Browse data: Studies
From Copyright EVIDENCE
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- Studies (908)
Studies > Year :
1998 or
2012 or
2021
& Discipline :
And Market Performance or
C5: Econometric Modeling or
O34: Intellectual Property and Intellectual Capital
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Secondary Data Source:
Archival Research (1) ·
Case Study (3) ·
Document Research (4) ·
Experimental (Natural) (1) ·
Focus Groups (2) ·
Longitudinal Study (3) ·
Qualitative Collection Methods (14) ·
Qualitative content/text mining (3) ·
Quantitative Collection Methods (14) ·
Quantitative data/text mining (10) ·
Semi-Structured Interview (7) ·
Structured Interview (1) ·
Survey Research (qualitative; e.g. consumer preferences) (9) ·
Survey Research (quantitative; e.g. sales/income reporting) (12) ·
Unstructured Interview (2) ·
Web analytic (online user trace data) (5)
Calibration (1) ·
Cluster analysis (3) ·
Confirmatory Factor Analysis (CFA) (3) ·
Correlation and Association (5) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (14) ·
Discourse Analysis (3) ·
Ethnographic/narrative analysis (1) ·
Grounded Theory (2) ·
Legal Analysis (3) ·
Multivariate Statistics (4) ·
Qualitative Analysis Methods (13) ·
Qualitative Coding / Sorting (e.g. of interview data) (12) ·
Quantitative Analysis Methods (15) ·
Quantitative content analysis (e.g. text or data mining) (7) ·
Regression Analysis (11) ·
Structural Equation Modeling (6) ·
Textual Content Analysis (10) ·
Triangulation (1) ·
Visual / Other Content Analysis (1)
Argentina (1) ·
Australia (3) ·
Austria (1) ·
Bangladesh (1) ·
Belgium (1) ·
Brazil (2) ·
Canada (1) ·
China (1) ·
Denmark (1) ·
EU (1) ·
European Union (2) ·
Finland (1) ·
France (2) ·
Germany (4) ·
Ghana (1) ·
Global (7) ·
Hong Kong (1) ·
Iceland (1) ·
India (1) ·
Ireland (1) ·
Israel (1) ·
Italy (2) ·
Netherlands (1) ·
New Zealand (1) ·
Norway (1) ·
Poland (1) ·
Portugal (1) ·
South Korea (1) ·
Spain (2) ·
Switzerland (2) ·
Thailand (1) ·
The Netherlands (1) ·
Turkey (1) ·
UK (1) ·
United Kingdom (14) ·
United States (22) ·
Worldwide (1)
1 October 2018 – 30 April 2019 (1) ·
1922-1941 (1) ·
1977 - 2020 (1) ·
1984 to 2006 (1) ·
1990-2010 (1) ·
1991-2012 (1) ·
2001-2006 (1) ·
2007 to 2008 (1) ·
2008 (2) ·
2008-2009 (1) ·
2008-2011 (1) ·
2009 - 2012 (1) ·
2010-2013 (1) ·
2011 (1) ·
2011 - 2015 (1) ·
2011-2012 (4) ·
2012 (1) ·
2014 (1) ·
2017 (1) ·
2019 (1) ·
2021 (2) ·
Data was collected over two weeks in 2012. (1) ·
December 2015 – January 2016 (1) ·
January 1992 – June 2012 (1) ·
July 2003 to July 2006 (1) ·
July and August 2020 (1) ·
May 2020 – June 2020 (1) ·
No data (1) ·
Not specified, but all data (policies) were last analysed on May 5, 2021. (1) ·
Not stated (5) ·
November 2018 – January 2019 (1) ·
November and December 2019 (1) ·
Prior to 2007 (1) ·
Prior to 202 (1) ·
There is no data. (1) ·
Until 2012 (1)
Amedeo Piolatto acknowledges financial support from IVIE, the Spanish Ministry of Science and Innovation (Grant ECO2009-12680), the Barcelona GS Research Network and the Generalitat de Catalunya (Grant 2009 SGR 102). (1) ·
Australian Research Council (FT170100011) (1) ·
CIPP (1) ·
CREATe (1) ·
Congressional Research Service (1) ·
Digital Media Research Centre at the Queensland University of Technology (1) ·
ESRC (UK) Grant No. RES–186–27–0012 (1) ·
Horizon 2020 Grant Agreement No. 870626 (1) ·
House of Commons (1) ·
IPO (2) ·
Intellectual Property Office (1) ·
Motion Picture Association of America (1) ·
NSF of the Bulgarian Ministry of Education, Youth and Science, Contract, DFNI-К01/0002-21.11.2012 (1) ·
