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Garcia (2020)Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401
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Giletti (2012)Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012)
Giorcelli and Moser (2015)Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776.
Guibault and Salamanca (2016)Guibault, L. And Salamanca, O. (2016) Remuneration of authors of books and scientific journals, translators, journalists and visual artists for the use of their works. A study prepared for the European Commission DG Communications Networks, Content & Technology, Final Report. IViR.
Guibault, Salamanca and van Gompel (2015)Guibault, L., Salamanca, O. and van Gompel, S. (2015) Remuneration of authors and performers for the use of their works and the fixations of their performances. A study prepared for the European Commission DG Communications Networks, Content & Technology by Europe Economics and IVIR.
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Heald (2020a)Heald, P. J. (2020) The Impact of Implementing a 25-Year Reversion/Termination Right in Canada. Journal of Law, Technology & Policy, Forthcoming
Herz and Kiljański (2016)Herz, B. and Kiljański, K. (2016) Movie Piracy and Displaced Sales in Europe: Evidence from Six Countries. Available at SSRN: https://ssrn.com/abstract=2844167 or http://dx.doi.org/10.2139/ssrn.2844167
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Humphreys, Fitzgerald, Banks, Suzor (2008)Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29.
Ilevbare (2008)ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Intellectual Property Office (2014)IPO (2014). Artist’s Resale Right - Summary of IPO survey findings
Intellectual Property Office (2018)Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review
Jambon and Smetana (2012)Jambon, M. M. & Smetana, J. G. (2012). College students' moral evaluations of illegal music downloading. Journal of Applied Developmental Psychology, 33, 31-39.
Johnson, Gibson, and Dimita (2012)P. Johnson, J. Gibson, G. Dimita, What Are Words Worth Now: A survey of Authors’ Earnings, London: ALCS (2014).
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Kretschmer (2011)Kretschmer, M. (2011). Private copying and fair compensation
Kretschmer (2012)Kretschmer, M. (2012). Does Copyright Law Matter? An Empirical Analysis of Creators’ Earnings. An Empirical Analysis of Creators’ Earnings (May 21, 2012).
Kretschmer and Hardwick (2007)Kretschmer, M., & Hardwick, P. (2007). Authors’ earnings from copyright and non-copyright sources: A survey of 25,000 British and German writers. Bournemouth University Centre for Intellectual Property Policy & Management (CIPPM). 
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Kretschmer and Peukert (2017)Kretschmer, T. And Peukert, C. (2017) Video Killed the Radio Star? Online Music Videos and Recorded Music Sales. CEP Discussion Paper No 1265.
Kretschmer, Bently, Singh and Cooper (2011)Kretschmer, M., Bently, L., Singh, S., & Cooper, E. (2011). Bournemouth and Cambridge: DACS/CIPPM/CIPIL. Available at SSRN 1780206.
Kretschmer, Gavaldon, Miettinen and Singh (2019)Kretschmer, M., Gavaldon, A.A., Miettinen, J. And Singh, S. (2019) UK Authors’ Earnings and Contracts 2018: a Survey of 50,000 Writers. Available: https://www.create.ac.uk/blog/2019/05/02/uk-authors-earnings-and-contracts-2018-a-survey-of-50000-writers/ (last accessed 23 May 2019)
Liao, Lin and Liu (2010)Liao, C., Lin, H. N., & Liu, Y. P. (2010). Predicting the use of pirated software: A contingency model integrating perceived risk with the theory of planned behavior. Journal of Business Ethics, 91(2), 237-252.
Liebowitz (1985)Liebowitz, S. J. (1985). Copying and indirect appropriability: Photocopying of journals. The Journal of Political Economy, 945-957.
Liebowitz (2008a)Liebowitz, S.J. (2008) Is the Copyright Monopoly a Best-Selling Fiction? Technology Policy Working Paper, September 2008
Liu (2015)Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263
MacGarvie, McKeon and Watson (2018)MacGarvie, M., McKeon & Watson, J. (2018). It was fifty years ago today: Recording copyright term and the supply of music. NBER conference on the Economics of Digitization.
Madden (2004)Madden, M. (2004). Artists, musicians and the internet. Pew Internet & American Life Project.
