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From Copyright EVIDENCE
| Citation | |
|---|---|
| Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014) | Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights. |
| Commission of the European Communities (2005a) | DG Internal Market and Services Working Paper, Commission of the European Communities (2005) |
| Cornwell (2017) | Cornwell, J. (2017) Intellectual Property Litigation at the Court of Session: A First Empirical Investigation. Edinburgh Law Review, Volume 21, Issue 2, pp192-216. |
| Corporate Europe Observatory (2018) | Corporate Europe Observatory (2018) Copyright Directive: how competing big business lobbies drowned out critical voices. Available via: https://corporateeurope.org/en/2018/12/copyright-directive-how-competing-big-business-lobbies-drowned-out-critical-voices (last accessed: 7 June 2019) |
| Cotropia and Gibson (2016) | Cotropia, C. And Gibson, J. (2016) Commentary to the U.S. Copyright Office Regarding the Section 512 Study: Higher Education and the DMCA Safe Harbors |
| Cox, Collins and Drinkwater (2010) | Cox, J., Collins, A. and Drinkwater, S. 2010. Seeders, Leechers and Social Norms: Evidence From the Market for Illicit Digital Downloading. Information Economics and Policy, 22, 299-305. |
| Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Cuntz (2018) | Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg. |
| Cuntz (2020) | Cuntz, A. (2020) Grand rights and opera reuse today. WIPO Economic Research Working Paper No.62 |
| D'Astous, Colbert and Montpetit (2005) | d’Astous, A., Colbert, F., & Montpetit, D. (2005). Music piracy on the web–how effective are anti-piracy arguments? Evidence from the theory of planned behaviour. Journal of Consumer Policy, 28(3), 289-310. |
| Danahar, Smith and Teland (2015) | Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015 |
| Danaher and Smith (2013) | Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8. |
| Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
| Danaher, Dhanasobhon, Smith and Telang (2010) | Danaher, B., Dhanasobhon, S., Smith, M. D., & Telang, R. (2010). Converting pirates without cannibalizing purchasers: the impact of digital distribution on physical sales and internet piracy. Marketing science, 29(6), 1138-1151. |
| Danaher, Smith, Telang and Chen (2012) | Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553. |
| De Beer and Bouchard (2010) | De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215. |
| Deloitte (2016) | Deloitte (2016) The impact of web traffic on revenues of traditional newspaper publishers A study for France, Germany, Spain, and the UK. |
| Denoyelle et al (2018) | Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022) |
| Depoorter, Van Hiel and Vanneste (2011) | Depoorter, B., Vanneste, S., & Van Hiel, A. (2011). Copyright Backlash. Southern California Law Review, 84. |
| Derclaye (2014) | Derclaye, E. (2014). Do patents, trademarks and designs foster happiness in developed countries? An empirical analysis. International Journal of Happiness and Development, 1(4), 357-368. |
| DiCola (2013) | DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301. |
| DiCola and Touve (2014) | DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright. |
| Djekic and Loebbecke (2005) | DJEKIC, P. and LOEBBECKE, C. 2005. Software piracy prevention through digital rights management systems. In: MULLER, G. and LIN, K. J. (eds.) CEC 2005: Seventh IEEE International Conference on E-Commerce Technology, Proceedings. Munich, Germany. |
| Domon, Melcarne and Ramello (2019) | Domon, K., Melcarne, A. And Ramello, B. (2019) Digital piracy in Asian countries. Journal of Industrial and Business Economics, 46(1), pp. 117 - 135 |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| EUIPO (2017) | |
| Eger, Scheufen and Meierrieks (2015) | Eger, T., Scheuen, M., and Meierreks, D. (2015) The determinants of open access publishing: survey evidence from Germany. Eur J Law Econ, 39, p475-503 |
