Browse data: Studies
From Copyright EVIDENCE
Choose a category:
- Studies (909)
Studies > Data collection method :
Qualitative Collection Methods or
Structured Interview or
Survey Research (qualitative; e.g. consumer preferences)
& Data analysis method:
Textual Content Analysis
Click on one or more items below to narrow your results.
Author:
Related to:
Discipline:
Artnet (1) ·
Australian Society of Authors (ASA) (1) ·
Billboard Chart (1) ·
Business Software Alliance (1) ·
CJEU website (1) ·
Case law (1) ·
Fiesler, Feuston and Bruckman (2015) (1) ·
Fiesler, Lampe and Bruckman (2016) (1) ·
Fiesler, Morrison and Bruckman (2016) (1) ·
Fiesler (2008) (1) ·
Fiesler and Bruckman (2014) (1) ·
Gale Directory of Databases (1) ·
Haverman (2004): Antebellum literary culture and the evolution of American magazines (1) ·
IMDb (1) ·
Industry (1) ·
Legislative review (1) ·
Literature review (7) ·
National studies (1) ·
None (1) ·
Pew Internet Project (1) ·
RIAA (1) ·
RIAJ (1) ·
Review of Existing Academic and Industries Literature (4) ·
Statistisches Bundesamt (1) ·
Statutory exceptions (1) ·
The Los Angeles Times (1) ·
The New York Times (1) ·
The Wall Street Journal (1) ·
The Washington Post (1) ·
USA Today (1) ·
Various (2)
Australia (8) ·
Belgium (1) ·
Brazil (2) ·
Bulgaria (1) ·
Canada (9) ·
China (3) ·
Denmark (1) ·
European Union (19) ·
France (5) ·
Germany (4) ·
Global (9) ·
Greece (1) ·
Hungary (1) ·
India (2) ·
Ireland (1) ·
Italy (3) ·
Japan (4) ·
Korea (2) ·
Mexico (1) ·
New Zealand (1) ·
Nigeria (1) ·
Norway (2) ·
Prussia (1) ·
South Korea (1) ·
Spain (1) ·
Switzerland (1) ·
Thailand (2) ·
The Netherlands (2) ·
Turkey (1) ·
Ukraine (1) ·
United Kingdom (25) ·
United States (42) ·
Unknown (1)
Time period of data collection:
Funder:
1. Relationship between protection (subject matter/term/scope) and supply/economic development/growth/welfare (65) ·
2. Relationship between creative process and protection - what motivates creators (e.g. attribution; control; remuneration; time allocation)? (21) ·
3. Harmony of interest assumption between authors and publishers (creators and producers/investors) (22) ·
4. Effects of protection on industry structure (e.g. oligopolies; competition; economics of superstars; business models; technology adoption) (44) ·
5. Understanding consumption/use (e.g. determinants of unlawful behaviour; user-generated content; social media) (40)
A. Nature and Scope of exclusive rights (hyperlinking/browsing; reproduction right) (25) ·
B. Exceptions (distinguish innovation and public policy purposes; open-ended/closed list; commercial/non-commercial distinction) (31) ·
C. Mass digitisation/orphan works (non-use; extended collective licensing) (25) ·
D. Licensing and Business models (collecting societies; meta data; exchanges/hubs; windowing; crossborder availability) (49) ·
E. Fair remuneration (levies; copyright contracts) (17) ·
F. Enforcement (quantifying infringement; criminal sanctions; intermediary liability; graduated response; litigation and court data; commercial/non-commercial distinction; education and awareness) (40)
Data unit of assessment:
Data material year:
Computer consultancy (2) ·
Computer programming (3) ·
Creative, arts and entertainment (28) ·
Cultural education (19) ·
Film and motion pictures (21) ·
Libraries, archives, museums and other cultural activities (20) ·
PR and communication (1) ·
Photographic activities (12) ·
Programming and broadcasting (4) ·
Publishing of books, periodicals and other publishing (34) ·
Software publishing (16) ·
Sound recording and music publishing (33) ·
Specialised design (1) ·
Television programmes (16) ·
Video game publishing (1)
Showing below up to 97 results in range #1 to #97.
View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)
A
- Al-Rafee and Cronan (2006)
- Arnold, Darmon, Dejean and Penard (2014)
- Asser Institute and IViR (2014)
- Astle and Muir (2002)
- Aufderheide and Jaszi (2004)
- Australian Law Reform Commission (2013)
B
- BOP Consulting and DotEcon (2015)
- Balducci (2009)
- Belleflamme and Peitz (2010)
- Benkler (1999)
- Bently (2002)
- Bently et al. (2017)
- Bjork (2012)
- Buccafusco and Masur (2013)
C
- Cameron and Bazelon (2013)
- Canat, Guibault and Logeais (2015)
- Carrier (2012)
- Cave, Deegan and Heinink (2000)
- Center for Social Media (2010)
- Commission of the European Communities (2005a)
- Condry (2004)
- Corbett (2011)
- Coyle, Gould, Gupta and Gupta (2009)
- Creative Content Australia (2015)
D
- Deazley (2008)
- Denoyelle et al (2018)
- Depoorter and Walker (2013)
- Dickson (2010)
- Djekic and Loebbecke (2005)
- Dowthwaite et al (2016)
- Dryden (2008)
E
E cont.
F
- Favale (2011)
- Favale (2020)
- Favale, Homberg, Kretschmer, Mendis and Secchi (2013)
- Fetscherin and Schmid (2003)
- Fiesler (2018)
- Fiesler, Lampe, and Bruckman (2016)
- Fromer and Lemley (2013)
G
H
- Hackett (2015)
- Haigh (2009)
- Handke, Girard and Mattes (2015)
- Hansen, Hashimoto, Hinze, Samuelson and Urban (2013)
- Haveman and Kluttz (2014)
- Hudson and Kenyon (2007)
- Humphreys (2008)
- Humphreys, Fitzgerald, Banks, Suzor (2008)
I
- Ilevbare (2008)
- Intellectual Property Office (2014)
- Intellectual Property Office (2015b)
- Intellectual Property Office (2019)
K
- Kawohl and Kretschmer (2003)
- Kheria (2012)
- Korn (2009)
- Kretschmer, Derclaye, Favale and Watt (2010)
- Krogh and Hippel (2006)
L
L cont.
M
- Marshall (2004)
- Max Planck Institute (2013)
- Moores and Esichaikul (2011)
- Morrison and Secker (2015)
- Morrison and Secker (2017)
O
P
R
S
- Sag (2015)
- Sarikakis, Krug and Rodriguez-Amat (2017)
- Schofield and Urban (2015)
- Shaheed (2014)
- Sinnreich and Aufderheide (2015)
- Steinmetz and Tunnell (2013)
- Stobo, Deazley and Anderson (2013)
T
U
- United States Copyright Office (2013b)
- United States Copyright Office (2015a)
- United States Copyright Office (2015b)
V
W
X
Y
Z