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Fagundes and Perzanowski (2019)Fagundes, D. And Perzanowski, A. (2019) Clown Eggs. Notre Dame Law Review, 94(3).
Favale (2011)Favale, M. (2011). Approximation and DRM: can digital locks respect copyright exceptions?. International Journal of Law and Information Technology, 19(4), 306-323
Favale (2020)Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039
Favale, Homberg, Kretschmer, Mendis and Secchi (2013)Favale, M., Homberg, F., Kretschmer, M., Mendis, D., & Secchi, D. (2015). Copyright, and the Regulation of Orphan Works: A Comparative Review of Seven Jurisdictions and a Rights Clearance Simulation. Available at SSRN 2613498.
Favale, Kretschmer and Torremans (2016)Favale, M., Krestschmer, M., and Torremans, P.C. (2016) Is there an EU copyright jurisprudence? An empirical analysis of the workings of the European Court of Justice. Modern Law Review, 79(1): 31-75 (January 2016)
Fetscherin and Schmid (2003)Fetscherin, M. and Schmid, M. (2003) Comparing the usage of digital rights management systems in the music, film and print industry. ICEC ’03 Proceedings of the 5th international conference on Electronic Commerce, 316-325
Fiesler (2018)Fiesler, C. (2018) Everything I Needed to Know: Empirical Investigations of Copyright Norms in Fandom. IDEA - The Law Review of the Franklin Pierce Centre for Intellectual Property. 59(1), pp 65 - 87
Fiesler (2020)Fiesler, C. (2020) Lawful Users: Copyright Circumvention and Legal Constraints on Technology Use. Available: https://cmci.colorado.edu/~cafi5706/CHI2020_DMCA_Fiesler.pdf (last accessed: 17 February 2020)
Fiesler, Lampe, and Bruckman (2016)Fiesler, C, Lampe, C, Bruckman, A (2016) “Reality and Perception of Copyright Terms of Service for Online Content Creation” CSCW ’16 Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing, pp1450-1461
Fiil-Flynn, Palmedo, and Izquierdo (2021)Flynn, Sean; Palmedo, Michael; Izquierdo, Andrés. "Research Exceptions in Comparative Copyright Law". (2021) PIJIP/TLS Research Paper Series no. 72.
Fromer and Lemley (2013)Fromer, Jeanne C., and Mark A. Lemley. "Audience in Intellectual Property Infringement, The." Mich. L. Rev. 112 (2013): 1251.
Gallagher (2012)Gallagher, W. T. (2012). Trademark and copyright enforcement in the shadow of IP law. Santa Clara Computer and High Technology Law Journal, 28.
Gasser (2004)Gasser, U. (2004) iTunes: How Copyright, Contract, and Technology Shape the Business of Digital Media – a Case Study. Berkman Center for Internet & Society at Harvard Law School Research Publication No. 2004-07
Gerhardt (2011)Gerhardt, D. R. (2011). Copyright publication: an empirical study. Notre Dame Law Review, 87(1).
GfK Belgium (2015)GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most
Giletti (2012)Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012)
Gordon (1982)Gordon, W. J. (1982). Fair use as market failure: a structural and economic analysis of the" Betamax" case and its predecessors. Columbia Law Review, 82(8), 1600-1657.
Grøndal (2006)Grøndal, L. (2006) DRM and contract terms. Available at https://www.itas.kit.edu/downloads/projekt/projekt_orwa04_indicare_174.pdf (last accessed 12/03/2023)
Guadamuz and Cabell (2014)Guadamuz, A. and Cabell, D. (2014) Data Mining in UK Higher Education Institutions: Law and Policy. Queen Mary Intellectual Property Review 4:1 pp. 3-29
Hackett (2015)
Haefliger, Jäger and Von Krogh (2010)Haefliger, S., Jäger, P., & Von Krogh, G. (2010). Under the radar: Industry entry by user entrepreneurs. Research policy, 39(9), 1198-1213.
Haigh (2009)Haigh, M. (2009). Of ducks and downloads: The moral economy of intellectual property in post-Soviet society. Libri, 59(4), 248-258.
Handke, Girard and Mattes (2015)Handke, C., Girard, Y., & Mattes, A. (2015). Copyright and Innovation: Fit for Digitization?. DIW Economic Bulletin, 5(16).
Hansen, Hashimoto, Hinze, Samuelson and Urban (2013)Hansen, D. R., Hashimoto, K., Hinze, G., Samuelson, P., & Urban, J. M. (2013). Solving the orphan works problem for the united states. Columbia Journal of Law & the Arts, 37(1).
