Smith and Telang (2016)

From Copyright EVIDENCE

Advertising Architectural Publishing of books, periodicals and other publishing Programming and broadcasting Computer programming Computer consultancy Creative, arts and entertainment Cultural education Libraries, archives, museums and other cultural activities

Film and motion pictures Sound recording and music publishing Photographic activities PR and communication Software publishing Video game publishing Specialised design Television programmes Translation and interpretation

1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare 2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? 3. Harmony of interest assumption between authors and publishers (creators and producers/investors) 4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) 5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media)

A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) C. Mass digitisation/orphan works (non-use; extended collective licensing) D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) E. Fair remuneration (levies; copyright contracts) F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness)

Source Details

Smith and Telang (2016)
Title: Windows of Opportunity: The Impact of Piracy and Delayed International Availability on DVD Sales
Author(s): Smith, M. D., Telang, R.
Year: 2016
Citation: Smith, M., & Telang, R. (2016). Windows of Opportunity: The Impact of Piracy and Delayed International Availability on DVD Sales. IO: Empirical Studies of Firms & Markets eJournal.
Link(s): Open Access
Key Related Studies:
Discipline:
Linked by:
About the Data
Data Description: The data in this study comprises: 220 movies from January 2009 to April 2011; seven different geographical markets; revenue both for DVD and theatrical release; the date in which the movie was released in cinemas and on DVD in a specific country; the date in which the movie was released in cinemas and DVD globally; box office revenues and DVD sales; information on when the first pirated version becomes available.
Data Type: Primary data
Secondary Data Sources:
Data Collection Methods:
Data Analysis Methods:
Industry(ies):
Country(ies):
Cross Country Study?: Yes
Comparative Study?: No
Literature review?: No
Government or policy study?: No
Time Period(s) of Collection:
  • 2009-2011
Funder(s):
  • Motion Picture Association of America

Abstract

“For many years movies have been released using a series of staggered release windows, where releases are strategically timed across different product and geographical markets. These release windows have meant that movies were released first in theaters and several months later on DVD, and in most cases were released first in the United States and later in international markets. These established release windows have come under increasing pressure from digital piracy. In responses, studios have changed their strategies to reduce these delays. Nonetheless, delayed releases persist for a variety of operational, financial, and regulatory reasons, which means that pirated digital DVD rips can be available for several weeks, and in some cases months, before the DVD is legally available in international markets. Our research seeks to measure the impact of this early piracy availability on DVD sales in legitimate channels. Our methodology uses observed box office revenue in the theatrical window to break the endogeneity between release window timing and DVD sales. Using data from 2009-2011, our results suggest that an additional 10-day delay between the availability of digital piracy and the legitimate DVD release date in a particular country is correlated with a 2-3% reduction in DVD sales in that country. This result is robust across a variety of different specifications and, as expected, is higher for high piracy countries than for lower piracy countries. Our results show how digital networks have increased the interconnection between geographically dispersed markets, and suggest a continued need for studios, their market partners, and government agencies to revisit established marketing and regulatory practices given the widespread availability of pirated content”.

Main Results of the Study

The intensification of global data networks has an impact on windowing strategies for movie releases. In a world where consumers can obtain a pirated digital copy, the delay of the official digital content – the DVD - is difficult to implement. Indeed, pirated digital copies of certain content are available on average 2 weeks before the release of the official DVD in the first country. In this study, in particular, it has been shown that each additional delay of 10 days for a DVD to be officially released in a certain country, after the same DVD is globally available in its pirated form, leads to a 2-3% decline in DVD sales in that country. Therefore, not only piracy has of course a negative impact on official DVD sales, but also this shows a global interconnection of different national markets, and it would be advisable for distribution partners and local regulators to avoid (significant) delays of international movie releases.

Policy Implications as Stated By Author

Although this aspect cannot probably be considered a proper policy implication, the authors suggest a revision of certain established marketing and regulatory practices (by involving also the perspective of government agencies) in order to face the spread of global piracy.



Coverage of Study

Coverage of Fundamental Issues
Issue Included within Study
Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare
Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)?
Harmony of interest assumption between authors and publishers (creators and producers/investors)
Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption)
Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media)
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Coverage of Evidence Based Policies
Issue Included within Study
Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right)
Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction)
Green-tick.png
Mass digitisation/orphan works (non-use; extended collective licensing)
Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability)
Fair remuneration (levies; copyright contracts)
Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness)

Datasets

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