Unstructured Interview

From Copyright EVIDENCE
Methods
Methodology (Collection)
Methodology (Analysis)

Unstructured Interview is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (15):

 Citation
BOP Consulting and DotEcon (2015)BOP Consulting, DotEcon (2015). International Comparison of Approaches to Online Copyright Infringement: Final Report, commissioned by the Intellectual Property Office.
Cantatore (2014)Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5.
Collopy, Bastian, Drye, Koempel, Lewis, Jenner (2014)Collopy, D., Bastian, V., Drye, T., Koempel, F., Lewis, D., & Jenner, P. (2014). Measuring Infringement of Intellectual Property Rights.
Favale (2020)Favale, M. (2021). "The Role of the Court of Justice in the Development of EU Copyright Law: an Empirical Experience". In EU Copyright Law. Cheltenham, UK: Edward Elgar Publishing. doi: https://doi.org/10.4337/9781786437808.00039
Garcia-Álvarez, López-Sintas and Zerva (2009)García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264.
Hooper and Lynch (2012a)Hooper, R., & Lynch, R. (2012). Rights and wrongs: Is copyright licensing fit for purpose for the digital age? The first report of the Digital Copyright Exchange feasibility study, IPO.
Hooper and Lynch (2012b)Hooper, R., & Lynch, R. (2012). Copyright works: Streamlining copyright licensing for the digital age. Intellectual Property Office: Newport.
Intellectual Property Office (2014)IPO (2014). Artist’s Resale Right - Summary of IPO survey findings
Intellectual Property Office (2018)Intellectual Property Office (2018) Copyright term extension for sound recordings Post-Implementation Review
Marshall (2004)Marshall, L. (2004). The effects of piracy upon the music industry: A case study of bootlegging. Media, Culture & Society, 26(2), 163-181.
Mendis, Secchi and Reeves (2015)Mendis, D., et al. (2015). A Legal and Empirical Study into the Intellectual Property Implications of 3D Printing.
Schofield and Urban (2015)Schofield B. L. and Urban J. M. Takedown and Today's Academic Digital Library (2015) UC Berkeley Public Law Research Paper No. 2694731.
Secker, Gadd and Morrison (2019)Secker, J., Gadd, E., & Morrison, C. (2019) Understanding the value of the CLA Licence to UK higher education. Available: https://ukcopyrightliteracy.files.wordpress.com/2019/07/cnac-research-project-report-final-with-logos-1.pdf (last accessed: 8 August 2019)
Somaya and Grahan (2006)Somaya, D., & Graham, S. J. (2006). Vermeers and Rembrandts in the same attic: Complementarity between copyright and trademark leveraging strategies in software. Georgia Institute of Technology TIGER Working Paper.
Wang and Zhu (2003)Wang, Shujen, and Jonathan JH Zhu. Mapping film piracy in China. Theory, culture & society 20.4 (2003): 97-125.