Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Document Research or
Historical Methods or
Semi-Structured Interview or
Snowball sampling or
None
& Data analysis method:
Qualitative Analysis Methods
Click on one or more items below to narrow your results.
Author:
Related to:
Discipline:
Arthur, W.B. (1994) (1) ·
Australian Society of Authors (1) ·
CDBaby (1) ·
Case law (1) ·
Daniel, E. and Klimis, G.M. (1999) (1) ·
Dolfsma, W. (2000) (1) ·
EMusic (1) ·
Fiesler, Feuston and Bruckman (2015) (1) ·
Fiesler, Lampe and Bruckman (2016) (1) ·
Fiesler, Morrison and Bruckman (2016) (1) ·
Fiesler (2008) (1) ·
Fiesler and Bruckman (2014) (1) ·
Haverman (2004): Antebellum literary culture and the evolution of American magazines (1) ·
INDU Committee (1) ·
Interpedia (1) ·
Literature review (3) ·
Lumen (1) ·
Music Publishers Association (2014) (1) ·
Not Specified (2) ·
Nupedia (1) ·
PRS for Music (1) ·
Review of Existing Academic and Industries Literature (3) ·
TuneCore (1) ·
Various (1) ·
Various Historical Opera Annals (1) ·
WIPO (1) ·
Wayback Machine (1)
Armenia (1) ·
Australia (7) ·
Belgium (1) ·
Canada (7) ·
China (3) ·
European Union (12) ·
France (4) ·
Germany (4) ·
Global (5) ·
Greece (1) ·
Ireland (2) ·
Italy (3) ·
Japan (3) ·
Kenya (1) ·
New Zealand (2) ·
Norway (1) ·
Scotland (1) ·
Sri Lanka (1) ·
The Netherlands (2) ·
United Kingdom (22) ·
United States (25) ·
Unknown (2)
Time period of data collection:
Funder:
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (48) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (23) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (14) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (29) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (18)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (18) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (24) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (11) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (39) ·
E. Fair remuneration (levies; copyright contracts) (17) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (21)
Data unit of assessment:
1667 (1) ·
1741-1860 (1) ·
1762-2007 (1) ·
1770-1900 (1) ·
1853 to 1996 (1) ·
1985 to 2009 (1) ·
1990 to 2011 (1) ·
1996-2000 (1) ·
2001 (1) ·
2004 to 2005 (1) ·
2004-2005 (1) ·
2005 to 2006 (1) ·
2005-2010 (1) ·
2006 (3) ·
2007-2009 (1) ·
2008 (1) ·
2008 to 2009 (1) ·
2008 to 2014 (1) ·
2008-2009 (1) ·
2009 (2) ·
2010 (1) ·
2010-2013 (1) ·
2011 (2) ·
2011-2012 (1) ·
2011-2014 (1) ·
2012 (1) ·
2012-2013 (1) ·
2013 (2) ·
2014 (3) ·
2014-2016 (1) ·
2015 (1) ·
2016 (1) ·
Interviews lasted between 10 and 50 minutes and were conducted with 4 female and 7 male content creators of online commics. The Interviews were conducted on a convention of comic creators (Thought Bubble) in 2013. (1) ·
January - April 2014 (1) ·
Mid-1980s (1) ·
Non stated (1) ·
Not stated (5) ·
The cut-off date for analysis is the end of the 2008 calendar year, although some 2009 data has been included where available and appropriate. (1) ·
not stated (1)
Advertising (1) ·
Architectural (1) ·
Computer consultancy (2) ·
Computer programming (4) ·
Creative, arts and entertainment (24) ·
Cultural education (14) ·
Film and motion pictures (8) ·
Libraries, archives, museums and other cultural activities (13) ·
PR and communication (3) ·
Photographic activities (6) ·
Programming and broadcasting (2) ·
Publishing of books, periodicals and other publishing (28) ·
Software publishing (9) ·
Sound recording and music publishing (22) ·
Specialised design (1) ·
Television programmes (7) ·
Translation and interpretation (1)
Showing below up to 74 results in range #1 to #74.
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A
- Aguilar (2019)
- Aguilar (2019a)
- Ahlert, Marsden and Yung (N.D.)
- Astle and Muir (2002)
- Aufderheide et al. (2013)
B
- Belleflamme and Peitz (2010)
- Bently (2002)
- Bently et al. (2017)
- Brøvig-Hanssen and Jones (2021)
- Burgess and De Rosa (2017)
C
D
- De Beer and Bouchard (2010)
- Deazley (2008)
- DiCola and Touve (2014)
- Dowthwaite et al (2016)
- Dryden (2008)
E
- Erickson, Heald, Homberg, Kretschmer and Mendis (2015)
- European Union Intellectual Property Office (2016)
F
G
- Gallagher (2012)
- Gasser (2004)
- Ghafele (2010)
- Giannoumis and Beyene (2020)
- Giblin et al. (2019)
- Giorcelli and Moser (2015)
H
- Hackett (2015)
- Hagedoorn and Ridder (2012)
- Haveman and Kluttz (2014)
- Hill (2013)
- Hudson and Kenyon (2007)
K
- Kheria (2012)
- Korn (2009)
- Kretschmer, Derclaye, Favale and Watt (2010)
- Kretschmer, Klimis, and Wallis (2001)
- Krogh and Hippel (2006)
L
M
M cont.
N
O
P
S
- Schofield and Urban (2015)
- Schwind (2018)
- Singh and Kretschmer (2012)
- Stobo, Deazley and Anderson (2013)
- Stobo, Erickson, Bertoni and Guerrieri (2018)
T
U
V
W
Y
Z