Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Year :
1998 or
2015
& Discipline :
D10: General or
L82: Entertainment • Media
& Cross country study:
No
Click on one or more items below to narrow your results.
Bender (1984) (1) ·
Creative Content Australia (2014) (1) ·
Heald (2014) (1) ·
Hirshleifer (1991 (1) ·
Holm (2001) (1) ·
Jeong and Lee (2010) (1) ·
Kohn (2010) (1) ·
Passman (2013) (1) ·
Peters (2005) (1) ·
Pollock (2006) (1) ·
Rawsthorn (1997) (1) ·
Rob and Waldfogel (2006) (2) ·
Rogers and Szamosszegi (2010) (1) ·
Siwek, Stephen and Harold Furchgott-Roth (1991) (1) ·
Siwek (2013) (1) ·
Thorpe (2004) (1) ·
Towse (2000) (1) ·
Varian (2005) (1) ·
WIPO (2003) (1)
Australian Bureau of Statistics (2014) (1) ·
Australian Law Reform Commission (2013) (1) ·
BV Musikindustrie (1) ·
BV Phono (1) ·
BiB TV Programming Source Book (1) ·
Booksinprint.com (1) ·
Copyright renewal records (1) ·
Literature review (1) ·
Musikindustrie (1) ·
National Music Publishers Association (1) ·
Phonolog data base (1) ·
Publishers Weekly (1) ·
SoundScan (1) ·
Various (1) ·
WIPO (2014) (1)
Document Research (2) ·
Experimental (Laboratory) (1) ·
Focus Groups (1) ·
Participant Observation (1) ·
Qualitative Collection Methods (2) ·
Quantitative Collection Methods (4) ·
Quantitative data/text mining (3) ·
Survey Research (qualitative; e.g. consumer preferences) (2) ·
Survey Research (quantitative; e.g. sales/income reporting) (1)
Confirmatory Factor Analysis (CFA) (1) ·
Correlation and Association (1) ·
Descriptive statistics (counting; means reporting; cross-tabulation) (3) ·
Discourse Analysis (1) ·
Ethnographic/narrative analysis (1) ·
Legal Analysis (2) ·
Qualitative Analysis Methods (2) ·
Qualitative Coding / Sorting (e.g. of interview data) (1) ·
Quantitative Analysis Methods (4) ·
Quantitative content analysis (e.g. text or data mining) (2) ·
Textual Content Analysis (3)
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (6) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (3) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (6) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (2)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (3) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (1) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (2) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (4) ·
E. Fair remuneration (levies; copyright contracts) (2) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (3)
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