L82: Entertainment • Media

From Copyright EVIDENCE
A full list of disciplines is available here

L82: Entertainment • Media is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.

The following studies are coded as being associated with this discipline (142):

Aguiar and Martens (2013)Aguiar, L., & Martens, B. (2013). Digital music consumption on the internet: Evidence from clickstream data. Working Paper No. JRC79605. Available at SSRN 2265299
Aguiar and Waldfogel (2014)Aguiar, Luis, and Joel Waldfogel. Digitization, Copyright, and the Welfare Effects of Music Trade. Copyright, and the Welfare Effects of Music Trade (December 3, 2014) (2014).
Aguiar, Claussen and Peukert (2018)Aguiar, L., Claussen, J. And Peukert, C. (2018) Catch Me if You Can: Effectiveness and Consequences of Online Copyright Enforcement. Information Systems Research, 29(3), pp 656-678
Andrés (2006b)Andrés, A. R. (2006). Software piracy and income inequality. Applied Economics Letters, 13(2), 101-105.
Arnold, Darmon, Dejean and Penard (2014)Arnold M. A., Darmon E., Dejean S. and Penard T., Graduated Response Policy and the Behaviour of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law (2014)
Asser Institute and IViR (2014)T.M.C. Asser Instituut/Asser International Sports Law Centre and the Institute for Information Law - University of Amsterdam (2014) Study on Sports Organisers' Rights in the European Union, EAC/18/2012
Bae and Choi (2006)Bae, Sang Hoo, and Jay Pil Choi. A model of piracy. Information Economics and Policy 18.3 (2006): 303-320.
Bahanovich and Collopy (2009)Bahanovich, D., & Colloy, D. (2009). Music experience and behaviour in young people: 2009 National Survey. UK Music.
Bai and Waldfogel (2012)Bai, J., & Waldfogel, J. (2012). Movie piracy and sales displacement in two samples of Chinese consumers. Information Economics and Policy, 24(3), 187-196.
Balducci (2009)Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0.
Band and Gerafi (2013)Band, J. & Gerafi, J. (2013). Foreign ownership of firms in IP intensive industries. Policy Bandwidth. Available at SSRN 2333839.
Barker and Maloney (2012)Barker, G. R., & Maloney, T. J. (2012). The impact of free music downloads on the purchase of music CDs in Canada. ANU College of Law Research Paper, (4).
Bechtold (2013)Bechtold, S., 2013. The fashion of TV show formats.
Belleflamme (2002)Belleflamme, Paul. Pricing information goods in the presence of copying. U of London Queen Mary Economics Working Paper 463 (2002).
Belleflamme and Peitz (2010)Belleflamme, P., & Peitz, M. (2010). Digital piracy: Theory. CESifo Working Paper Series No. 3222. Available at SSRN 1698618.
Belleflamme and Peitz (2014)Belleflammea, Paul, and Martin Peitzb. Digital piracy. (2014).
Bellemare and Holmberg (2010)Bellemare, M. F., & Holmberg, A. M. (2010). The determinants of music piracy in a sample of college students. Available at SSRN 1481272.
Bhattacharjee, Gopal, Lertwachara and Marsden (2006b)Bhattacharjee, S., Gopal, R. D., Lertwachara, K., & Marsden, J. R. (2006). Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions*. Journal of law and economics, 49(1), 91-114.
Boorstin (2004)Boorstin, E. S. Music Sales in the Age of File Sharing (Doctoral dissertation, Princeton University).
Bounie, Bourreau and Waelbroeck (2006)Bounie, D., Bourreau, M., & Waelbroeck, P. (2006). Piracy and the demand for films: Analysis of piracy behavior in French universities. Review of Economic Research on Copyright Issues, 3(2), 15-27.
Bounie, Bourreau and Waelbroeck (2007)Bounie, D., Bourreau, M., & Waelbroeck, P. 2007. Pirates or explorers? Analysis of music consumption in French graduate schools. Brussels Economic Review, 50(2), 167-192.
Brooks (2005)Brooks, T. (2005). Survey of reissues of US recordings. Council on Library and Information Resources.
Buccafusco and Springman (2010)Buccafusco, C. J., & Sprigman, C. J. (2010). Valuing Intellectual Property: An Experiment. Cornell Law Review.
Cameron (1988)Cameron, S. (1988). The impact of video recorders on cinema attendance. Journal of Cultural Economics, 12(1), 73-80.
Carrier (2012)Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876
Chan and Lai (2011)Chan, R. Y. K. and Lai, J. W. M. 2011. Does Ethical Ideology Affect Software Piracy Attitude and Behaviour? An Empirical Investigation of Computer Users in China European Journal of Information Systems, 20, 659-673.
