Browse data: Studies
From Copyright EVIDENCE
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- Studies (909)
Studies > Year :
1998 or
2011 or
2015
& Discipline :
D10: General or
L82: Entertainment • Media
& Cross country study:
No
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Chan, R. Y. K. (1) ·
Cheng, H. I. (1) ·
Chiou, J. S. (1) ·
Durham, Y. (1) ·
Erickson, K. (1) ·
Esichaikul, V. (1) ·
Handke, C. (1) ·
Heald, P. J. (1) ·
Hirshleifer, J. (1) ·
Huang, C. Y. (1) ·
Korpas, A. L. (1) ·
Kretschmer, M. (1) ·
Lai, J. W. M. (1) ·
Moores, T. T. (1) ·
Omnipoll (1) ·
Perritt Jr., H. H. (1) ·
PricewaterhouseCoopers (1) ·
Rappaport, E. (1) ·
Searle, N. (1) ·
Smith, V. L. (1) ·
Sycamore Research (1) ·
United States Copyright Office (2) ·
Weisz, V. (1) ·
Wingrove, T. (1)
Related to:
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
BV Musikindustrie (1) ·
BV Phono (1) ·
BiB TV Programming Source Book (1) ·
Booksinprint.com (1) ·
Copyright renewal records (1) ·
Literature review (1) ·
Musikindustrie (1) ·
National Music Publishers Association (1) ·
None (1) ·
Phonolog data base (1) ·
Publishers Weekly (1) ·
SoundScan (1) ·
Various (1) ·
WIPO (2014) (1) ·
Yo Yo Games Store (1)
Case Study (1) ·
Document Research (3) ·
Experimental (Field) (1) ·
Experimental (Laboratory) (1) ·
Focus Groups (2) ·
Participant Observation (1) ·
Qualitative Collection Methods (4) ·
Quantitative Collection Methods (8) ·
Quantitative data/text mining (3) ·
Snowball sampling (1) ·
Survey Research (qualitative; e.g. consumer preferences) (4) ·
Survey Research (quantitative; e.g. sales/income reporting) (3)
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (3) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (4) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (2) ·
Multivariate Statistics (1) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (5) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Regression Analysis (4) ·
Structural Equation Modeling (1) ·
Textual Content Analysis (4)
Australian Copyright Council (1) ·
Congressional Research Service (1) ·
Creative Content Australia (1) ·
Hong Kong Polytechnic University (1) ·
None Stated (1) ·
Not stated (1) ·
This research is an ESRC, AHRC and IPO funded research project in the form of a placement fellowship. The fellowship places the researcher (Dr. Searle) in the Economics, Research and Evidence Team at IPO offices in London. This work was supported by the Economic and Social Research Council (grant number RES-173- 27-0219). It occurred in conjunction with the Scottish Funding Council funded Moving Targets project. (1) ·
United States Copyright Office (2)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (7) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (8) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (6)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (6) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (7)
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