Z11: Economics of the Arts and Literature
From Copyright EVIDENCE
Disciplines |
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Z11: Economics of the Arts and Literature is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.
The following studies are coded as being associated with this discipline (29):
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Australian Law Reform Commission (2013) | ALRC Report 122 (2013), available at http://www.alrc.gov.au/sites/default/files/pdfs/publications/final_report_alrc_122_2nd_december_2013_.pdf. |
Balducci (2009) | Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0. |
Bodo, Antal and Puha (2020) | Bodo, B., Antal, D. and Puha, Z. (2020) Open access is not a panacea, even if it’s radical – an empirical study on the role of shadow libraries in closing the inequality of knowledge access. Amsterdam Law School Research Paper No. 2020-39 |
Castañer and Campos (2002) | Castañer, X. and Campos, L., 2002. The determinants of artistic innovation: Bringing in the role of organizations. Journal of Cultural Economics, 26(1), pp.29-52. |
Cockrill and Goode (2012) | Cockrill, A., & Goode, M. M. (2012). DVD Pirating Intentions: Angels, Devils, Chancers and Receivers. Journal of Consumer Behaviour, 11(1), 1-10. |
De Beer and Bouchard (2010) | De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215. |
DeVany and Walls (2007) | De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301. |
Erickson, Kretschmer and Mendis (2019) | Erickson, K., Kretschmer, M. and Mendis, D. (2019) “An Empirical Approach to the Public Domain” in Drexl, J. and Kamperman, J. Sanders (Eds.) The Innovation Society and Intellectual Property, Cheltenham: Edward Elgar |
European Commission (2011a) | Report on the Implementation and Effect of the Resale Right Directive (2001/84/EC), European Commission (2011), available at |
Handke (2012b) | Handke, C. (2012). Digital copying and the supply of sound recordings. Information Economics and Policy, 24(1), 15-29. |
Handke, Girard and Mattes (2015) | Handke, C., Girard, Y., & Mattes, A. (2015). Copyright and Innovation: Fit for Digitization?. DIW Economic Bulletin, 5(16). |
Heald (2014b) | Heald, P. J. (2014). The Demand for Out-of-Print Works and Their (Un) Availability in Alternative Markets. Illinois Public Law Research Paper, (14-31). |
Huang (2005) | Huang, C. Y. (2005). File sharing as a form of music consumption. International Journal of Electronic Commerce, 9(4), 37-55. |
Hui and Png (2003) | Hui, K. L., & Png, I. (2003). Piracy and the legitimate demand for recorded music. Contributions in Economic Analysis & Policy, 2(1). |
Ingram and Hinduja (2008) | Ingram, J. R., & Hinduja, S. (2008). Neutralizing music piracy: An empirical examination. Deviant Behavior, 29(4), 334-366. |
Kheria (2012) | Kheria, S., 2012. Copyright and Digital Art: Through the Looking Glass. Edinburgh School of Law Research Paper, (2012/19). |
Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
Kini, Ramakrishna and Vijayaraman (2003) | Kini, R. B., Ramakrishna, H. V., & Vijayaraman, B. S. (2003). An exploratory study of moral intensity regarding software piracy of students in Thailand. Behaviour & Information Technology, 22(1), 63-70. |
Konstantakis, Palaigeorgiou, Siozos and Tsoukalas (2010) | Konstantakis, N. I., Palaigeorgiou, G. E., Siozos, P. D., & Tsoukalas, I. A. (2010). What do computer science students think about software piracy?. Behaviour & Information Technology, 29(3), 277-285. |
Kretschmer, Deazley, Edwards, Erickson, Schafer and Zizzo (2014) | Kretschmer, M., Deazley, R., Edwards, L., Erickson, K., Schafer, B., & Zizzo, D. J. (2014). The European Commission's Public Consultation on the Review of EU Copyright Rules: A Response by the CREATe Centre. European Intellectual Property Review, 36(9), 547-553. |
Kretschmer, Klimis, and Choi (1999) | Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72. |
Larose, Lai, Lange, Love and Wu (2005) | LaRose, R., Lai, Y. J., Lange, R., Love, B., & Wu, Y. (2005). Sharing or piracy? An exploration of downloading behavior. Journal of Computer‐Mediated Communication, 11(1), 1-21. |
Moores, Nill and Rothenberger (2009) | Moores, T. T., Nill, A., & Rothenberger, M. A. (2009). Knowledge of Software Piracy as an Antecedent to Reducing Pirating Behavior . Journal of Computer Information Systems, 50(1). |
Oberholzer-Gee and Strumpf (2007) | Oberholzer‐Gee, F., & Strumpf, K. (2007). The effect of file sharing on record sales: An empirical analysis. Journal of political economy, 115(1), 1-42. |
Oberholzer-Gee and Strumpf (2010) | Oberholzer-Gee, F., & Strumpf, K. (2010). File sharing and copyright. In Innovation Policy and the Economy, Volume 10 (pp. 19-55). University of Chicago Press. |
Oriakhoba (2020) | Desmond Osaretin Oriakhogba. (2020). Working around the Gender Gap in Intellectual Property Regimes: Empowerment of Women Beadworkers through Open, Inclusive Innovation and Social Entrepreneurship in KwaZulu-Natal, South Africa. OpenAir Workign Paper 23. |
Searle (2011) | Searle, N., 2011. Changing Business Models in the Creative Industries: The cases of Television, Computer Games and Music. Computer Games and Music (August 5, 2011). |
United States Copyright Office (2013a) | Resale Royalties: An Updated Analysis, United States Copyright Office (2013), available at http://copyright.gov/docs/resaleroyalty/usco-resaleroyalty.pdf. |
Wang and McClung (2012) | Wang, X., & McClung, S. R. (2012). The immorality of illegal downloading: The role of anticipated guilt and general emotions. Computers in Human Behavior, 28(1), 153-159. |