| Erickson, Heald, Homberg, Kretschmer and Mendis (2015) | Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper. |
| Erickson, Kretschmer and Mendis (2013) | Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24). |
| European Commission (2011a) | Report on the Implementation and Effect of the Resale Right Directive (2001/84/EC), European Commission (2011), available at |
| European Commission (2013) | European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures |
| European Commission (2014) | Guidelines on Recommended Standard Licences, Datasets and Charging for the Reuse of Documents, European Commission 2014/C 240/01, available at http://ec.europa.eu/information_society/newsroom/cf/dae/document.cfm?action=display&doc_id=6421. |
| European Commission (2016) | European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy, |
| European Union Intellectual Property Office (2016) | European Union Intellectual Property Office (2016). Intellectual Property and Youth. |
| Faklaris and Hook (2017) | Faklaris, C. and Hook, S.A. (2017) Attitudes About ‘Fair Use’ and Content Sharing in Social Media Applications. CSCW 2017, February 25-March 1, 2017, Portland, OR, USA |
| Farooqui, Goodridge and Haskel (2011) | Farooqui, S., Goodridge, P., & Haskel, J. (2011). The Role of Intellectual Property Rights in the UK Market Sector. Intellectual Property, 2. |
| Fauchart and Hippel (2006) | Fauchart, E., & Von Hippel, E. (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science, 19(2), 187-201. |
| Fetscherin (2009) | Fetscherin, M. (2009). Importance of Cultural and Risk Aspects in Music Piracy: A Cross-National Comparison Among University Students. Journal of Electronic Commerce Research, 10(1), 42-55. |
| Fetscherin and Schmid (2003) | Fetscherin, M. and Schmid, M. (2003) Comparing the usage of digital rights management systems in the music, film and print industry. ICEC ’03 Proceedings of the 5th international conference on Electronic Commerce, 316-325 |
| Fiesler and Zacher (2021) 2 | Fiesler, C. & Zacher, C. Copyright’s Chilling Tale of Content Moderation: Understanding the Impact of Takedowns on Non-Infringing Content Creators. Available: https://www.kristelia.com/wp-content/uploads/2021/02/Fiesler-Zacher_Copyrights-Chilling-Tale.pdf (last accessed: 3 June 2021) |
| Fiesler, Lampe, and Bruckman (2016) | Fiesler, C, Lampe, C, Bruckman, A (2016) “Reality and Perception of Copyright Terms of Service for Online Content Creation” CSCW ’16 Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing, pp1450-1461 |
| Filer (1986) | Filer, R. K. (1986). The “Starving Artist”--Myth or Reality? Earnings of Artists in the United States. Journal of Political Economy, 94(1), 56–75. |
| Fleming et al. (2017) | Fleming, P., Watson, S.J., Patouris, E., Bartholomew, K.J., and Zizzo, D.J. (2017) Why do people file share unlawfully? A systematic review, meta-analysis and panel study. Computers in Human Behaviour, 27, pp535-548 |
| Frosio (2014) | Frosio, Giancarlo F. Open access publishing: a literature review. (2014). |
| Gan and Koh (2006) | Gan, L. L., & Koh, H. C. (2006). An empirical study of software piracy among tertiary institutions in Singapore. Information & Management, 43(5), 640-649. |
| Garcia and McCrary (2019) | Garcia, K. and McCrary, J. (2019) A Reconsideration of Copyright’s Term. Alabama Law Review, 71(2) |
| Gecer and Topal (2019) | Gecer, A.K. and Topal, A.D. (2019) Academic and postgraduate student awareness of digital product copyright issues. Information Development. |
| GfK Belgium (2015) | GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most |
| Gibson, Johnson and Dimita (2015) | Gibson, J., Johnson, P. And Dimita, G. (2015) The Business of Being an Author: A Survey of Author’s Earnings and Contracts. Available: https://orca.cf.ac.uk/72431/1/Final%20Report%20-%20For%20Web%20Publication.pdf (last accessed: 23 May 2019) |
