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From Copyright EVIDENCE
| Citation | |
|---|---|
| EY (2014) | EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU, |
| Edwards, Klein, Lee, Moss and Philip (2015) | Edwards, L., Klein, B., Lee, D., Moss, G., & Philip, F. (2015). Discourse, justification and critique: towards a legitimate digital copyright regime?. International Journal of Cultural Policy, 21(1), 60-77. |
| Elkin-Koren, Nahmias and Perel (2019) | Elkin-Koren, N., Nahmias, Y. And Perel, M. (2019) Is It Time to Abolish Safe Harbor? When Rhetoric Clouds Policy Goals. Stanford Law & Policy Review, Forthcoming |
| Engstrom and Feamster (2017) | Engstrom, E. And Feamster, N. (2017) The Limits of Filtering: A Look at the Functionality & Shortcomings of Content Detection Tools. Available: https://www.engine.is/the-limits-of-filtering (last accessed 23 May 2019) |
| Envisional (2011) | Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet |
| Erickson (2014) | Erickson, K. (2014) User Illusion: Ideological Construction of ‘User- Generated Content’ in the EC Consultation on Copyright. Internet Policy Review 4(3). DOI:10.14763/2014.4.331 |
| Erickson and Kretschmer (2018) | Erickson, K. and Kretschmer, M. (2018) “This Video is Unavailable”: Analysing Copyright Takedown of User-Generated Content on YouTube. Journal of Intellectual Property, Information Technology and E-Commerce Law (JIPITEC), 9(1) |
| Erickson and Kretschmer (2019) | Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming |
| Erickson, Kretschmer and Mendis (2013) | Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24). |
| European Commission (2016) | European Commission (2016) Synopsis Report on the Public Consultation on the Regulatory Environment for Platforms, Online Intermediaries and the Collaborative Economy, |
| Farooqui, Goodridge and Haskel (2011) | Farooqui, S., Goodridge, P., & Haskel, J. (2011). The Role of Intellectual Property Rights in the UK Market Sector. Intellectual Property, 2. |
| Favale (2011) | Favale, M. (2011). Approximation and DRM: can digital locks respect copyright exceptions?. International Journal of Law and Information Technology, 19(4), 306-323 |
| Favale, Homberg, Kretschmer, Mendis and Secchi (2013) | Favale, M., Homberg, F., Kretschmer, M., Mendis, D., & Secchi, D. (2015). Copyright, and the Regulation of Orphan Works: A Comparative Review of Seven Jurisdictions and a Rights Clearance Simulation. Available at SSRN 2613498. |
| Favale, Kretschmer and Torremans (2018) | Favale, M., Kretschmer, M., and Torremans, P.L.C. (2018) Who Is Steering the Jurisprudence of the European Court of Justice? The Influence of Member State Submissions on Copyright Law Available at SSRN: https://ssrn.com/abstract=3116703 or http://dx.doi.org/10.2139/ssrn.3116703 |
| Fetscherin (2009) | Fetscherin, M. (2009). Importance of Cultural and Risk Aspects in Music Piracy: A Cross-National Comparison Among University Students. Journal of Electronic Commerce Research, 10(1), 42-55. |
| Fetscherin and Lattemann (2007) | Fetscherin, M., & Lattemann, C. (2007, November). Motives and Willingness to Pay For Digital Music. In Automated Production of Cross Media Content for Multi-Channel Distribution, 2007. AXMEDIS'07. Third International Conference on (pp. 189-196). IEEE.. |
| Fetscherin and Schmid (2003) | Fetscherin, M. and Schmid, M. (2003) Comparing the usage of digital rights management systems in the music, film and print industry. ICEC ’03 Proceedings of the 5th international conference on Electronic Commerce, 316-325 |
| Fiesler and Zacher (2021) 2 | Fiesler, C. & Zacher, C. Copyright’s Chilling Tale of Content Moderation: Understanding the Impact of Takedowns on Non-Infringing Content Creators. Available: https://www.kristelia.com/wp-content/uploads/2021/02/Fiesler-Zacher_Copyrights-Chilling-Tale.pdf (last accessed: 3 June 2021) |
| Fiesler, Feuston and Bruckman (2015) | Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM. |
| Fiesler, Lampe, and Bruckman (2016) | Fiesler, C, Lampe, C, Bruckman, A (2016) “Reality and Perception of Copyright Terms of Service for Online Content Creation” CSCW ’16 Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing, pp1450-1461 |
| Filiciak, Hofmokl and Tarkowski (2012) | Filiciak, M., Hofmokl, J., & Tarkowski, A. (2012). The Circulations of Culture-On Social Distribution of Content. Warsaw School of Social Sciences and Humanities: September 1st, 2012. Available at SSRN 2246508. |
| Fleming et al. (2017) | Fleming, P., Watson, S.J., Patouris, E., Bartholomew, K.J., and Zizzo, D.J. (2017) Why do people file share unlawfully? A systematic review, meta-analysis and panel study. Computers in Human Behaviour, 27, pp535-548 |
| Flynn and Palmedo (2017) | Flynn, S. and Palmedo, M. (2017) The User Rights Database: Measuring the Impact of Copyright Balance. Available at SSRN: https://ssrn.com/abstract=3082371 or http://dx.doi.org/10.2139/ssrn.3082371 |
| Ford (2014) | Ford, G. S. (2014). What is the effect of file sharing on the creation of new music? A critical review of 'A case study of file sharing and music output'. Phoenix Center for Advanced Legal & Economic Public Policy Studies. Available at SSRN 2407145. |
