Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Data collection method :
Participant Observation or
Quantitative data/text mining or
Survey Research (qualitative; e.g. consumer preferences)
& Data sample size:
10-60
Click on one or more items below to narrow your results.
Author:
Related to:
Discipline:
Secondary Data Source:
Confirmatory Factor Analysis (CFA) (2) ·
Correlation and Association (12) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (25) ·
Discourse Analysis (3) ·
Grounded Theory (1) ·
Legal Analysis (19) ·
Meta-Analysis (2) ·
Multivariate Statistics (5) ·
Qualitative Analysis Methods (25) ·
Qualitative Coding / Sorting (e.g. of interview data) (16) ·
Quantitative Analysis Methods (32) ·
Quantitative content analysis (e.g. text or data mining) (22) ·
Regression Analysis (15) ·
Structural Equation Modeling (4) ·
Textual Content Analysis (19) ·
Visual / Other Content Analysis (1)
Argentina (1) ·
Australia (6) ·
Brazil (1) ·
Canada (4) ·
China (3) ·
Denmark (1) ·
England (1) ·
Europe (1) ·
European Union (13) ·
France (1) ·
Germany (3) ·
Global (13) ·
Hungary (1) ·
India (1) ·
Indonesia (1) ·
Italy (1) ·
Japan (4) ·
Korea (1) ·
Mexico (2) ·
New Zealand (1) ·
Norway (1) ·
Philippines (1) ·
South Korea (1) ·
Spain (1) ·
Switzerland (2) ·
Taiwan (3) ·
Thailand (1) ·
The Netherlands (1) ·
Turkey (1) ·
United Kingdom (16) ·
United States (27) ·
Unknown (2)
Time period of data collection:
Alfred P. Sloan Foundation (1) ·
Arts and Humanities Research Council (1) ·
Australian Government (1) ·
Center for Global Partnership (1) ·
Congressional Research Service (1) ·
Department of International Trade, Chungnam National University (1) ·
European Commission (6) ·
European Grouping of Societies of Authors and Composers (1) ·
Google (1) ·
IPO (1) ·
Intellectual Property Office (3) ·
Mellon Foundation (2) ·
None (2) ·
None stated (2) ·
Not Stated (1) ·
Not stated (1) ·
Office of the United States Trade Representative (1) ·
Sloan Foundation (1) ·
The Intellectual Property Office (1) ·
The Office for Harmonization in the Internal market (1) ·
The author gratefully acknowledges the generous support of the New Zealand Law Foundation for this research project. (1) ·
The financial support for this project was given by the Leverholm Trust and the Herchel Smith Intellectual Property Research Fund, Emmanuel College, University of Cambridge (1) ·
United Nations (1) ·
United States Copyright Office (3) ·
University of Houston Law Center’s Institute for Intellectual Property & Information Law’s 2012-2013 Sponsored Scholarship Grant for the Legal Academy (1) ·
WHO (1) ·
WIPO (1) ·
World Intellectual Property Organization (2) ·
∗Support for this research by NBER’s Economics of Digitization and Copyright Initiative is gratefully acknowledged. (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (42) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (11) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (12) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (30) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (34)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (13) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (19) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (11) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (30) ·
E. Fair remuneration (levies; copyright contracts) (9) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (30)
Data unit of assessment:
Data material year:
Advertising (1) ·
Creative, arts and entertainment (17) ·
Cultural education (8) ·
Film and motion pictures (22) ·
Libraries, archives, museums and other cultural activities (9) ·
Photographic activities (9) ·
Programming and broadcasting (3) ·
Publishing of books, periodicals and other publishing (22) ·
Software publishing (15) ·
Sound recording and music publishing (23) ·
Specialised design (2) ·
Television programmes (9)
Showing below up to 69 results in range #1 to #69.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)
A
- Akester (2009)
- Asser Institute and IViR (2014)
- Astle and Muir (2002)
- Attorney-General's Department (2008)
B
- Band (2013a)
- Band (2013b)
- Band and Gerafi (2013)
- Bjork (2012)
- Branstetter, Fisman and Foley (2006)
- Brassell and Goodyer (2015)
- Buccafusco and Sprigman (2010)
C
D
E
- EY (2014)
- Erickson (2014)
- European Observatory on Counterfeiting and Piracy (2010)
- European Observatory on Infringement of IPRs (2015)
F
F cont.
G
H
- Haefliger, Jäger and Von Krogh (2010)
- Handke (2012b)
- Hansen and Walden (2012)
- Hennig-Thurau, Henning and Sattler (2007)
- Hudson and Kenyon (2007)
I
- Intellectual Property Office (2014)
- Intellectual Property Office (2015b)
- Intellectual Property Office (2016a)
- Intellectual Property Office (2016b)
K
L
M
M cont.
O
P
- Peukert, Claussen and Kretschmer (2015)
- Picard, Toivonen and Grönlund (2003)
- Png and Wang (2006)
- Public and Corporate Economic Consultants (2013)
R
S
T
U
- United States Copyright Office (2011)
- United States Copyright Office (2013a)
- United States Copyright Office (2013b)
- Urban, Karaganis and Schofield (2016)
V
W
Y
Z