Grounded Theory
From Copyright EVIDENCE
Grounded Theory is a qualitative method defined within the Copyright Evidence wiki.
The following studies use this method for data analysis (18):
| Citation | |
|---|---|
| Fiesler, Feuston and Bruckman (2015) | Fiesler, C., Feuston, J. L., & Bruckman, A. S. (2015, February). Understanding Copyright Law in Online Creative Communities. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (pp. 116-129). ACM. |
| Garcia-Álvarez, López-Sintas and Zerva (2009) | García‐Álvarez, E., López‐Sintas, J., & Zerva, K. (2009). A contextual theory of accessing music: Consumer behavior and ethical arguments. Consumption, Markets and Culture, 12(3), 243-264. |
| Hill (2013) | Hill, B. M. (2013). Almost Wikipedia: Eight Early Encyclopedia Projects and the Mechanisms of Collective Action. |
| Iljadica (2016) | Iljadica, M. (2016) Copyright Beyond Law - Regulating Creativity in the Graffiti Subculture, Hart Publishing |
| Iljadica (2017) | Iljadica, M., 'Painting on Walls: Street Art without Copyright?', in Darling, K. and Perzanowski, A. (eds.), Creativity Without Law: Challenging the Assumptions of Intellectual Property, New York University Press, New York, 2017, pp. 277–332. |
| Kaye and Gray (2021) | Kaye, D. B. V., & Gray, J. E. (2021). Copyright Gossip: Exploring Copyright Opinions, Theories, and Strategies on YouTube. Social Media + Society. https://doi.org/10.1177/20563051211036940 |
| Kheria (2013) | Kheria, S. (2013). Copyright and Digital Art Practice: The ‘Schizophrenic’Position of the Digital Artist. Leonardo Electronic Almanac, 19(4). |
| Kretschmer, Klimis, and Choi (1999) | Kretschmer, M., Klimis, G. M., & Choi, C. J. (1999). Increasing returns and social contagion in cultural industries. British Journal of Management, 10(s1), 61-72. |
| Liebowitz (2006a) | Liebowitz, S. J. (2005). Economists examine file-sharing and music sales.Industrial organization and the digital economy, 145-174. |
| Papies and Clement (2008) | Papies, D., & Clement, M. (2008). Adoption of new movie distribution services on the Internet. Journal of Media Economics, 21(3), 131-157. |
| Pappalardo and Aufderheide (2020) | Pappalardo, K. and Aufderheide, P. (2020) Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse. Cultural Science Journal, 12(1), pp 1-12 |
| Peace, Galletta and Thong (2003) | Peace, A. G., Galletta, D. F., & Thong, J. Y. (2003). Software piracy in the workplace: A model and empirical test. Journal of Management Information Systems, 20(1), 153-177. |
| Scotchmer (2011) | Scotchmer, S. (2011). Ideas and Innovations: Which should be subsidized?. Available at SSRN 1755091. |
| Sinclair and Green (2016) | Sinclair, G and Green, T (2018) Download or stream? Steal or buy? Developing a typology of today's music consumer. Journal of Consumer Behaviour, 15(1), pp 3 - 14 |
| Singh and Kretschmer (2012) | Singh, S., Kretschmer, M. (2012). Strategic behaviour in the international exploitation of TV formats: A case study of the idols format. Chapter 1 in edited volume – Idols: Authenticity, Identity and Performance in a Global Television Format (eds. Koos Zwaan and Joost de Bruin), Farnham: Ashgate. |
| Wang, Chen, Yang and Farn (2009) | Wang, C. C., Chen, C. T., Yang, S. C., & Farn, C. K. (2009). Pirate or buy? The moderating effect of idolatry. Journal of Business Ethics, 90(1), 81-93. |
| Yang, Sonmez, Bosworth and Fryxell (2009) | Yang, D., Sonmez, M., Bosworth, D., & Fryxell, G. (2009). Global software piracy: Searching for further explanations. Journal of Business Ethics, 87(2), 269-283. |
| Zerkee, Savage and Campbell (2022) | Zerkee, J., Savage, S., & Campbell, J. (2022). Canada’s Copyright Act review: Implications for fair dealing and higher education. Journal of Copyright in Education and Librarianship, 5(1), 1-27. https://doi.org/10.17161/jcel.v5i1.15513 |