Haveman and Kluttz (2014)Daniel N. Kluttz, Heather A. Haveman, 'Copyright Law and the American Magazine Industry' (February 1, 2014). Available at: http://irle.berkeley.edu/property-in-print-copyright-law-and-the-american-magazine-industry/
Heald, Erickson and Kretschmer (2015)Heald, P. J., Kretschmer, M., & Erickson, K. (2015). The Valuation of Unprotected Works: A Case Study of Public Domain Photographs on Wikipedia. Available at SSRN.
Hudson and Kenyon (2007)Hudson, E. and Kenyon, A.T., 2007. Digital Access: The Impact of Copyright on Digitisation Practices in Australian Museums, Galleries, Libraries, and Archives. UNSWLJ, 30, p.12.
Humphreys (2008)Humphreys, S., 2008. The challenges of intellectual property for users of Social Networking Sites: a case study of Ravelry.
Humphreys, Fitzgerald, Banks, Suzor (2008)Humphreys, S., Fitzgerald, B., Banks, J. and Suzor, N., 2005. Fan-based production for computer games: User-led innovation, the ‘Drift of Value’and intellectual property rights. Media International Australia Incorporating Culture and Policy, 114(1), pp.16-29.
IHS Technology (2015)IHS Technology, Current Market and Technology Trends in the Broadcasting Sector, WIPO Standing Committee on Copyright and Related Rights, SCCR/30/5(Jun. 2015)
Ilevbare (2008)ILEVBARE, F. M. 2008. Psychosocial factors influencing attitudes towards internet piracy among Nigerian university students. IFE Psychologia: An International Journal, 16, 120-129.
Intellectual Property Office (2014)IPO (2014). Artist’s Resale Right - Summary of IPO survey findings
Intellectual Property Office (2015b)Intellectual Property Office (2015). Government response to the consultation on reducing the duration of copyright in certain unpublished works.
Intellectual Property Office (2019)Intellectual Property Office; Ernst & Young LLP. (17 June 2019). Exhaustion of Intellectual Property Rights.
Katzenbach, Herweg and Van Roessel (2016)Katzenbach, C., Herweg, S. and Van Roessel, L. Copies, Clones, and Genre Building: Discourses on Imitation and Innovation in Digital Games. International Journal of Communication 10 (2016), 838-859
Kawohl and Kretschmer (2003)Kawohl, F., & Kretschmer, M. (2003). Abstraction and Registration: Conceptual innovations and supply effects in Prussian and British copyright (1820-50). Intellectual Property Quarterly, 2(2), 209-228.
Kelly (2019)Kelly, E.J. (2019) Digital Cultural Heritage and Wikimedia Commons Licenses: Copyright or Copywrong? Journal of Copyright in Education and Librarianship, 3(3)
Kheria (2012)Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19).
Konstantakis, Palaigeorgiou, Siozos and Tsoukalas (2010)Konstantakis, N. I., Palaigeorgiou, G. E., Siozos, P. D., & Tsoukalas, I. A. (2010). What do computer science students think about software piracy?. Behaviour & Information Technology, 29(3), 277-285.
Korn (2009)Korn, N., In from the Cold: An assessment of the scope of ‘Orphan Works’ and its impact on the delivery of services to the public (April 2009).
Kretschmer, Derclaye, Favale and Watt (2010)Kretschmer, M., Derclaye, E., Favale, M., & Watt, R. (2010). A Review commissioned by the UK Strategic Advisory Board for Intellectual Property Policy (SABIP). Available at SSRN 2624945
Krogh and Hippel (2006)Von Krogh, G., & Von Hippel, E. (2006). The promise of research on open source software. Management science, 52(7), 975-983.
Lemley and Shafir (2011)Lemley, M.A. and Shafir, Z., 2011. Who Chooses Open-Source Software?. The University of Chicago Law Review, pp.139-164.
Liebowitz (2006a)Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174.
Lipinski and Kritikos (2017)Lipinski, T.A. and Kritikos, K.C. (2017) Legal and policy implications and licenses between LIS open access journal publishers and authors: a qualitative case study. Qualitative and Quantitative Methods in Libraries (QQML), 6, pp 545-558
Liu (2015)Liu, J. (2015). Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation. Columbia Journal of Law & the Arts, Forthcoming. Available at SSRN: https://ssrn.com/abstract=2633263
Marshall (2004)Marshall, L. (2004). The effects of piracy upon the music industry: A case study of bootlegging. Media, Culture & Society, 26(2), 163-181.
