Historical Methods
From Copyright EVIDENCE
Historical Methods is a qualitative method defined within the Copyright Evidence wiki. The following studies use this method for data collection (9):
Citation | |
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Bently (2002) | Bently, L. (2002). Between a rock and a hard place: The problems facing freelance creators in the UK media market–place. London: Institute of Employment Rights. ii. Canada. |
De Beer and Bouchard (2010) | De Beer, J., & Bouchard, M. (2010). Canada's' Orphan Works' Regime: Unlocatable Owners and the Copyright Board. Oxford University Commonwealth Law Journal, 10(2), 215. |
Deazley (2008) | Deazley, R. (2008) ‘Commentary on Milton's Contract 1667', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org |
Fyfe (2020) | Fyfe, A. (2020) The production, circulation, consumption and ownership of scientific knowledge: historical perspectives. CREATe Working Paper 2020/4 |
Giorcelli and Moser (2015) | Giorcelli, M., & Moser, P. (2014). Copyright and Creativity: Evidence from Italian Operas. Available at SSRN 2505776. |
Lemley (1997) | Lemley, M. A. (1997). The Economics of Improvement in Intellectual Property Law. Tex. L. Rev., 75, 989-1835. |
Towse (2015) | Towse, Ruth. "Copyright and Business Models in UK Music Publishing." |
Towse (2016) | Towse, R. (2016) Copyright Auctions and the Asset Value of a Copyright Work. Review of Economic Research on Copyright Issues. 13(2), pp83-99 |
Towse (2017) | Towse, R. (2017) Economics of music publishing: copyright and the market. Journal of Cultural Economics, 41, 403-420 |