Browse data: Studies
From Copyright EVIDENCE
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BOP Consulting (1) ·
Bryce, J. (1) ·
DotEcon (1) ·
Goodridge, P. (1) ·
Haskel, J. (1) ·
Hunt, R. (1) ·
Intellectual Property Office (1) ·
Kheria, S. (1) ·
Levin, N. (1) ·
Mitra-Kahn, B. (1) ·
Nicholas, D. (1) ·
PricewaterhouseCoopers (1) ·
Rowlands, I. (1) ·
Rutter, J. (1) ·
Towse, R. (1) ·
Waelde, C. (1) ·
Williams, P. (1)
Australian Law Reform Commission (2013) (1) ·
BOP (2010) (1) ·
Barker (2013b) (1) ·
Bently and Byron (2014) (1) ·
Bhattacharjee, Gopal, Lertwachara and Marsden (2006a) (1) ·
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b) (1) ·
Chamberlin, Clayton and Farooqui (2007) (1) ·
Creswell (2012) (1) ·
De Dios Montoro Pons and Cuadrado Garcia (2008) (1) ·
Deazley and Stobo (2013) (1) ·
Goodridge and Haskel (2011) (1) ·
Gowers (2006) (1) ·
Harris Interactive (2014) (1) ·
Higgins, Wolfe and Marcum (2008) (1) ·
IFPI (2014) (1) ·
Kretschmer, Bently, Singh and Cooper (2011) (1) ·
Lysonski and Durvasula (2008) (1) ·
None Cited (1) ·
Ofcom Kantar survey (1) ·
PricewaterhouseCoopers (2015) (1) ·
Rogers and Szamosszegi (2010) (1) ·
Rushton (1998) (1) ·
Shang, Chen and Chen (2008) (1) ·
Towse (2006) (1) ·
Towse (2012) (1)
A10: General (1) ·
A1: General Economics (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (1) ·
D42: Monopoly (1) ·
K42: Illegal Behavior and the Enforcement of Law (2) ·
K: Law and Economics (1) ·
L31: Nonprofit Institutions • NGOs (1) ·
L82: Entertainment • Media (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (1) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (1) ·
Other (8)
Annual Survey of Hours and Earnings (1) ·
Australian Bureau of Statistics (2013) (1) ·
Author's Licensing & Collecting Society (1) ·
BPI Annual Yearbook 2013 (1) ·
British Film Institute (1) ·
CISAC Annual Report 2008 (1) ·
CISAC Annual Report 2013 (1) ·
Copyright Licensing Society (1) ·
OECD (GDP) (1) ·
OFCOM (1) ·
Office for National Statistics (1) ·
PRS for Music (2) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Torrentfreak (1) ·
UK Film Council (1)
Case Study (5) ·
Qualitative Collection Methods (4) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (3) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (3) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (4) ·
Unstructured Interview (2)
Cluster analysis (1) ·
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (1) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (2) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Textual Content Analysis (2)
Arts and Humanities Research Council (1) ·
British Phonographic Industry (1) ·
British Video Association (BVA) (1) ·
Business Software Alliance (1) ·
Entertainment & Leisure Software Publishers Association (1) ·
Federation Against Copyright Theft (1) ·
IPO (1) ·
Intellectual Property Office (1) ·
Organised Crime Task Force (1) ·
SABIP (1) ·
The Patent Office (1) ·
This Report was prepared for APRA AMCOS, PPCA, Copyright Agency│Viscopy, Foxtel, News Corp Australia and Screenrights. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (2) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (3) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (2) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Advertising (1) ·
Computer programming (1) ·
Creative, arts and entertainment (5) ·
Film and motion pictures (5) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Programming and broadcasting (3) ·
Publishing of books, periodicals and other publishing (4) ·
Software publishing (3) ·
Sound recording and music publishing (6) ·
Specialised design (1) ·
Television programmes (3)
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