Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year
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1985
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2007
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Appel (1999) (1) ·
Bechtold (2006) (1) ·
Christensen and Eining (1991) (1) ·
Epstein and King (2002) (1) ·
Gowers (2006) (1) ·
Hall and Ziedonis (2001) (1) ·
Kretschmer (2005) (1) ·
Landes and Posner (2003) (1) ·
Lau (2003) (1) ·
Liebowitz and Margolis (2005) (1) ·
Lin et al. (2005) (1) ·
Moore (2001) (1) ·
Moores and Dhillon (2000) (1) ·
Owens and Akalu (2004) (1) ·
Peace, Galletta and Thong (2003) (1) ·
Pessach (2007) (1) ·
Quinn (2007) (1) ·
Ricketson (2006) (1) ·
Segal (1997) (1) ·
Sohn (2006) (1) ·
Stobo, Deazley and Anderson (2013) (1) ·
Towse (2005) (1) ·
Yen (2003) (1)
A11: Role of Economics • Role of Economists • Market for Economists (1) ·
D02: Institutions: Design; Formation; and Operations (1) ·
K00: General (1) ·
K11: Property Law (2) ·
K1: Basic Areas of Law (1) ·
L82: Entertainment • Media (3) ·
O31: Innovation and Invention: Processes and Incentives (1) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (2) ·
O34: Intellectual Property and Intellectual Capital (5) ·
O38: Government Policy (1) ·
Other (6) ·
None (1)
Archival Research (1) ·
Qualitative Collection Methods (3) ·
Qualitative content/text mining (1) ·
Quantitative Collection Methods (3) ·
Quantitative data/text mining (1) ·
Semi-Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (4)
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (1) ·
Legal Analysis (1) ·
Qualitative Analysis Methods (3) ·
Qualitative Coding / Sorting (e.g. of interview data) (3) ·
Quantitative Analysis Methods (3) ·
Quantitative content analysis (e.g. text or data mining) (3) ·
Regression Analysis (2) ·
Textual Content Analysis (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (5) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (1) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (2) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (4) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (1) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (2) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (5) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (1)
Creative, arts and entertainment (2) ·
Cultural education (1) ·
Film and motion pictures (1) ·
Libraries, archives, museums and other cultural activities (1) ·
Photographic activities (1) ·
Publishing of books, periodicals and other publishing (2) ·
Software publishing (1) ·
Sound recording and music publishing (2)
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