Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1998 or
1999 or
2011
& Discipline :
C8: Data Collection and Data Estimation Methodology • Computer Programs or
L21: Business Objectives of the Firm or
L82: Entertainment • Media
Click on one or more items below to narrow your results.
Chan, R. Y. K. (1) ·
Cheng, H. I. (1) ·
Chiou, J. S. (1) ·
Durham, Y. (1) ·
Esichaikul, V. (1) ·
Hirshleifer, J. (1) ·
Huang, C. Y. (1) ·
Korpas, A. L. (1) ·
Lai, J. W. M. (1) ·
Mateus, A. (1) ·
Moores, T. T. (1) ·
Peha, J. M. (1) ·
Perritt Jr., H. H. (1) ·
Rappaport, E. (1) ·
Searle, N. (1) ·
Smith, V. L. (1) ·
Thomes, T. P. (1) ·
Towse, R. (1) ·
United States Copyright Office (1) ·
Weisz, V. (1) ·
Wingrove, T. (1)
Anorga (2003) (1) ·
Bender (1984) (1) ·
Broussard (2009) (1) ·
Caves (2002) (1) ·
Dimanche and Samdahl (1994) (1) ·
Eisenberg (2005) (1) ·
Envisional (2011) (1) ·
Fiske (1992) (1) ·
Gopal, Sanders, Bhattacharjee, Agrawal and Wagner (2004) (1) ·
Hargreaves (2011) (2) ·
Hirshleifer (1991 (1) ·
Hofstede (1983) (1) ·
Katz (2005) (1) ·
LaRose and Kim (2007) (1) ·
Lacher and Mizerski (1994) (1) ·
Landes and Posner (1989) (1) ·
Layton and Watters (2010) (1) ·
Levin, Dato-On and Manolis (2007) (1) ·
Levin et al (2007) (1) ·
Liebowitz (2006a) (1) ·
Litman (2010) (1) ·
Lysonski and Durvasula (2008) (1) ·
Moores, Nill and Rothenberger (2009) (1) ·
Oberholzer-Gee and Strumpf (2009) (1) ·
Peacock & Weir (1975) (1) ·
Peitz and Waelbroeck (2004) (1) ·
Plant (1934) (1) ·
Porter (2008) (1) ·
Rawsthorn (1997) (1) ·
Resinger (2012) (1) ·
Sandvine (2009) (1) ·
Siponen and Vartiainen (2004) (1) ·
Siponen and Vartiainen 2004 (1) ·
Siwek, Stephen and Harold Furchgott-Roth (1991) (1) ·
Taylor & Towse (1998) (1) ·
Tyler (2006) (1) ·
Wagner and Sander (2001) (1) ·
Winter, Stylianou and Giancalone (2004) (1)
BiB TV Programming Source Book (1) ·
Booksinprint.com (1) ·
Copyright renewal records (1) ·
GRAMIX (1) ·
IFPI (2011) (1) ·
MCPS (1) ·
Monopolies and Mergers Commission (1) ·
Musicians Union (1) ·
National Music Publishers Association (1) ·
None (1) ·
PPL (1) ·
PRS for Music (1) ·
Phonolog data base (1) ·
Publishers Weekly (1) ·
RIAA (2007) (1) ·
SAMI (1) ·
SoundScan (1) ·
VPL (1) ·
Yo Yo Games Store (1)
Case Study (2) ·
Document Research (1) ·
Experimental (Field) (1) ·
Experimental (Laboratory) (1) ·
Focus Groups (1) ·
Participant Observation (1) ·
Qualitative Collection Methods (4) ·
Quantitative Collection Methods (7) ·
Quantitative data/text mining (2) ·
Snowball sampling (1) ·
Survey Research (qualitative; e.g. consumer preferences) (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (3) ·
Web analytic (online user trace data) (1)
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (3) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (4) ·
Discourse Analysis (1) ·
Multivariate Statistics (1) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Regression Analysis (5) ·
Structural Equation Modeling (2) ·
Textual Content Analysis (1)
Congressional Research Service (1) ·
ESRC (Media Economics & Media Culture Programme) L 12625 101 1 (1) ·
Hong Kong Polytechnic University (1) ·
None Stated (1) ·
This research is an ESRC, AHRC and IPO funded research project in the form of a placement fellowship. The fellowship places the researcher (Dr. Searle) in the Economics, Research and Evidence Team at IPO offices in London. This work was supported by the Economic and Social Research Council (grant number RES-173- 27-0219). It occurred in conjunction with the Scottish Funding Council funded Moving Targets project. (1) ·
United States Copyright Office (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (4) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (4) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (5)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (1) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (1) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (6)
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