Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1998 or
2010
& Discipline :
And Market Performance or
C5: Econometric Modeling or
O34: Intellectual Property and Intellectual Capital or
Wealth
& Data analysis method:
Qualitative Analysis Methods
Click on one or more items below to narrow your results.
Akmon, D. (1) ·
Chandra, U. (1) ·
Corrigan, R (1) ·
Derclaye, E. (1) ·
Dickson, M. (1) ·
Economides, A. A. (1) ·
European Observatory on Counterfeiting and Piracy (1) ·
Favale, M. (1) ·
Ghafele, R. (1) ·
Goel, S. (1) ·
Kretschmer, M. (1) ·
Miesing, P. (1) ·
Rogers, M. (1) ·
Tomalin, J. (1) ·
Tzantzara, K. (1) ·
Vuopala, A. (1) ·
WIPO Secretariat - Standing Committee on Copyright and Related Rights (1) ·
Watt, R. (1)
Brodie (2007) (1) ·
CLRA (2006) (1) ·
Caves (2000) (1) ·
Cohen and Burk (2001) (1) ·
Derclaye (2006) (1) ·
Dryden (2008) (1) ·
Econlaw (2007) (1) ·
European Observatory on Infringement of IPRs. Observatory update on Cost and Damages (2015) (1) ·
Foucault (1969) (1) ·
Foucault (1971) (1) ·
Gowers (2006) (2) ·
Heimrath and Goulding (2001) (1) ·
Hirtle (2006) (1) ·
Hughes (2004) (1) ·
Lee (2001) (1) ·
Lessig (2008) (1) ·
Mitina and Voiskounsky (2005) (1) ·
Nathan Associates (2006) (1) ·
Oberholzer-Gee-Strumpf (2007) (1) ·
Sitts (2000) (1) ·
Siwek (2007) (1) ·
Stanford University Libraries (2007) (1) ·
Thompsen and Vivien (2000) (1) ·
Vetulani (2008) (1) ·
Yang and Lester (2005) (1) ·
Zetner (2006) (1)
Case Study (1) ·
Document Research (2) ·
Longitudinal Study (1) ·
Qualitative Collection Methods (9) ·
Qualitative content/text mining (2) ·
Quantitative Collection Methods (5) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (2) ·
Survey Research (qualitative; e.g. consumer preferences) (3) ·
Survey Research (quantitative; e.g. sales/income reporting) (2)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (4)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (4) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (3) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
Creative, arts and entertainment (3) ·
Cultural education (3) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (3) ·
PR and communication (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (3) ·
Sound recording and music publishing (3)
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