Max Planck Institute (2013)Copyright, Competition and Development, Max Planck Institute (2013).
Mezei and Harkai (2022)Mezei, P. Harkai, I. (2022). End-User Flexibilities in Digital Copyright Law – An Empirical Analysis of End-user License Agreements. Interactive Entertainment Law Review, 5(1), p. 2-21.
Moores and Esichaikul (2011)Moores, T. T., & Esichaikul, V. (2011). Socialization and software piracy: A study. Journal of Computer Information Systems, 51(3), 1.
Morrison and Secker (2015)Morrison, C. and Secker, J., 2015. Copyright Literacy in the UK: a survey of librarians and other cultural heritage sector professionals. Library and Information Research, 39(121), pp.75-97.
Morrison and Secker (2017)Chris Morrison, Jane Secker, (2017) "Understanding librarians’ experiences of copyright: Findings from a phenomenographic study of UK information professionals", Library Management, Vol. 38 Issue: 6/7, pp.354-368, https://doi-org.ezproxy.lib.gla.ac.uk/10.1108/LM-01-2017-0011
OHIM (2016)OHIM (2016) Digital Advertising on Suspected Infringing Websites
Owen and O'Dair (2020) 2Owen, R. and O'Dair, M. (2020), How blockchain technology can monetize new music ventures: an examination of new business models, Journal of Risk Finance, Vol. 21 No. 4, pp. 333-353.
Pascault et al. (2020)Pascault, L., Jütte, B.J., Noto La Diega, G. and Priora, G. (2020) Copyright and Remote Teaching in the Time of COVID-19: A Study of Contractual Terms and Conditions of Selected Online Services. European Intellectual Property Review, 42 (9), pp. 548-555
Pearce (2011)Pearce, K. E. (2011). Convergence through mobile peer-to-peer file sharing in the Republic of Armenia. International Journal of Communication, 5, 511-528.
Peitz and Waelbroeck (2006b)Peitz, M, and Waelbroeck, P. (2006). Piracy of Digital Products: A Critical Review of the Theoretical Literature. Information Economics and Policy, 18(4), 449–76.
Perzanowski (2013)Perzanowski, A. (2013). Tattoos & IP norms.Case Western Reserve University School of Law 511. Available at SSRN 2145048.
Pistorius and Mwim (2019)Pistorius, T. & Mwim, O.S. (2019) The impact of digital copyright law and policy on access to knowledge and learning. Reading & Writing S/I., 10(1)
Poor (2012)Poor, N. (2012) When Firms Encourage Copying: Cultural Borrowing as Standard Practice in Game Spaces. International Journal of Communication 6, 689–709
Reid (2021)Reid, A. (2021). Clarity: An Analysis of DMCA Repeat Infringer Policies, 61. JURIMETRICS J, 405-41.
Reid and Kresovich (2021)Reid, A. and Kresovich, A. (2021) Copyright as a Barrier to Music Therapy Telehealth Interventions: Qualitative Interview Study. JMIR Form Res., 13(5)
Reid and Nicolla (2022)Reid, A. and Nicolla, S.K. (2022) Exploring Music Therapists’ Experiences With and Perceptions About Copyrighted Music: A Thematic Analysis. Journal of Music Therapy, 59(3), 269-306
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Roquilly (2011)Roquily, C. (2011) Control Over Virtual Worlds by Game Companies: Issues and Recommendations. MIS Quarterly, 35(3)
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Sarikakis, Krug and Rodriguez-Amat (2017)Sarikakis et al., Defining authorship in user-generated content: Copyright struggles in The Game of Thrones, new media & society 2017, Vol. 19(4) p.542–p.559. Available at http://journals.sagepub.com/doi/abs/10.1177/1461444815612446
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Shaheed (2014)Shaheed, F., Copyright Policy and the Right to Science and Culture, Human Rights Council, U.N. General Assembly (A/HRC/28/57(2014)).
Silbey (2014a)Silbey, J. (2014) The Eureka Myth: Creators, Innovators and Everyday Intellectual Property. Stanford University Press: Stanford.
Sinnreich and Aufderheide (2015)Sinnreich, A., & Aufderheide, P. (2015). Communication Scholars and Fair Use: The Case for Discipline-Wide Education and Institutional Reform. International Journal of Communication, 9.
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