Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year:
2015
& Data collection method :
Longitudinal Study or
Quantitative data/text mining or
Structured Interview or
Survey Research (qualitative; e.g. consumer preferences)
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Author:
Related to:
A1: General Economics (1) ·
C13: Estimation: General (1) ·
C83: Survey Methods • Sampling Methods (1) ·
D23: Organizational Behavior • Transaction Costs • Property Rights (3) ·
D61: Allocative Efficiency • Cost–Benefit Analysis (1) ·
D83: Search • Learning • Information and Knowledge • Communication • Belief (2) ·
K00: General (1) ·
K11: Property Law (6) ·
K42: Illegal Behavior and the Enforcement of Law (7) ·
K: Law and Economics (1) ·
L17: Open Source Products and Markets (1) ·
L1: Market Structure; Firm Strategy; and Market Performance (1) ·
L81: Retail and Wholesale Trade • e-Commerce (1) ·
L82: Entertainment • Media (5) ·
L86: Information and Internet Services • Computer Software (2) ·
L88: Government Policy (1) ·
M37: Advertising (1) ·
N3: Labor and Consumers; Demography; Education; Health; Welfare; Income; Wealth; Religion; and Philanthropy (1) ·
O31: Innovation and Invention: Processes and Incentives (2) ·
O33: Technological Change: Choices and Consequences • Diffusion Processes (8) ·
O34: Intellectual Property and Intellectual Capital (25) ·
O38: Government Policy (12) ·
O3: Technological Change • Research and Development • Intellectual Property Rights (4) ·
Z1: Cultural Economics • Economic Sociology • Economic Anthropology (1) ·
Other (30)
Alliance for IP (1) ·
Anti-Copying in Design (1) ·
Anti-Counterfeiting Group (1) ·
Artists’ Collecting Society (1) ·
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
Big Innovation Centre (1) ·
Boxofficemojo.com (1) ·
British Copyright Council (1) ·
British Library (1) ·
British Phonographic Industry (1) ·
British Screen Advisory Council (1) ·
Chilling Effects (Lumen) (1) ·
Copyright Licensing Agency (1) ·
Crown Prosecution Service (1) ·
Federation Against Copyright Theft (1) ·
Federation Against Software Theft (1) ·
Google Transparent Report (1) ·
Ministry of Justice (1) ·
Motion Picture Association (1) ·
Movie2k.to (1) ·
Newspaper Licensing Association (1) ·
Open Data Institute (1) ·
Open Rights Group (1) ·
PRS for Music (1) ·
Police Intellectual Property Crime Unit (1) ·
Publishers Association (1) ·
Review of Existing Academic and Industries Literature (1) ·
Statutory exceptions (1) ·
Trading Standards (1) ·
UK Interactive Entertainment (1) ·
UK Music (1) ·
Various (1) ·
Various Historical Opera Annals (1) ·
WIPO (2014) (1)
Cluster analysis (2) ·
Correlation and Association (5) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (9) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (2) ·
Grounded Theory (1) ·
Legal Analysis (10) ·
Qualitative Analysis Methods (13) ·
Qualitative Coding / Sorting (e.g. of interview data) (6) ·
Quantitative Analysis Methods (12) ·
Quantitative content analysis (e.g. text or data mining) (9) ·
Regression Analysis (6) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (12)
Country:
Arts and Humanities Research Council (1) ·
Australian Copyright Council (1) ·
Creative Content Australia (1) ·
European Commission (2) ·
European Parliament (1) ·
IPO (1) ·
Intellectual Property Office (4) ·
Not stated (4) ·
Office of the United States Trade Representative (1) ·
United States Copyright Office (2) ·
WIPO (1) ·
World Intellectual Property Organization (1) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (22) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (6) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (1) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (15) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (15)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (10) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (9) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (6) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (10) ·
E. Fair remuneration (levies; copyright contracts) (5) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (13)
Analysed response (1) ·
Australian copyright industries (1) ·
Authorities (1) ·
Case Studies (1) ·
Company (1) ·
Consumer (1) ·
Country (5) ·
Cultural Institution Staff (1) ·
Files (1) ·
Film (1) ·
Forum posts (1) ·
Individual (3) ·
Individual Copyright Offences (1) ·
Interview (1) ·
Organisations (1) ·
Projects (1) ·
Respondant (1) ·
Stakeholders (3) ·
Studies (1) ·
Websites (1) ·
Wikipedia webpages (1) ·
authors (1) ·
composers and lyricists (1) ·
court records (1) ·
first performances (1) ·
publications per country per year (1) ·
takedown requests (1) ·
year (1)
Advertising (1) ·
Computer programming (1) ·
Creative, arts and entertainment (12) ·
Cultural education (3) ·
Film and motion pictures (11) ·
Libraries, archives, museums and other cultural activities (3) ·
Photographic activities (4) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (12) ·
Software publishing (8) ·
Sound recording and music publishing (11) ·
Specialised design (2) ·
Television programmes (6)
Showing below up to 30 results in range #1 to #30.
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