| Fromer and Lemley (2013) | Fromer, Jeanne C., and Mark A. Lemley. "Audience in Intellectual Property Infringement, The." Mich. L. Rev. 112 (2013): 1251. |
| Fuller and Abdenour (2018) | Fuller, P.B and Abdenour, J (2018) It’s Bigger Than Hip-Hop: Sampling and the Emergence of the Market Enhancement Model in Fair Use Case Law. Journalism and Mass Communication Quarterly, 1 - 25. |
| Gani (2020) | Gani, M.W. (2020) An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy in Creative Autonomy, Copyright and Popular Music in Nigeria Palgrave Macmillan Cambridge, pp 97-137 |
| Garcia (2020) | Garcia, Kristelia (2020) Contracts & Copyright: Contemporary Musician Income Streams. The Oxford Handbook of Music Law and Policy, Forthcoming, U of Colorado Law Legal Studies Research Paper No. 20-32, Available at SSRN: https://ssrn.com/abstract=3620401 or http://dx.doi.org/10.2139/ssrn.3620401 |
| Garcia and McCrary (2019) | Garcia, K. and McCrary, J. (2019) A Reconsideration of Copyright’s Term. Alabama Law Review, 71(2) |
| Garcia, Hicks and McCrary (2020) | Garcia, K., Hicks, J. and McCrary, J. (2020) Copyright and Economic Viability: Evidence from the Music Industry. Journal of Empirical Legal Studies (forthcoming 2020) |
| Garcia-Bardidia, Nau and Remy (2011) | Garcia-Bardidia, R., Nau, J. P., & Rémy, E. (2011). Consumer Resistance and Anti-Consumption: Insights from the Deviant Careers of French Illegal Downloaders. European Journal of Marketing, 45(11/12), 1789-1798. |
| Garcia-Álvarez, López-Sintas and Zerva (2009) | García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264. |
| Gasser (2004) | Gasser, U. (2004) iTunes: How Copyright, Contract, and Technology Shape the Business of Digital Media – a Case Study. Berkman Center for Internet & Society at Harvard Law School Research Publication No. 2004-07 |
| Gecer and Topal (2019) | Gecer, A.K. and Topal, A.D. (2019) Academic and postgraduate student awareness of digital product copyright issues. Information Development. |
| Gerhardt (2011) | Gerhardt, D. R. (2011). Copyright publication: an empirical study. Notre Dame Law Review, 87(1). |
| GfK Belgium (2015) | GfK Belgium, Provision of two online consumer surveys as support and evidence base to a Commission study: Identifying the main cross-border obstacles to the Digital Single Market and where they matter most |
| Giletti (2012) | Giletti, T., Why Pay if it’s Free? Streaming, Downloading and Digital Music Consumption in the “iTunes Era”, (2012) |
| Goel, Miesing and Chandra (2010) | Goel, S., Miesing, P., & Chandra, U. (2010). The impact of illegal peer-to-peer file sharing on the media industry. California Management Review, 52(3), 6-33. |
| Gomez and Martens (2015) | Gómez, Estrella and Martens, Bertin, Language, Copyright and Geographic Segmentation in the EU Digital Single Market for Music and Film (May 6, 2015). JRC/IPTS Digital Economy working paper 2015-04. |
| Goodridge, Haskel and Mitra-Kahn (2012) | Goodridge, P., Haskel, J. & Mitra-Kahn, B. (2012) Updating the value of UK copyright investment, IPO, 2012 |
| Gopal, Bhattacharjee and Sanders (2006) | Gopal, R. D., Bhattacharjee, S., & Sanders, G. L. (2006). Do Artists Benefit from Online Music Sharing?*. The Journal of Business, 79(3), 1503-1533. |
| Gowers (2006) | Gowers, A. (2006). Gowers Review of Intellectual Property. The Stationery Office. |
| Greenhalgh, Phillips, Pitkethly, Rogers and Tomalin (2010) | Greenhalgh, C., Philips, J., Pitkethly, R., Rogers, M., & Tomalin, J. (2010). Intellectual Property Enforcement in Smaller UK Firms. Report for the Strategy Advisory Board for Intellectual Property Policy (SABIP). |
| Grolleau, Mzoughi and Sutan (2008) | Grolleau, G., Mzoughi, N., & Sutan, A. (2008). Please do not pirate it, you will rob the poor! An experimental investigation on the effect of charitable donations on piracy. The Journal of Socio-Economics, 37(6), 2417-2426. |
| Grøndal (2006) | Grøndal, L. (2006) DRM and contract terms. Available at https://www.itas.kit.edu/downloads/projekt/projekt_orwa04_indicare_174.pdf (last accessed 12/03/2023) |
| Guibault, Salamanca and van Gompel (2015) | Guibault, L., Salamanca, O. and van Gompel, S. (2015) Remuneration of authors and performers for the use of their works and the fixations of their performances. A study prepared for the European Commission DG Communications Networks, Content & Technology by Europe Economics and IVIR. |
| Guibault, Westkamp and Rieber-Mohn (2007) | Guibault et al., Study on the Implementation and Effect in Member States’ Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society (2007) |
| Gunter (2009) | Gunter, W.D. (2009) Internet Scallywags: A Comparative Analysis of Multiple Forms and Measurements of Digital Piracy. Western Criminology Review10(1):15-28 |
| Hadopi (2011) | HADOPI. 2011. Hadopi, cultural assets and internet use: practices and perceptions of French internet users (Online). Available: http://www.hadopi.fr/download/HADOPI_T0_version_long.pdf. |
| Hammond (2012) | Hammond, R. G. (2012). Profit leak? pre-release file sharing and the music industry supplementary appendix. |
