ilevbare (2008) | ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129. |
| Intellectual Property Office (2014) | IPO (2014). Artist’s Resale Right - Summary of IPO survey findings |
| Intellectual Property Office (2018) | Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review |
| Jambon and Smetana (2012) | Jambon, M. M. & Smetana, J. G. (2012). College students' moral evaluations of illegal music downloading. Journal of Applied Developmental Psychology, 33, 31-39. |
| Johnson, Gibson, and Dimita (2012) | P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014). |
| Kheria (2012) | Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19). |
| Kretschmer (2011) | Kretschmer, M. (2011). Private copying and fair compensation |
| Kretschmer (2012) | Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012). |
