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From Copyright EVIDENCE
| Citation | |
|---|---|
| Silbey (2014a) | Silbey, J. (2014) The Eureka Myth: Creators, Innovators and Everyday Intellectual Property. Stanford University Press: Stanford. |
| Silbey, Subotnik and DiCola (2019) | Sibley, J., Subotnik, E.E. and Dicola, P. (2019) Existential Copyright and Professional Photography. Notre Dame Law Review 95(1) |
| Smith and Telang (2012) | Smith, M.D. and Telang, R., 2012. Assessing the academic literature regarding the impact of media piracy on sales. Available at SSRN 2132153. |
| Soloveichik (2013) | Soloveichik, R. (2013) Music Originals as Capital Assets. BEA Working Paper 0096, Bureau of Economic Analysis. |
| Soloveichik (2014) | Soloveichik, R. (2014) Books as Capital Assets. Journal of Scholarly Publishing, 45(2), pp 101 - 127 |
| Sprigman (2017) | Sprigman, C.J. (2017) Copyright and Creative Incentives: What we Know (And Don’t). Houston Law Review, Vol. 55, No.2 , 451-478 |
| The Authors Guild (2015) | The Authors Guild (2015) The Wages of Writing: Key Findings from the Authors Guild 2015 Member Survey. Available: https://www.authorsguild.org/industry-advocacy/the-wages-of-writing/ (last accessed: 24 May 2019) |
| The Writers’ Union of Canada (2013) | The Writers’ Union of Canada (2013) Survey of Canadian Authors on Educational Copying. Available: https://www.writersunion.ca/survey-canadian-authors-educational-copying (last accessed 29 May 2019) |
| The Writers’ Union of Canada (2015) | The Writers’ Union of Canada (2015) Devaluing Creators, Endangering Creativity. Doing More and Making Less: Writers’ Incomes Today. Available: https://www.writersunion.ca/sites/all/files/DevaluingCreatorsEndangeringCreativity_0.pdf#overlay-context=news/canadian-writers-working-harder-while-earning-less (last accessed: 29 May 2019) |
| Throsby and Petetskya (2017) | Throsby, D. And Petetskaya, K. (2017) Making Art Work: An Economic Study of Professional Artists in Australia. A report commissioned by the Australia Council. |
| Throsby and Zednik (2010) | Throsby, David, and Anita Zednik. Do you really expect to get paid?: an economic study of professional artists in Australia. (2010). |
| Throsby, Zwar and Crosby (2015) | Throsby, Zwar and Crosby (2015) The Australian Book Industry: Authors, publishers and readers. Available: http://www.businessandeconomics.mq.edu.au/our_departments/Economics/econ_research/reach_network/book_project/about (last accessed: 11 June 2019) |
| Throsby, Zwar and Morgan (2018) | Throsby, D., Zwar, J. And Morgan, C. (2018) Australian book publishers in the global industry: survey method and results. Research paper 1/2018 (February 2018). |
| Tor and Oliar (2002) | Tor, A., & Oliar, D. (2002). Incentives to Create Under a Lifetime-Plus-Years Copyright Duration: Lessons from a Behavioral Economic Analysis for Eldered v. Ashcroft. Loy. LAL Rev., 36, 437. |
| Towse (1999) | Towse, R. (1999). Copyright and economic incentives: an application to performers’ rights in the music industry. Kyklos, 52(3), 369-390. |
| Towse (2015) | Towse, Ruth. "Copyright and Business Models in UK Music Publishing." |
| Towse (2016) | Towse, R. (2016) Copyright Auctions and the Asset Value of a Copyright Work. Review of Economic Research on Copyright Issues. 13(2), pp83-99 |
| Towse (2018) | Towse (2018) Copyright Reversion in The Creative Industries: Economics and Fair Remuneration. 41 Colum J.L. & Arts 467 |
| Towse (2020) | Towse, R. (2020) Dealing with Digital: Economic Organisation of Streamed Music. CIPPM/Jean Monnet Working Papers, No 1-2020 |
| Travis (2010) | Travis, H., 2010. Estimating the economic impact of mass digitization projects on copyright holders: Evidence from the Google Book search litigation. Journal of the Copyright Society of the USA, 57, pp.41-62. |
| United States Copyright Office (2013a) | Resale Royalties: An Updated Analysis, United States Copyright Office (2013), available at http://copyright.gov/docs/resaleroyalty/usco-resaleroyalty.pdf. |
| United States Copyright Office (2015a) | Copyright and the Music Marketplace, United States Copyright Office (2015), available at http://copyright.gov/docs/musiclicensingstudy/copyright-and-the-music-marketplace.pdf. |
| United States Copyright Office (2015b) | Orphan Works and Mass Digitization, United States Copyright Office (2015), available at http://copyright.gov/orphan/reports/orphan-works2015.pdf. |
| Vacca (2014) | Vacca, R. (2014). Work made for hire – Analyzing the multifactor balancing test. University of Akron Legal Studies Research Paper No. 14-03. Available at SSRN 2405015 |
| Vallbé et al. (2019) | Vallbé, J., Bodó, B., Quintais, J.P. & Handke, C.W. (2019) Knocking on Heaven’s Door: User preferences on digital cultural distribution. Internet Policy Review, 8(2) |
| Van der Ende et al (2014) | Van der Ende, M., Poort, J., Haffner, R., de Bas, P., Yagafarova, A., Rohlfs, S., and van Til, H. (2014) Estimating displacement rates of copyrighted content in the EU. A study prepared for the European Commission. |
| Waelde and MacQueen (2004) | Waelde C. and MacQueen H., From entertainment to education: the scope of copyright? (2004) Intellectual Property Quarterly |
| Waelde and Schlesinger (2011) | Waelde, C., & Schlesinger, P. (2011). Music and dance: beyond copyright text?. |
| Waldfogel (2017) | Waldfogel, J. (2017) How Digitization Has Created a Golden Age of Music, Movies, Books, and Television. Journal of Economic Perspectives, 31(3) |
| Watt (2010) | Watt, R. (2010). Copyright and Contract Law: Economic Theory of Copyright Contracts. J. Intell. Prop. L., 18, 173. |
| What the Online Piracy Data Tells Us About Copyright Policymaking | Smith, M. D. (2023). What the Online Piracy Data Tells Us About Copyright Policymaking. Hudson Institute. |
| Wijmenga, Klomp, van der Jagt, Poort (2016) | Stichting de Thuiskopie (2016). International Survey on Private Copying – Law & Practice 2016. WIPO. |
| Xalabarder (2009) | Xalabarder, R. (2009). Study on copyright limitations and exceptions for educational activities in North America, Europe, Caucasus. Central Asia and Israel. |
| Yuvaraj and Giblin (2019) | Yuvaraj, J. & Giblin. R. (2019). Are Contracts Enough? An Empirical Study of Author Rights in Australian Publishing Agreements. Melbourne University Law Review, Vol. 44, No. 1, 2020. |
| Yuvaraj et al. (2021) | Yuvaraj, J., Giblin, R., Russo-Batterham, D. and Grant, G. (2021) U.S. Copyright Termination Notices 1977-2020: Introducing New Datasets. Journal of Empirical Legal Studies (forthcoming) |
| Zerkee, Savage and Campbell (2022) | Zerkee, J., Savage, S., & Campbell, J. (2022). Canada’s Copyright Act review: Implications for fair dealing and higher education. Journal of Copyright in Education and Librarianship, 5(1), 1-27. https://doi.org/10.17161/jcel.v5i1.15513 |