Charles River Associates (2014)Charles River Associates, Economic Analysis of the Territoriality of the Making Available Right in the EU (2014).
Cheliotis (2007)Cheliotis, G. (2007). Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities.
Chen, Pan and Pan (2009)Chen, M. F., Pan, C. T., & Pan, M. C. (2009). The joint moderating impact of moral intensity and moral judgment on consumer’s use intention of pirated software. Journal of Business Ethics, 90(3), 361-373.
Chiou, Cheng and Huang (2011)Chiou, J. S., Cheng, H. I., & Huang, C. Y. (2011). The effects of artist adoration and perceived risk of getting caught on attitude and intention to pirate music in the United States and Taiwan. Ethics & Behavior, 21(3), 182-196.
Chiu, Hsieh and Wang (2008)Chiu, H. C., Hsieh, Y. C. and Wang, M. C. 2008. How to Encourage Customers to use Legal Software. Journal of Business Ethics, 80, 583-595.
Condry (2004)Condry, I. (2004). Cultures of music piracy An ethnographic comparison of the US and Japan. International Journal of Cultural Studies, 7(3), 343-363.
Cotropia and Gibson (2014)Cotropia, C. A., & Gibson, J. (2014). Copyright's Topography: An Empirical Study of Copyright Litigation. Texas Law Review, 92(7).
Cox, Collins and Drinkwater (2010)Cox, J., Collins, A. and Drinkwater, S. 2010. Seeders, Leechers and Social Norms: Evidence From the Market for Illicit Digital Downloading. Information Economics and Policy, 22, 299-305.
Coyle, Gould, Gupta and Gupta (2009)Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037.
Creative Content Australia (2015)Creative Content Australia (2015). Australian Piracy Behaviours. 2015 Wave 7 Adults.
Cuntz (2018)Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg.
Danaher and Smith (2013)Danaher, B., & Smith, M. D. (2014). Gone in 60 seconds: the impact of the Megaupload shutdown on movie sales. International Journal of Industrial Organization, 33, 1-8.
Danaher, Smith, Telang and Chen (2012)Danaher, B., Smith, M. D., Telang, R., & Chen, S. (2014). The Effect of Graduated Response Anti‐Piracy Laws on Music Sales: Evidence from an Event Study in France. The Journal of Industrial Economics, 62(3), 541-553.
De Wolf and Partners (2013)Triaille, J.P., Dusollier, S., Depreeuw, S., Hubin, J.B. and De Francquen, A., 2013. Study on the application of Directive 2001/29/EC on copyright and related rights in the information society. InfoSoc Directive.
DeVany and Walls (2007)De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301.
DiCola (2013)DiCola, P. (2013). Money from Music: Survey Evidence on Musicians' Revenue and Lessons About Copyright Incentives. Ariz. L. Rev., 55, 301.
Durham, Hirshleifer, Smith (1998)Durham, Yvonne, Jack Hirshleifer, and Vernon L. Smith. Do the rich get richer and the poor poorer? Experimental tests of a model of power. The American Economic Review 88.4 (1998): 970-983.
EY (2014)EY (2014) Creating Growth: Measuring Cultural and Creative Markets in the EU,
Erickson (2014)Erickson, K. (2014) User Illusion: Ideological Construction of ‘User- Generated Content’ in the EC Consultation on Copyright. Internet Policy Review 4(3). DOI:10.14763/2014.4.331
Erickson and Kretschmer (2019)Erickson, K. And Kretschmer, M. (2019) Empirical Approaches to Intermediary Liability in THE OXFORD HANDBOOK OF INTERMEDIARY LIABILITY ONLINE (ed. Giancarlo Frosio), Oxford University Press, Forthcoming
Erickson, Heald, Homberg, Kretschmer and Mendis (2015)Erickson, K., Heald, P. J., Homberg, F., Kretschmer, M., & Mendis, D. (2015). Copyright and the Value of the Public Domain: An Empirical Assessment. Intellectual Property Office Research Paper.
Erickson, Kretschmer and Mendis (2013)Erickson, K., Kretschmer, M., & Mendis, D. (2013). Copyright and the Economic Effects of Parody: An Empirical Study of Music Videos on the YouTube Platform and an Assessment of the Regulatory Options. Intellectual Property Office Research Paper, (2013/24).
Fietkiewicz (2020)Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242
Frank N. Magid Associates (2009)Frank, N. Magid Associates. 2009. Introducing Hollywood’s best customers: Vuze user vs. general internet: Comparative data.
... further results