Textual Content Analysis
From Copyright EVIDENCE
Textual Content Analysis is a qualitative method defined within the Copyright Evidence wiki.
The following studies use this method for data analysis (132):
| Citation | |
|---|---|
| Adu and van der Walt (2021) | Adu, T.L. and van der Walt, T.B. (2021) Effects of awareness of user rights on compliance with copyright laws and policies in academic libraries. The Journal of Academic Librarianship, 47(4) |
| Al-Rafee and Cronan (2006) | Al-Rafee, S., & Cronan, T. P. (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. Journal of Business Ethics, 63(3), 237-259. |
| Arnold, Darmon, Dejean and Penard (2014) | Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014) |
| Asser Institute and IViR (2014) | T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012 |
| Astle and Muir (2002) | Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79. |
| Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
| Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
| BOP Consulting and DotEcon (2015) | BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office. |
| Balducci (2009) | Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0. |
| Belleflamme and Peitz (2010) | Belleflamme, P., & Peitz, M. (2010). Digital piracy: Theory. CESifo Working Paper Series No. 3222. Available at SSRN 1698618. |
| Benkler (1999) | Benkler, Y. (1999). Free as the air to common use: First amendment constraints on enclosure of the public domain. NyuL Rev., 74, 354. |
| Bently (2002) | Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada. |
| Bently et al. (2017) | Bently, L., Kretschmer, M., Dudenbostel, T., Moreno, M. and Radauer, A. (2017) Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive. Project Report. European Parliament, Brussels. |
| Bjork (2012) | Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?. |
| Buccafusco and Masur (2013) | Buccafusco, Christopher, and Jonathan S. Masur. Innovation and Incarceration: An Economic Analysis of Criminal Intellectual Property Law. S. Cal. L. Rev. 87 (2013): 275. |
| Cameron and Bazelon (2013) | Cameron, L., & Bazelon, C. (2013). The impact of digitization on business models in copyright driven industries: a review of economic issues. Brattle Groupe paper prepared for the US National Research Council, available at: http://sites.nationalacademies.org/cs/groups/pgasite/documents/webpage/pga_063398.pdf. |
| Canat, Guibault and Logeais (2015) | Canat, J., Guibault, L. and Logeais, E., Study on Copyright Limitations and Exceptions for Museums, World Intellectual Property Organization (2015) SCCR/30/2. |
| Carrier (2012) | Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876 |
| Castañer and Campos (2002) | Castañer, X. and Campos, L., 2002. The determinants of artistic innovation: Bringing in the role of organizations. Journal of Cultural Economics, 26(1), pp.29-52. |
| Cave, Deegan and Heinink (2000) | Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5). |
| Center for Social Media (2010) | Center for Social Media. (2010). Clipping Our Own Wings: Copyright and Creativity in Communication Research. American University. |
| Commission of the European Communities (2005a) | DG Internal Market and Services Working Paper, Commission of the European Communities (2005) |
| Condry (2004) | Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363. |
| Cooper and Burrow (2018) | Cooper, E. and Burrow, S. (2018) Photographic Copyright and the Intellectual Property Enterprise Court in Historical Perspective. CREATe Working Paper Series DOI: 10.5281/zenodo.1246559. |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
| Creative Content Australia (2015) | Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults. |
| Crews (2015) | Crews, K., Study on Copyright Limitations and Related Rights, Standing Committee on Copyright and Related Rights, Thirtieth Session, SCCR/30/3 (2015). |
| De Beer and Bouchard (2010) | De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215. |
| De Souza-Leão et al. (2019) | de Souza-Leão, A.L.M., Moura, B.M., de Santana, I.R.C., Nunes, W.K.S. and Henrique, V.M.R. (2019) Fans Make Art: Authoring and Creativity in the Production of Fanvideos. Studies on Emerging Countries, 4(24) pp 22-36 |
| De Wolf and Partners (2014a) | De Wolf & Partners, Study on the Legal Framework of Text and Data Mining (TDM) (2014). |
| De Wolf and Partners (2014b) | Study on the Making Available Right and its Relationship with the Reproduction Right in Cross-border Digital Transmissions, De Wolf & Partners (2014). |
| Deazley (2008) | Deazley, R. (2008) ‘Commentary on Milton's Contract 1667', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org |
| Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
| Denoyelle et al (2018) | Denoyelle, M., Durand, K., Daniel, J. and Doulkaridou-Ramantani, E. (2018) Image rights, art history and society. Report presented to the Foundation de France <https://www.inha.fr/fr/recherche/le-departement-des-etudes-et-de-la-recherche/domaines-de-recherche/programmes-en-cours/images-usages.html> (accessed 7 January 2022) |
| Depoorter and Vanneste (2006) | Depoorter, B. and Vanneste, S., 2006. Norms and enforcement: The case against copyright litigation. Oregon Law Review, 84(4), p.1127. |
| Depoorter and Walker (2013) | Depoorter, B. and Walker, R.K., 2013. Copyright false positives. |
| Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
| Djekic and Loebbecke (2005) | DJEKIC, P. and LOEBBECKE, C. 2005. Software piracy prevention through digital rights management systems. In: MULLER, G. and LIN, K. J. (eds.) CEC 2005: Seventh IEEE International Conference on E-Commerce Technology, Proceedings. Munich, Germany. |
| Dowthwaite et al (2016) | |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| Dusollier (2010) | Dusollier, S., WIPO (2010) CDIP/4/3/REV./STUDY/INF/1. |
| EIFL (2013) | Electronic Information For Libraries - The European Orphan Works Directive An EIFL Guide (2013) |
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| Edwards, Klein, Lee, Moss and Philip (2015) | Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77. |
| European Commission (2011a) | Report on the Implementation and Effect of the Resale Right Directive (2001/84/EC), European Commission (2011), available at |
| European Commission (2013) | European Commission (2013). Synthesis of the responses: Civil enforcement of intellectual property rights: Public consultation on efficiency of proceedings and accessibility measures |
| Fagundes and Perzanowski (2019) | Fagundes, D. And Perzanowski, A. (2019) Clown Eggs. Notre Dame Law Review, 94(3). |
| Favale (2011) | Favale, M. (2011). Approximation and DRM: can digital locks respect copyright exceptions?. International Journal of Law and Information Technology, 19(4), 306-323 |
| Favale (2020) | Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039 |
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