Mortimer, Nosko and Sorensen (2012)Mortimer, J. H., Nosko, C., & Sorensen, A. (2012). Supply responses to digital distribution: Recorded music and live performances. Information Economics and Policy, 24(1), 3-14.
Nanayakkara (2017)Nanayakkara, G. (2017) ‘Promise and Perils of Sri Lankan Performers’ Rights: The Royalty Collection in Music’ European Journal of Current Legal Issues, 23(1).
Nera Economic Consulting (2015)Nera Consulting (2015), Impacto del Nuevo Artículo 32.2 de la Ley de Propiedad Intelectual, Informe para la Asociación Española de Editoriales de Publicaciones Periódicas (AEEPP) (study commissioned by Spanish Association of Publishers of Periodicals AEEPP)
Oestreicher-Singer and Sundararajan (2010)Oestreicher-Singer, G., & Sundararajan, A. (2010). Are digital rights valuable? Theory and evidence from ebook pricing.
Oliar and Sprigman (2009)Oliar, D., & Sprigman, C. (2008). There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy. Virginia Law Review, 1787-1867.
Oriakhoba (2020)Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23.
Palfrey, Gasser, Simun and Barnes (2009)Palfrey, J., Gasser, U., Simun, M., & Barnes, R. F. (2009). Youth, creativity, and copyright in the digital age.
Pavis, Tulti and Pye (2019)Pavis, M., Tulti, H., & Pye, J. (2019) Fair Pay/Play in the UK Voice-Over Industries : A Survey of 200+ voice-overs. Available via: Zenodo. http://doi.org/10.5281/zenodo.3340920
Pollock (2009)Pollock, R. 2009. “Forever Minus a Day? Calculating Optimal Copyright Term”. Review of Economic Researchon CopyrightIssues 6(1); 35-60.
Poort et al (2018)Poort, J., Quintais, J.P., van der Ende, M., Yagafarova, A., and Haeraats, M. (2018) Global Online Piracy Study.
PricewaterhouseCoopers (2016)PricewaterhouseCoopers Australia Report 'Understanding the costs and benefits of introducing a ‘fair use’ exception', 2016.
Robinson and Montgomery (2000)Robinson, M. D., & Montgomery, S. S. (2000). The time allocation and earnings of artists. Industrial Relations: A Journal of Economy and Society, 39(3), 525-534.
Rogers, Corrigan, and Tomalin (2010)Rogers, M., Corrigan, R., & Tomalin, J. (2010). The economic impact of consumer copyright exceptions: A literature review.
Rossello, Martinelli (2023)Rossello, G., & Martinelli, A. (2023). Breach of academic values and digital deviant behaviour: The case of Sci-Hub. UNU-MERIT. UNU-MERIT Working Papers No. 009
Sag (2014)Sag, M. (2014). Copyright Trolling, An Empirical Study. Iowa Law Review, Forthcoming.
Sag, Jacobi and Sytch (2007)Sag, Matthew and Jacobi, Tonja and Sytch, Maxim, The Effect of Judicial Ideology in Intellectual Property Cases (July 2, 2007). 2nd Annual Conference on Empirical Legal Studies Paper.
Sandulli and Martin-Barbero (2007)Sandulli, F. D., & Martin-Barbero, S. (2007). 68 Cents per Song A Socio-Economic Survey on the Internet. Convergence: The International Journal of Research into New Media Technologies, 13(1), 63-78.
Schuster, Mitchell and Brown (2018)Shuster, W.M., Mitchell, D.M. and Brown, K. (2018) Sampling Increases Music Sales: An Empirical Copyright Study. American Business law Journal, Forthcoming.
Scotchmer (2011)Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091.
Shavell and van Ypersele (1999)Shavell, S. and Van Ypersele, T., 1999. Rewards versus intellectual property rights (No. w6956). National bureau of economic research.
Silbey (2014a)Silbey, J. (2014) The Eureka Myth: Creators, Innovators and Everyday Intellectual Property. Stanford University Press: Stanford.
Silbey, Subotnik and DiCola (2019)Sibley, J., Subotnik, E.E. and Dicola, P. (2019) Existential Copyright and Professional Photography. Notre Dame Law Review 95(1)
Smith and Telang (2012)Smith, M.D. and Telang, R., 2012. Assessing the academic literature regarding the impact of media piracy on sales. Available at SSRN 2132153.
