O33: Technological Change: Choices and Consequences • Diffusion Processes
From Copyright EVIDENCE
| Disciplines |
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O33: Technological Change: Choices and Consequences • Diffusion Processes is a discipline defined within the Copyright Evidence wiki. It is based on the JEL Discipline Classification System.
The following studies are coded as being associated with this discipline (110):
| Citation | |
|---|---|
| Akmon (2010) | Akmon, D. (2010). Only with your permission: how rights holders respond (or don’t respond) to requests to display archival materials online. Archival Science, 10(1), 45-64. |
| Altschuller and Benbunan-Fich (2009) | Altschuller, S., & Benbunan-Fich, R. (2009). Is music downloading the new prohibition? What students reveal through an ethical dilemma. Ethics and Information Technology, 11(1), 49-56. |
| Andersen and Frenz (2010) | Andersen, B. and Frenz, M. 2010. Don't Blame the P2P File-Sharers: The Impact of Free Music Downloads on the Purchase of Music CDs in Canada. Journal of Evolutionary Economics, 20, 715-740. |
| Astle and Muir (2002) | Astle, P.J. and Muir, A., 2002. Digitization and preservation in public libraries and archives. Journal of Librarianship and Information Science, 34(2), pp.67-79. |
| Aufderheide and Jaszi (2004) | Aufderheide, P., & Jaszi, P. (2004). Untold stories: Creative consequences of the rights clearance culture for documentary filmmakers. |
| Balducci (2009) | Balducci, F. (2009). Music or hi-tech lovers? Inferring into the determinants of music consumption. Rivista italiana degli economisti, 14(2), 361-0. |
| Banks and Humphreys (2008) | Banks, J., & Humphreys, S. (2008). The Labour of User Co-Creators Emergent Social Network Markets?. Convergence: the International Journal of research into New Media technologies, 14(4), 401-418. |
| Bently (2002) | Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada. |
| Bhattacharjee, Gopal and Sanders (2003) | Bhattacharjee, S., Gopal, R. D., & Sanders, G. L. (2003). Digital music and online sharing: Software piracy 2.0?. Communications of the ACM, 46(7), 107-111. |
| Bjork (2012) | Björk, B.C., The Hybrid Model for Open Access Publication of Scholarly Articles–a Failed Experiment?. |
| Bmrb Social Research (2009) | BMRB Social Research. (2009). Future copyright development. Intellectual Property Office, UK. |
| Bonner and O'Higgins (2010) | Bonner, S., & O'Higgins, E. (2010). Music piracy: ethical perspectives. Management Decision, 48(9), 1341-1354. |
| Buss and Peukert (2015) | Buss, P., & Peukert, C. (2015). R&D outsourcing and intellectual property infringement. Research Policy, 44(4), 977-989. |
| Cantatore (2014) | Cantatore, F. (2014). From vault to honesty box: Australian authors and the changing face of copyright. Bond Law Review, 25(1), 5. |
| Carrier (2012) | Carrier, M. A. (2012). Copyright and innovation: The untold story. Wisconsin Law Review 891. Available at SSRN 2099876 |
| Cave, Deegan and Heinink (2000) | Cave, M., Deegan, M. and Heinink, L., 2000. Copyright clearance in the refugee studies centre digital library project. RLG DigiNews, 4(5). |
| Corbett (2011) | Corbett, S., 2011. Archiving Our Culture in a Digital Environment: Copyright Law and Digitisation Practices in Cultural Heritage Institutions. New Zealand Law Foundation Report. |
| Coyle, Gould, Gupta and Gupta (2009) | Coyle, J. R., Gould, S. J., Gupta, P., & Gupta, R. (2009). “To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making. Journal of Business Research, 62(10), 1031-1037. |
| Cuntz (2018) | Cuntz, A. (, 2018). Creator’s Income Situation in the Digital Age. LIS Working Papers 755, LIS Cross-National Data Center in Luxembourg. |
| D'Astous, Colbert and Montpetit (2005) | d’Astous, A., Colbert, F., & Montpetit, D. (2005). Music piracy on the web–how effective are anti-piracy arguments? Evidence from the theory of planned behaviour. Journal of Consumer Policy, 28(3), 289-310. |
| Danahar, Smith and Teland (2015) | Danaher, B., Smith, M., Teland, R.,'Copyright Enforcement in the Digital Age: Empirical Evidence and Conclusions', WIPO/ACE/10/20, 2015 |
| Danaher and Waldfogel (2012) | Danaher, B., & Waldfogel, J. (2012). Reel Piracy: The Effect of Online Film Piracy on International Box Office Sales. Available at SSRN 1986299. |
| DeVany and Walls (2007) | De Vany, A. S., & Walls, W. D. (2007). Estimating the effects of movie piracy on box-office revenue. Review of Industrial Organization, 30(4), 291-301. |