National University of Singapore through the Singapore Ministry of Education Academic Research Fund Tier 1 (1) ·
None (3) ·
None stated (1) ·
Not Stated (1) ·
Not stated (2) ·
Swansea University (1) ·
This work was partially supported by the Research Council of Norway through its Centres of Excellence scheme, project number 262762, and through the research project MASHED, project number 249817 (1) ·
UNC Arts and Humanities Research Grant (1) ·
reCreating Europe - Rethinking digital copyright law for a culturally diverse, accessible, creative Europe (870626) (1)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (20) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (12) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (8) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (13) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (30)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (11) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (11) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (4) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (21) ·
E. Fair remuneration (levies; copyright contracts) (10) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (30)
Album (1) ·
Articles (1) ·
Artist (1) ·
Country (2) ·
Court Decisions (1) ·
Digital Sales in 6 European Music Markets (1) ·
Digital heritage practitioners (1) ·
Film (1) ·
Filmmakers (1) ·
Individual (13) ·
Individual data (1) ·
Industry (1) ·
Journals (1) ·
Libraries (1) ·
Museums (1) ·
News articles (1) ·
Observations (1) ·
Publishers (1) ·
Qualitative interviews (2) ·
Responses to Calls for Evidence (1) ·
Responses to calls for evidence (1) ·
Song (1) ·
Songs (1) ·
Takedown complaints (1) ·
Takedown requests (1) ·
Termination notices (1) ·
Tweets (1) ·
University students (4) ·
Videos (1) ·
Years (1) ·
Years of sales data (1) ·
movie-by-weekend-by-country revenue observations (1) ·
videos (1)
1 January 2011 – 31 December 2015 (1) ·
1 October 2018 – 30 April 2019 (1) ·
1914-1947 (1) ·
1922-1941 (1) ·
1977 - 2020 (1) ·
1990-2010 (1) ·
1992-2012 (1) ·
1994 to 2006 (1) ·
2001-2006 (1) ·
2003-2007 (1) ·
2006-2010 (1) ·
2008 (2) ·
2008-2009 (1) ·
2008-2011 (1) ·
2009 (1) ·
2009 to 2012 (1) ·
2011 (1) ·
2011-12 (2) ·
2011-2012 (2) ·
2012 (4) ·
2017 (1) ·
2017-2019 (1) ·
2021 (1) ·
31 December 2012 (1) ·
July 2003 to 2006 (1) ·
July 2003 to July 2006 (1) ·
May 2020 – June 2020 (1) ·
Not stated (7) ·
Prior to 2012 (1) ·
Unknown (1)
Advertising (1) ·
Creative, arts and entertainment (11) ·
Cultural education (3) ·
Film and motion pictures (19) ·
Libraries, archives, museums and other cultural activities (5) ·
PR and communication (2) ·
Photographic activities (5) ·
Programming and broadcasting (3) ·
Publishing of books, periodicals and other publishing (10) ·
Software publishing (11) ·
Sound recording and music publishing (28) ·
Television programmes (13) ·
Video game publishing (2)
Showing below up to 51 results in range #1 to #51.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)
A
B
- Bar-Ziv (2021)
- Bjork (2012)
- Brøvig-Hanssen and Jones (2021)
- Buccafusco (2012)
- Buccafusco and Garcia (2021)
C
D
- Danaher and Waldfogel (2012)
- Danaher, Smith, Telang and Chen (2012)
- Danna, Martinelli and Nuvolari (2021)
- Digital, Culture, Media and Sport Committee (2021)
F
G
G cont.
H
- Handke (2012a)
- Handke (2012b)
- Holt, Bossler and May (2012)
- Hooper and Lynch (2012a)
- Hooper and Lynch (2012b)
- Hossain (2021)
J
K
L
M
O
P
R
S
T
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X
Y
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