Soloveichik (2013)Soloveichik, R. (2013) Music Originals as Capital Assets. BEA Working Paper 0096, Bureau of Economic Analysis.
Soloveichik (2014)Soloveichik, R. (2014) Books as Capital Assets. Journal of Scholarly Publishing, 45(2), pp 101 - 127
Sprigman (2017)Sprigman, C.J. (2017) Copyright and Creative Incentives: What we Know (And Don’t). Houston Law Review, Vol. 55, No.2 , 451-478
The Authors Guild (2015)The Authors Guild (2015) The Wages of Writing: Key Findings from the Authors Guild 2015 Member Survey. Available: https://www.authorsguild.org/industry-advocacy/the-wages-of-writing/ (last accessed: 24 May 2019)
The Writers’ Union of Canada (2013)The Writers’ Union of Canada (2013) Survey of Canadian Authors on Educational Copying. Available: https://www.writersunion.ca/survey-canadian-authors-educational-copying (last accessed 29 May 2019)
The Writers’ Union of Canada (2015)The Writers’ Union of Canada (2015) Devaluing Creators, Endangering Creativity. Doing More and Making Less: Writers’ Incomes Today. Available: https://www.writersunion.ca/sites/all/files/DevaluingCreatorsEndangeringCreativity_0.pdf#overlay-context=news/canadian-writers-working-harder-while-earning-less (last accessed: 29 May 2019)
Throsby and Petetskya (2017)Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council.
Throsby and Zednik (2010)Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010).
Throsby, Zwar and Crosby (2015)Throsby, Zwar and Crosby (2015) The Australian Book Industry: Authors, publishers and readers. Available: http://www.businessandeconomics.mq.edu.au/our_departments/Economics/econ_research/reach_network/book_project/about (last accessed: 11 June 2019)
Throsby, Zwar and Morgan (2018)Throsby, D., Zwar, J. And Morgan, C. (2018) Australian book publishers in the global industry: survey method and results. Research paper 1/2018 (February 2018).
Tor and Oliar (2002)Tor, A., & Oliar, D. (2002). Incentives to Create Under a Lifetime-Plus-Years Copyright Duration: Lessons from a Behavioral Economic Analysis for Eldered v. Ashcroft. Loy. LAL Rev., 36, 437.
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Towse (2015)Towse, Ruth. "Copyright and Business Models in UK Music Publishing."
Towse (2016)Towse, R. (2016) Copyright Auctions and the Asset Value of a Copyright Work. Review of Economic Research on Copyright Issues. 13(2), pp83-99
Towse (2018)Towse (2018) Copyright Reversion in The Creative Industries: Economics and Fair Remuneration. 41 Colum J.L. & Arts 467
Towse (2020)Towse, R. (2020) Dealing with Digital: Economic Organisation of Streamed Music. CIPPM/Jean Monnet Working Papers, No 1-2020
Travis (2010)Travis, H., 2010. Estimating the economic impact of mass digitization projects on copyright holders: Evidence from the Google Book search litigation. Journal of the Copyright Society of the USA, 57, pp.41-62.
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United States Copyright Office (2015a)Copyright and the Music Marketplace, United States Copyright Office (2015), available at http://copyright.gov/docs/musiclicensingstudy/copyright-and-the-music-marketplace.pdf.
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Vacca (2014)Vacca, R. (2014). Work made for hire – Analyzing the multifactor balancing test. University of Akron Legal Studies Research Paper No. 14-03. Available at SSRN 2405015
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Waelde and MacQueen (2004)Waelde C. and MacQueen H., From entertainment to education: the scope of copyright? (2004) Intellectual Property Quarterly
Waelde and Schlesinger (2011)Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?.
Waldfogel (2017)Waldfogel, J. (2017) How Digitization Has Created a Golden Age of Music, Movies, Books, and Television. Journal of Economic Perspectives, 31(3)
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Zerkee, Savage and Campbell (2022)Zerkee, J., Savage, S., & Campbell, J. (2022). Canada’s Copyright Act review: Implications for fair dealing and higher education. Journal of Copyright in Education and Librarianship, 5(1), 1-27. https://doi.org/10.17161/jcel.v5i1.15513