| Denegri-Knott (2004) | Denegri‐Knott, J. (2004). Sinking the online “music pirates:” Foucault, power and deviance on the web. Journal of Computer‐Mediated Communication, 9(4), 00-00. |
| Depken and Simmons (2004) | C. A. Depken II & L. C. Simmons (2004) Social construct and the propensity for software piracy, Applied Economics Letters, 11:2, 97-100. |
| DiCola and Touve (2014) | DiCola, P. C., & Touve, D. (2014). Licensing in the Shadow of Copyright. |
| Dickson (2010) | Dickson, M., 2010. Due diligence, futile effort: Copyright and the digitization of the Thomas E. Watson papers. The American Archivist, 73(2), pp.626-636. |
| Dryden (2008) | Dryden, J.E., 2008. Copyright in the real world: Making archival material available on the Internet (Doctoral dissertation, University of Toronto). |
| Envisional (2011) | Envisional (2011), Technical report: An Estimate of Infringing Use of the Internet |
| European Commission (2011b) | European Commission Impact assessment on the cross-border online access to orphan works (Commission Staff Working Paper SEC (2011) 615 (final) |
| Fetscherin (2005) | Fetscherin, M. (2005). Movie piracy on peer-to-peer networks—the case of KaZaA. Telematics and Informatics, 22(1), 57-70. |
| Fietkiewicz (2020) | Fietkiewicz K.J. (2020) The Law of Live Streaming: A Systematic Literature Review and Analysis of German Legal Framework. In: Meiselwitz G. (eds) Social Computing and Social Media. Design, Ethics, User Behavior, and Social Network Analysis. HCII 2020. Lecture Notes in Computer Science, vol 12194. Springer, Cham. pp. 227-242 |
| Garcia-Álvarez, López-Sintas and Zerva (2009) | García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264. |
| George (2005) | George, C. A. (2005). Testing the barriers to digital libraries: A study seeking copyright permission to digitize published works. New Library World, 106(7/8), 332-342. |
| Ghose, Smith and Telang (2006) | Ghose, A., Smith, M.D. and Telang, R., 2006. Internet exchanges for used books: An empirical analysis of product cannibalization and welfare impact. Information Systems Research, 17(1), pp.3-19. |
| Giorcelli and Moser (2015) | Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776. |
| Goel, Miesing and Chandra (2010) | Goel, S., Miesing, P., & Chandra, U. (2010). The impact of illegal peer-to-peer file sharing on the media industry. California Management Review, 52(3), 6-33. |
| Gopal and Sanders (1997) | Gopal, R. D., & Sanders, G. L. (1997). Preventive and deterrent controls for software piracy. Journal of Management Information Systems, 29-47. |
| Gopal, Bhattacharjee and Sanders (2006) | Gopal, R. D., Bhattacharjee, S., & Sanders, G. L. (2006). Do Artists Benefit from Online Music Sharing?*. The Journal of Business, 79(3), 1503-1533. |
| Gordon (1982) | Gordon, W. J. (1982). Fair use as market failure: a structural and economic analysis of the" Betamax" case and its predecessors. Columbia Law Review, 82(8), 1600-1657. |
| Grøndal (2006) | Grøndal, L. (2006) DRM and contract terms. Available at https://www.itas.kit.edu/downloads/projekt/projekt_orwa04_indicare_174.pdf (last accessed 12/03/2023) |
| Hackett (2015) | |
| Handke (2012a) | Handke, C. (2012). A Taxonomy of Empirical Research on Copyright-How Do We Inform Policy?. Review of Economic Research on Copyright Issues, 9(1), pp.47-92. |
| Hazucha, Liu and Watabe (2013) | Hazucha, B., Liu, H. and Watabe, T, Copyright, Technological Protection Measures and Their Acceptance by Consumers in Japan, SERCI Annual Congress Conference Paper (2013). |
| Hill (2013) | Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action. |
| Hinduja (2008) | Hinduja, S. (2008). Deindividuation and internet software piracy. CyberPsychology & Behavior, 11(4), 391-398. |
| Hinduja and Higgins (2011) | Hinduja, S., & Higgins, G. E. (2011). Trends and patterns among music pirates. Deviant Behavior, 32(7), 563-588. |
| Hinduja and Ingram (2009) | Hinduja, S., & Ingram, J. R. (2009). Social learning theory and music piracy: the differential role of online and offline peer influences. Criminal Justice Studies, 22(4), 405-420. |
| Hong (2007) | Hong, S. H. (2007). The recent growth of the internet and changes in household-level demand for entertainment. Information Economics and Policy, 19(3), 304-318. |
| Hsu and Shiue (2008) | Hsu, J. L., & Shiue, C. W. (2008). Consumers’ willingness to pay for non-pirated software. Journal of Business Ethics, 81(4), 715-732. |
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